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In this Issue

Table of Contents

  1. Performing Serpent Mound: A Trans-Indigenous Meditation
  2. Chadwick Allen
  3. pp. 391-411
  4. DOI: https://doi.org/10.1353/tj.2015.0096
  5. restricted access
  1. Discarding Sympathy, Disrupting Catharsis: The Mortification of Indigenous Flesh as Survivance-Intervention
  2. Jill Carter
  3. pp. 413-432
  4. DOI: https://doi.org/10.1353/tj.2015.0103
  5. restricted access
  1. Shakespeare among the “Salvages”: The Bard in Red Atlantic Performance
  2. Jace Weaver
  3. pp. 433-443
  4. DOI: https://doi.org/10.1353/tj.2015.0109
  5. restricted access
  1. A “Harmony of Frenzy”: Māori in Manhattan, 1909–10
  2. Marianne Schultz
  3. pp. 445-464
  4. DOI: https://doi.org/10.1353/tj.2015.0074
  5. restricted access
  1. Oceanic Imaginaries and Waterworlds: Vaka Moana on the Sea and Stage
  2. Diana Looser
  3. pp. 465-486
  4. DOI: https://doi.org/10.1353/tj.2015.0080
  5. restricted access
  1. Hula for the Future: Patrick Makuakāne and the Hula Mua “Salva Mea”
  2. Angeline Shaka
  3. pp. 487-501
  4. DOI: https://doi.org/10.1353/tj.2015.0086
  5. restricted access
  1. A Meeting of Nations: Trans-Indigenous and Intercultural Interventions in Contemporary Indigenous Dance
  2. Rachael Swain
  3. pp. 503-521
  4. DOI: https://doi.org/10.1353/tj.2015.0093
  5. restricted access
  1. Emiliano and the Train to the Underworld [Emiliano Y el Tren al Inframundo] dir. by Miguel Ángel Gutiérrez, and: The Beast: Stories that Migrate, Stories with Faces [La Bestia: Historias Que Migran, Historias Con Caras] by Ana Paula Uruñuela (review)
  2. Ana Elena Puga
  3. pp. 523-527
  4. DOI: https://doi.org/10.1353/tj.2015.0100
  5. restricted access
  1. My Name is Gary Cooper by Victor Rodger (review)
  2. Diana Looser
  3. pp. 528-530
  4. DOI: https://doi.org/10.1353/tj.2015.0107
  5. restricted access
  1. Girl on a Corner by Victor Rodger, and: Marama dir. by Nina Nawalowalo, and: Room 1334 by Mika, and: Te Matatini—National Kapa Haka Festival (review)
  2. Sharon Mazer
  3. pp. 530-532
  4. DOI: https://doi.org/10.1353/tj.2015.0072
  5. restricted access
  1. Tekcno Powwow III by Bently Spang (review)
  2. Cecilia J. Aragón
  3. pp. 533-535
  4. DOI: https://doi.org/10.1353/tj.2015.0078
  5. restricted access
  1. Kampala International Theatre Festival (review)
  2. Julia Goldstein
  3. pp. 535-540
  4. DOI: https://doi.org/10.1353/tj.2015.0084
  5. restricted access
  1. La Vida es Sueño by Pedro Calderón de la Barca (review)
  2. Jimmy A. Noriega
  3. pp. 540-541
  4. DOI: https://doi.org/10.1353/tj.2015.0091
  5. restricted access
  1. Musical Woyzeck by Georg Büchner (review)
  2. Claire Maria Chambers, Dong Hwan Alex Chun
  3. pp. 541-543
  4. DOI: https://doi.org/10.1353/tj.2015.0098
  5. restricted access
  1. Searching for the Source and Asking the Way dir. by Pei Yanling (review)
  2. Josh Stenberg
  3. pp. 544-546
  4. DOI: https://doi.org/10.1353/tj.2015.0105
  5. restricted access
  1. The Tempest by William Shakespeare (review)
  2. Jieun Lee
  3. pp. 546-548
  4. DOI: https://doi.org/10.1353/tj.2015.0111
  5. restricted access
  1. Morbror Vanja (Uncle Vanya) by Anton Chekhov (review)
  2. Bryce Lease
  3. pp. 548-550
  4. DOI: https://doi.org/10.1353/tj.2015.0076
  5. restricted access
  1. Interferences International Theatre Festival (review)
  2. Jozefina Komporaly
  3. pp. 550-554
  4. DOI: https://doi.org/10.1353/tj.2015.0082
  5. restricted access
  1. Threesome by Yussef El Guindi (review)
  2. Michael Malek Najjar
  3. pp. 554-556
  4. DOI: https://doi.org/10.1353/tj.2015.0088
  5. restricted access
  1. Zealot by Theresa Rebeck (review)
  2. Jocelyn L. Buckner
  3. pp. 556-558
  4. DOI: https://doi.org/10.1353/tj.2015.0095
  5. restricted access
  1. Native Guard by Natasha Trethewey (review)
  2. Shondrika Moss-Bouldin
  3. pp. 558-560
  4. DOI: https://doi.org/10.1353/tj.2015.0102
  5. restricted access
  1. Father Comes Home from the Wars (Parts 1, 2 & 3) by Suzan-Lori Parks (review)
