1. Illustration
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  1. Reflections on My Non-Permanent Environmental and Permanent Outdoor Sculptures
  2. Helen Escobedo
  3. pp. 177-181
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  1. On My Work with the Pioneer of Kinetic Electric Light Art, Zdeněk Pešánek (1896–1965): A Memoire
  2. Jaromír Fiala, Jaroslava Budínská
  3. pp. 182-185
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  1. On His Work as an Independent Surrealist Painter
  2. Michael Hasted
  3. pp. 186-191
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  1. Science and the Fine Arts: Reflections of Platonic Idealism and of Aristotelian Naturalism
  2. Duane H. D. Roller
  3. pp. 192-198
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  1. On the Revised Standards for Visual Art Teacher Preparation Programs in the U.S.A.
  2. Foster Wygant
  3. pp. 199-204
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  1. The Sense of Permanence and of Change in My Transformable Wood Objects
  2. Giorgio Careri
  3. pp. 205-206
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  1. Wire Toys in Africa South of the Sahara
  2. J. B. Deregowski
  3. pp. 207-208
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  1. Comments on the Note by Jean C. Rush on the Appeal of M. C. Escher’s Pictures
  2. Michele Emmer
  3. pp. 209-210
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  1. Pictures Dealing with Aspects of Human Existence: Symbophilia and Psychostimulanta
  2. Ralph H. Gander
  3. pp. 211-212
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  1. My Use of Acrylic Transfers as an Alternative Collage-Making Method
  2. Gillian Hill
  3. pp. 213-215
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  1. My Neoplastic Paintings and Reliefs
  2. ‘Jaya’ James Kern
  3. pp. 216-218
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  1. Highly Abstract Figurative Oil Paintings: Long-Unfulfilled Dreams of Mine
  2. Byong Rye Kim, Hee Mong Kim, David W. Brisson
  3. pp. 219-220
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  1. Report on the National Conference of the Sociology of the Arts, William Paterson College, New Jersey, U.S.A., in 1979
  2. Rosanne Martorella
  3. pp. 221-222
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  1. Contemporary Anthropocentrism: On Science and Traditional Cultures
  2. Pierre Auger
  3. pp. 223-228
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  1. Art and Educational Inflation
  2. Jacques Barzun
  3. pp. 229-233
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  1. Terminology
  2. p. 241
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  1. La Pensée scientifique: Quelques concepts, démarches et méthodes by Andrzej Mostowski (review)
  2. Pierre Auger
  3. pp. 246-247
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  1. How We Know: An Exploration of the Scientific Process by Martin Goldstein and Inge F. Goldstein (review)
  2. Waldo E. Haisley
  3. p. 247
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  1. Science as a Human Endeavor by George F. Kneller (review)
  2. James A. Goldman
  3. pp. 247-248
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  1. Origins in Acoustics: The Science of Sound from Antiquity to the Age of Newton by Frederick Vinton Hunt (review)
  2. W. Garner
  3. pp. 248-249
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  1. Camp William James by Jack J. Preiss (review)
  2. Gifford Phillips
  3. pp. 249-250
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  1. A Sense of What Is Real: The Arts and Existential Man by Philip Pacey (review)
  2. Peter Y. Windt
  3. p. 250
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  1. The Arts and Cognition ed. by David Perkins and Barbara Leondar (review)
  2. R. W. Pickford
  3. pp. 250-251
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  1. Art in Primitive Societies by Richard L. Anderson (review)
  2. Jan B. Deregowski
  3. p. 251
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  1. Coptic Art and Archaeology: The Art of the Christian Era from the Late Antique to the Middle Ages by Alexander Badawy (review)
  2. Sherley Farness
  3. p. 251
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  1. Paris 1900–1914: The Miraculous Years by Nigel Gosling (review)
  2. Jeanne Brody
  3. pp. 251-252
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  1. Constructive Concepts: A History of Constructive Art from Cubism to the Present by Willy Rotzler (review)
  2. Christopher Crouch
  3. p. 252
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  1. Marcel Duchamp ed. by Anne d’Harnoncourt and Kynaston McShire (review)
  2. M.F.R. Miles
  3. pp. 253-254
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  1. Louis M. Eilshemius: Selections from the Hirshhorn Museum and Sculpture Garden (review)
  2. Dorothy Grotz
  3. p. 254
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  1. Domela: Catalogue maisonné de César Domela-Nieuwenhuis by Alain Clairet (review)
  2. Christopher Crouch
  3. p. 254
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  1. Michael Seuphor: Ecrits, oeuvre, documents et temoignages by Carmen Martinez (review)
  2. Emiel Bergen
  3. pp. 254-255
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  1. High Diver by Michael Wishart (review)
  2. R. S. Biran
  3. p. 255
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  1. Painting Nature: Solving Landscape Problems by Franklin Jones (review)
  2. Nancy Hubbe
  3. p. 255
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  1. L’Ordinateur et les arts visuels ed. by François Molnar (review)
  2. Jean Christopher Belcaille
  3. p. 256
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  1. Video-Visions: A Medium Discovers Itself by Jonathan Price (review)
  2. W. M. H. Kaiser
  3. p. 256
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  1. More Studio Tips for Artists and Graphic Designers by Bill Gray (review)
  2. M. S. Thompson
  3. p. 256
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  1. Structure in Nature Is a Strategy for Design by Peter Pearce (review)
  2. Donald J. Bush
  3. pp. 256-257
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  1. Morality and Architecture by David Watkin (review)
  2. Arnold Berleant
  3. pp. 257-258
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  1. Mind and Image: An Essay on Art and Architecture by Herb Greene (review)
  2. David G. De Long
  3. p. 258
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  1. The Architecture of Luis Barragan by Emilio Ambasz (review)
  2. Rod Hackney
  3. pp. 258-259
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  1. Urban Planning in Rich and Poor Countries by Hugh Stretton (review)
  2. N. N. Patricios
  3. p. 259
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  1. Reading, the Arts, and the Creation of Meaning ed. by Elliot Eisner (review)
  2. Jan J. Valtr
  3. pp. 259-260
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  1. Letters
  2. R. N. MacGregor, David Carrier, J. L. Broeckx, Arpad Mezei, Tim Healey, Brian Stableford, Ralph Berger
  3. pp. 262-264
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  1. Books Received
  2. pp. 260-261
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