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In this Issue

Table of Contents

  1. Illustration
  3. restricted access
  1. An Application of the Water Bell Liquid Flow Phenomenon in Visual Art
  2. Philip Bornarth, Franklyn K. Schwaneflugel
  3. pp. 265-269
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  1. Computer Art: Pictures Composed of Binary Elements on a Square Grid
  2. Michael Thompson
  3. pp. 271-276
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  1. On Painting Realistically: A Memoir
  2. Anthony Toney
  3. pp. 277-282
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  1. Perception of Perspective Pictorial Space from Different Viewing Points
  2. Rudolf Arnheim
  3. pp. 283-288
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  1. The Symbolism of the Cross in Sacred and Secular Art
  2. Tim Healey
  3. pp. 289-294
  4. restricted access
  1. On Interpreting Pictorial Art: Reflections on J. J. Gibson’s Invariants Hypothesis
  2. David R. Topper
  3. pp. 295-300
  4. restricted access
  1. On My Approach to Making Paintings in Black and White
  2. Joan B. Altabe
  3. pp. 301-302
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  1. The Structuralism of Claude Levi-Strauss and the Visual Arts
  2. Art Brenner
  3. pp. 303-306
  4. restricted access
  1. Participatory Art with Steam as Medium: ‘Steam Works’
  2. Joan Brigham
  3. pp. 307-308
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  1. My Sculpture Made from Polyester Resin and Bones
  2. Rita Kepner
  3. pp. 309-311
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  1. Comments on David L. Drabkin’s book Fundamental Structure: Nature’s Architecture
  2. Arthur L. Loeb
  3. pp. 313-314
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  1. Paintings and Poetry: A Teaching/Learning Experience in Self-Actualization
  2. Patricia L. Musick
  3. pp. 315-316
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  1. Comments on Umberto Eco’s Book A Theory of Semiotics
  2. John A. Walker
  3. pp. 317-319
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  1. A Commentary on Királyfalvi’s Book The Aesthetics of György Lukács
  2. Forrest Williams
  3. pp. 320-321
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  1. Deciphering the Signs of the Times
  2. Jonathan Culler
  3. pp. 322-323
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  1. Science Foils Poetry
  2. Antoine Pevsner
  3. pp. 324-325
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  1. Terminology
  3. p. 326
  4. restricted access
  1. International Science-Art News
  2. John H. Holloway, Trevor R. Tolhurst
  3. pp. 327-328
  4. restricted access
  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 329-332
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  1. The Heritage of Copernicus: Theories ‘Pleasing to the Mind’ ed. by Jerzy Neyman (review)
  2. James A. Goldman
  3. p. 333
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  1. Science and Society: Past, Present and Future ed. by Nicholas H. Steneck (review)
  2. J. C. Kapur
  3. pp. 333-334
  4. restricted access
  1. Symmetry in Science and Art by A. V. Shubnikov and V. A. Koptsik (review)
  2. Marc H. Bornstein
  3. p. 334
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  1. Magic Squares by John Lee Fults (review)
  2. S. T. Ts’ai
  3. p. 334
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  1. Cymatics, Vol. II by Hans Jenny (review)
  2. S. W. Hayter
  3. pp. 334-335
  4. restricted access
  1. Lasers by O. S. Heavens (review)
  2. J. S. Ostoja-Kotkowski
  3. p. 335
  4. restricted access
  1. Handbook of Perception, Vol. 5—Seeing ed. by Edward C. Carterette and Morton P. Friedman (review)
  2. John M. Kennedy
  3. p. 335
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  1. The Visual World of the Child by Eliane Vurpillot (review)
  2. Albert Yonas
  3. pp. 335-336
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  1. Philosophy of Beauty by Francis J. Kovach (review)
  2. Allan Shields
  3. p. 336
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  1. Marxist Esthetics by Henri Arvon (review)
  2. Jeanne Brody
  3. pp. 336-337
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  1. Vision and Artifact ed. by Mary Henle (review)
  2. Kim James
  3. p. 337
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  1. Studies in Comparative Aesthetics: Monographs of the Society for Asian and Comparative Philosophy, No. 2 by Eliot Deutsch, Art and Inquiry by Berel Lang (review)
  2. Elmer H. Duncan
  3. pp. 337-338
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  1. Art and the Aesthetic: All Institutional Analysis by George Dickie (review)
  2. Gerhard Charles Rump
  3. pp. 338-339
