1. Seeking a film for the end of the world
  2. Kathleen McHugh
  3. pp. 297-319
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  1. Xenochrony: aural media and neoliberal time in Shane Carruth’s Primer
  2. Mark Young
  3. pp. 321-342
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  1. Frankenstein’s offspring: practicing science and parenthood in Natali’s Splice
  2. Lars Schmeink
  3. pp. 343-369
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  1. Sex and machines: the ‘buzz’ of 1950s science fiction films
  2. J.P. Telotte
  3. pp. 371-386
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  1. Racing the future
  2. Taylor Evans
  3. pp. 387-396
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  1. Joss Whedon’s Dollhouse: Confounding Purpose, Confusing Identity ed. by Sherry Ginn, Alyson R. Buckman, Heather M. Porter (review)
  2. Stacey Abbott
  3. pp. 397-402
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  1. Lonely Stardust: Two Plays, a Speech, and Eight Essays by Andrea Hairston (review)
  2. Rubén Mendoza
  3. pp. 402-407
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  1. Interfacing with the Internet in Popular Culture by Aaron Tucker (review)
  2. Grace Halden
  3. pp. 407-410
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  1. Perfect Sense (review)
  2. Christopher Cokinos
  3. pp. 411-414
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  1. Real Humans (review)
  2. Aino-Kaisa Koistinen
  3. pp. 414-418
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  1. RoboCop (review)
  2. Nick Jones
  3. pp. 418-422
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  1. The Rover (review)
  2. Graham Hall
  3. pp. 422-426
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  1. The Zero Theorem (review)
  2. Matthew Cheney
  3. pp. 426-430
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  1. Index to volume 8
  2. pp. 433-435
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  1. About the contributors
  2. pp. 431-432
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