1. Diagrammatics as Physiognomy: W. E. B. Du Bois’s Graphic Modernities
  2. Alexander G. Weheliye
  3. pp. 23-58
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  1. Figurations of Passage through “Of the Coming of John”
  2. Christopher Powers
  3. pp. 59-82
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  1. Place Post-Paradise: Poetic Epistemology in The Souls of Black Folk
  2. Kevin Thomas Miles
  3. pp. 83-106
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  1. Of Forms and Flow: Movement through Structure in Darkwater’s Composition
  2. Allison Blackmond Laskey
  3. pp. 107-118
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  1. On the Path of the Maharajah of Bwodpur: The Global Problem of the Color Line in W. E. B. Du Bois’s Dark Princess
  2. Payal K. Patel
  3. pp. 119-156
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  1. The Black Flame Revisited: Recursion and Return in the Reading of W. E. B. Du Bois’s Trilogy
  2. Lily Wiatrowski Phillips
  3. pp. 157-169
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  1. W. E. B. Du Bois’s Fugitive Writing, or Sociology at the Turn of the Twentieth Century
  2. Ainsworth Clarke
  3. pp. 171-209
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  1. Lohengrin’s Swan and the Style of Interiority in “Of the Coming of John”
  2. R. A. Judy
  3. pp. 211-257
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  1. Marginality’s Marginalia: Difference and Plenary Power in Early Asian American Literature
  2. Anthony Sze-Fai Shiu
  3. pp. 259-286
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  1. Editors’ Note
  2. pp. v-vii
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  1. Introduction: Dry and Heavy: Or, Another Poetics and Another Writing—of History and the Future
  2. Nahum Dimitri Chandler
  3. pp. 1-22
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  1. Contributors
  2. pp. 287-290
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