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  1. The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and Pater by Richard L. Stein (review)
  2. Blake Morrison
  3. p. 339
  4. restricted access
  1. Shape Grammars and Their Uses: Artificial Perception, Shape Generation and Computer Aesthetics by James Gips, Pictorial and Formal Aspects of Shape and Shape Grammars: On Computer Generation of Aesthetic Objects by George Stiny (review)
  2. Vladimir Bonačić
  3. pp. 339-340
  4. restricted access
  1. The Use and Abuse of Art by Jacques Barzun (review)
  2. Henry Abramovitch
  3. p. 340
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  1. Causing, Perceiving and Believing by Peter H. Hare and Edward H. Madden (review)
  2. P. T. Landsberg
  3. p. 340
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  1. Toward the Transformation of Art by Justin Schorr (review)
  2. Bernard Myers
  3. pp. 340-341
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  1. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France by Francis Haskell (review)
  2. Barron M. Hirsch
  3. p. 341
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  1. Cultural Policy in Finland (review)
  2. Yrjänä Levante
  3. p. 341
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  1. Cultural Policy in Kenya by Kivuto Ndeti, The Cultural Policy of the United Republic of Tanzania by L. A. Mbughuni (review)
  2. S. I. Clerk
  3. pp. 341-342
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  1. Artists and Their Public by Nigel Abercrombie (review)
  2. David Friend
  3. p. 342
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  1. The Awkward Embrace: The Creative Artist and the Institution in America by Joan Simpson Burns (review)
  2. Gifford Phillips
  3. pp. 342-343
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  1. African Art in Motion by Robert Farris Thompson (review)
  2. Gerald Moore
  3. p. 343
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  1. American Sculpture in Process: 1930/1970 by Wayne Andersen (review)
  2. Peter Lipman-Wulf
  3. p. 343
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  1. The Bachelor Machines ed. by Harald Szeeman (review)
  2. Joseph Adler
  3. p. 344
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  1. Hyperrealism by Linda Chase, Super Realism: A Critical Anthology ed. by Gregory Battcock (review)
  2. Donna Stein
  3. p. 344
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  1. The World as Non-Objectivity: Unpublished Writings 1922–25 by K. S. Malevich (review)
  2. Ilya Bolotowsky
  3. pp. 344-345
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  1. Paul Klee Notebooks, Vol. 2: The Nature of Nature ed. by Jürg Spiller (review)
  2. Frederick S. Levine
  3. p. 345
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  1. Max Ernst: A Retrospective by Diane Waldman, Max Ernst o la Dissolució de la Identitat by Pere Gimferrer, Todo Dali en un Rostro by Luis Romero (review)
  2. Norman Narotzky
  3. pp. 345-346
  4. restricted access
  1. The Art of Romare Bearden: The Prevalence of Ritual by M. Bunch Washington (review)
  2. Margaret T. G. Burroughs
  3. p. 346
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  1. The Visual Bible: Ninety-Two Drawings by Mortimer Borne (review)
  2. R. S. Biran
  3. p. 346
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  1. Mosaics: The Secrets, Tools and Techniques by Brian Bull (review)
  2. Michel Schmidt-Chevalier
  3. p. 346
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  1. The Art of Print Making: A Comprehensive Guide to Graphic Techniques by Erich Rhein (review)
  2. Romas Viesulas
  3. p. 347
  4. restricted access
  1. Screen Printing Techniques by Silvie Turner (review)
  2. Ruth Faerber
  3. p. 347
  4. restricted access
  1. The Origins of Digital Computers: Texts and Monographs in Computer Science ed. by Brian Randell, Computer Graphics: 118 Computer-Generated Designs by Melvin L. Prueitt (review)
  2. George Stiny
  3. p. 347
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  1. Street Art by Robert Sommer (review)
  2. Wayne Enstice
  3. pp. 347-348
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  1. Animal Architecture by Karl von Frisch (review)
  2. Donald J. Bush
  3. p. 348
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  1. Architecture and the Environment by Maxwell Fry and Jane Drew (review)
  2. Constance E. Wagar
  3. p. 348
  4. restricted access
  1. Cinematics by Paul Weiss (review)
  2. Harry Rand
  3. p. 349
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  1. Letters
  3. pp. 351-352
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  1. Books Received
  3. pp. 349-350
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