  2. Laura R. Dougherty
  3. pp. 560-563
  4. DOI: https://doi.org/10.1353/tj.2015.0108
  5. restricted access
  1. Allegro by Richard Rodgers and Oscar Hammerstein II (review)
  2. Bradley Rogers
  3. pp. 563-565
  4. DOI: https://doi.org/10.1353/tj.2015.0073
  5. restricted access
  1. Research Theatre, Climate Change, and the Ecocide Project: A Casebook by Una Chaudhuri and Shonni Enelow (review)
  2. Theresa May
  3. pp. 567-568
  4. DOI: https://doi.org/10.1353/tj.2015.0079
  5. restricted access
  1. Performance on Behalf of the Environment ed. by Richard D. Besel and Jnan A. Blau. Lanham (review)
  2. Wendy Arons
  3. pp. 568-569
  4. DOI: https://doi.org/10.1353/tj.2015.0085
  5. restricted access
  1. Salmon is Everything: Communitybased Theatre in the Klamath Watershed by Theresa May (review)
  2. Bronwyn Preece
  3. pp. 569-571
  4. DOI: https://doi.org/10.1353/tj.2015.0092
  5. restricted access
  1. Performing Environments: Sitespecificity in Medieval and Early Modern English Drama ed. by Susan Bennett and Mary Polito (review)
  2. Robert W. Barrett Jr.
  3. pp. 571-572
  4. DOI: https://doi.org/10.1353/tj.2015.0099
  5. restricted access
  1. Shakespeare’s Staged Spaces and Playgoers’ Perceptions by Darlene Farabee (review)
  2. Adam Sheaffer
  3. pp. 572-573
  4. DOI: https://doi.org/10.1353/tj.2015.0106
  5. restricted access
  1. Shakespeare and the Culture of Romanticism ed. by Joseph M. Ortiz (review)
  2. Dan Venning
  3. pp. 573-575
  4. DOI: https://doi.org/10.1353/tj.2015.0071
  5. restricted access
  1. On Flinching: Theatricality and Scientific Looking from Darwin to Shell Shock by Tiffany Watt Smith (review)
  2. Stanton B. Garner Jr.
  3. pp. 575-576
  4. DOI: https://doi.org/10.1353/tj.2015.0077
  5. restricted access
  1. Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others by Emma Willis (review)
  2. Scott Magelssen
  3. pp. 576-577
  4. DOI: https://doi.org/10.1353/tj.2015.0083
  5. restricted access
  1. Performing Religion in Public ed. by Claire Maria Chambers, Simon W. du Toit, and Joshua Edelman (review)
  2. Roy Brooks-Delphin
  3. pp. 577-579
  4. DOI: https://doi.org/10.1353/tj.2015.0090
  5. restricted access
  1. Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change by Dani Snyder-Young (review)
  2. John Fletcher
  3. pp. 579-580
  4. DOI: https://doi.org/10.1353/tj.2015.0097
  5. restricted access
  1. Performing Policy: How Contem-Porary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century by Paul Bonin-Rodriguez (review)
  2. Sonja Arsham Kuftinec
  3. pp. 580-581
  4. DOI: https://doi.org/10.1353/tj.2015.0104
  5. restricted access
  1. Performance, Identity, and Immigration Law: A Theatre of Undocumentedness by Gad Guterman (review)
  2. Christopher Goodson
  3. pp. 582-583
  4. DOI: https://doi.org/10.1353/tj.2015.0110
  5. restricted access
  1. The Performance of Nationalism: India, Pakistan, and the Memory of Partition by Jisha Menon (review)
  2. Kareem Khubchandani
  3. pp. 583-584
  4. DOI: https://doi.org/10.1353/tj.2015.0075
  5. restricted access
  1. The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo, and: Pop Goes the Avant-Garde: Experimental Theater in Contemporary China by Rossella Ferrari (review)
  2. Emily E. Wilcox
  3. pp. 584-586
  4. DOI: https://doi.org/10.1353/tj.2015.0081
  5. restricted access
  1. Dance on its Own Terms: Histories and Methodologies ed. by Melanie Bales and Karen Eliot (review)
  2. Ariel Nereson
  3. pp. 586-587
  4. DOI: https://doi.org/10.1353/tj.2015.0087
  5. restricted access
  1. Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)
  2. David Bisaha
  3. pp. 587-589
  4. DOI: https://doi.org/10.1353/tj.2015.0094
  5. restricted access
  1. Editorial Comment: TransIndigenous Performance
  2. Ric Knowles
  3. pp. ix-xv
  4. DOI: https://doi.org/10.1353/tj.2015.0089
  5. restricted access
  1. Books Received
  3. pp. 590-600
  4. DOI: https://doi.org/10.1353/tj.2015.0101
  5. restricted access