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Table of Contents

  1. Editors’ Note
  2. p. 7
  3. DOI: https://doi.org/10.1353/vcr.2014.0013
  4. restricted access
  1. Intellectual Disability
  2. Martha Stoddard Holmes
  3. pp. 9-14
  4. DOI: https://doi.org/10.1353/vcr.2014.0017
  5. restricted access
  1. “A Human Bundle”: The Disaggregated Other at the Fin de Siècle
  2. Ryan Sweet
  3. pp. 14-18
  4. DOI: https://doi.org/10.1353/vcr.2014.0022
  5. restricted access
  1. “The Little Dog Is Only a Stage Property”: The Blind Man’s Dog in Victorian Culture
  2. Jennifer Esmail
  3. pp. 18-23
  4. DOI: https://doi.org/10.1353/vcr.2014.0000
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  1. Animal Age
  2. Teresa Mangum
  3. pp. 24-27
  4. DOI: https://doi.org/10.1353/vcr.2014.0004
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  1. Hajjin: “Photographed from Life”
  2. Susan Hamilton
  3. pp. 28-31
  4. DOI: https://doi.org/10.1353/vcr.2014.0008
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  1. The Inhumanity of Political Economy: Mid-Victorian Feminism and the Politics of the Abstract
  2. Sarah Dredge
  3. pp. 31-35
  4. DOI: https://doi.org/10.1353/vcr.2014.0012
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  1. Inhuman Rhythms: Working-Class Railway Poets and the Measure of Industry
  2. Kirstie Blair
  3. pp. 35-39
  4. DOI: https://doi.org/10.1353/vcr.2014.0016
  5. restricted access
  1. Comprehending the Slum-Dweller: Affect and A Child of the Jago
  2. Arlene Young
  3. pp. 39-43
  4. DOI: https://doi.org/10.1353/vcr.2014.0020
  5. restricted access
  1. The Slave Trade and Victorian “Humanity”
  2. Richard Huzzey
  3. pp. 43-47
  4. DOI: https://doi.org/10.1353/vcr.2014.0025
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  1. Making Races
  2. Edward Beasley
  3. pp. 48-52
  4. DOI: https://doi.org/10.1353/vcr.2014.0002
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  1. Victorian Ireland: Race and the Category of the Human
  2. Amy E. Martin
  3. pp. 52-57
  4. DOI: https://doi.org/10.1353/vcr.2014.0006
  5. restricted access
  1. Parables and Unitarianism in Elizabeth Gaskell’s Mary Barton
  2. Amy Coté
  3. pp. 59-76
  4. DOI: https://doi.org/10.1353/vcr.2014.0021
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  1. Sisterly Bonds and Rewriting Urban Gendered Spheres in Amy Levy’s The Romance of a Shop
  2. S. Brooke Cameron, Danielle Bird
  3. pp. 77-96
  4. DOI: https://doi.org/10.1353/vcr.2014.0026
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  1. Making the Case: Detection and Confession in Lady Audley’s Secret and The Woman in White
  2. Ann-Marie Dunbar
  3. pp. 97-116
  4. DOI: https://doi.org/10.1353/vcr.2014.0003
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  1. The Mill on the Floss’s Tom Tulliver and the Victorian Bluebeard Type
  2. Corrie Kiesel
  3. pp. 117-134
  4. DOI: https://doi.org/10.1353/vcr.2014.0007
  5. restricted access
  1. Music and New Woman Aesthetics in Mona Caird’s The Daughters of Danaus
  2. Anna Peak
  3. pp. 135-154
  4. DOI: https://doi.org/10.1353/vcr.2014.0011
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  1. Narrative Cessation and Professional Culture in Elizabeth Gaskell’s A Dark Night’s Work
  2. Stephen Severn
  3. pp. 155-175
  4. DOI: https://doi.org/10.1353/vcr.2014.0015
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  1. “In that Bony Light”: The Museum Economy of Our Mutual Friend
  2. Kayla Kreuger Mckinney
  3. pp. 177-196
  4. DOI: https://doi.org/10.1353/vcr.2014.0019
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  1. Margaret Hale’s Books and Flowers: North and South’s Paratextual Dialogues with Felicia Hemans
  2. Ada Sharpe
  3. pp. 197-209
  4. DOI: https://doi.org/10.1353/vcr.2014.0024
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  1. Conscience, Voice, and Presence: Newman’s University Sermons and Victorian Platform Culture
  2. Joshua R. Held
  3. pp. 211-231
  4. DOI: https://doi.org/10.1353/vcr.2014.0001
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  1. Radical Education in Aurora Leigh
  2. Sheila Cordner
  3. pp. 233-249
  4. DOI: https://doi.org/10.1353/vcr.2014.0005
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  1. Novel Science: Fiction and the Invention of Nineteenth-Century Geology by Adelene Buckland (review)
  2. John Holmes
  3. pp. 251-252
  4. DOI: https://doi.org/10.1353/vcr.2014.0010
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  1. Disraeli: The Romance of Politics by Robert O’Kell (review)
  2. Nils Clausson
  3. pp. 254-256
  4. DOI: https://doi.org/10.1353/vcr.2014.0018
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  1. Oceania and the Victorian Imagination: Where All Things Are Possible ed. by Susan David Bernstein (review)
  2. Kathleen Davidson
  3. pp. 256-260
  4. DOI: https://doi.org/10.1353/vcr.2014.0023
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  1. Contributors
  2. pp. 261-265
  3. DOI: https://doi.org/10.1353/vcr.2014.0009
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