1. Snapshot Seeing: Kodak Fiends, Child Photographers, and Henry James’s What Maisie Knew
  2. Angela Berkley
  3. pp. 375-403
  4. restricted access View | Download |
  1. Attending to Reading E. M. Forster: Howards End and Ruth Wilcox’s Unattended Death
  2. Jo Ann Moran Cruz
  3. pp. 404-422
  4. restricted access View | Download |
  1. Langston Unashamed: Radical Mythmaking in Hughes’s 1930s Short Fiction
  2. Gary Edward Holcomb
  3. pp. 423-445
  4. restricted access View | Download |
  1. Relocating Englishness: The 1960s Postimperial Turn and National Identity in John Fowles’s The Magus
  2. Matthew Hurwitz
  3. pp. 446-468
  4. restricted access View | Download |
  1. “Mojado-Reverso” or, a Reverse Wetback: On John Grady Cole’s Mexican Ancestry in Cormac McCarthy’s All the Pretty Horses
  2. Jeffrey Herlihy-Mera
  3. pp. 469-492
  4. restricted access View | Download |
  1. “A Balance of Power”: The Covert Authorship of Ian McEwan’s Double Agents in Sweet Tooth
  2. Laura Savu Walker
  3. pp. 493-514
  4. restricted access View | Download |
  1. “The Unshriven Dead, Zombies on the Loose”: African and Caribbean Religious Heritage in Toni Morrison’s Beloved
  2. Robert Yeates
  3. pp. 515-537
  4. restricted access View | Download |
  1. Ecosickness in Contemporary U.S. Fiction: Environment and Affect by Heather Houser (review)
  2. Pamela Carralero
  3. pp. 539-541
  4. restricted access View | Download |
  1. Formative Fictions: Nationalism, Cosmopolitanism, and the Bildungsroman by Tobias Boes (review)
  2. Gregory Castle
  3. pp. 541-544
  4. restricted access View | Download |
  1. South by Southwest: Katherine Anne Porter and the Burden of Texas History by Janis Stout (review)
  2. David A. Davis
  3. pp. 544-547
  4. restricted access View | Download |
  1. The Nation Writ Small: African Fictions and Feminisms 1958–1988 by Susan Z. Andrade (review)
  2. Olakunle George
  3. pp. 547-550
  4. restricted access View | Download |
  1. The Strong Spirit: History, Politics, and Aesthetics in the Writings of James Joyce, 1898–1915 by Andrew Gibson (review)
  2. Katherine Mullin
  3. pp. 550-553
  4. restricted access View | Download |
  1. Toni Morrison: An Ethical Poetics by Yvette Christiansë (review)
  2. Mariangela Palladino
  3. pp. 553-555
  4. restricted access View | Download |
  1. Race and the Modernist Imagination by Urmila Seshagiri (review)
  2. Mark Quigley
  3. pp. 556-559
  4. restricted access View | Download |
  1. Family Matters: Puerto Rican Women Authors on the Island and the Mainland by Marisel C. Moreno (review)
  2. Carmen Rivera
  3. pp. 559-562
  4. restricted access View | Download |
  1. Drawing the Line: The Father Reimagined in Faulkner, Wright, O’Connor, and Morrison by Doreen Fowler (review)
  2. Evelyn Jaffe Schreiber
  3. pp. 562-564
  4. restricted access View | Download |
  1. Civil Antisemitism, Modernism, and British Culture, 1902–1939 by Lara Trubowitz (review)
  2. Axel Stähler
  3. pp. 565-567
  4. restricted access View | Download |
  1. Dead Women Talking: Figures of Injustice in American Literature by Brian Norman (review)
  2. Éva Tettenborn
  3. pp. 568-570
  4. restricted access View | Download |
  1. 2014 Margaret Church MFS Memorial Prize
  2. p. iv
  3. restricted access View | Download |
  1. Contributors
  2. pp. 571-572
  3. restricted access View | Download |