1. Film and Film Studies at the Center
  2. Sheri Spaine Long
  3. p. 383
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  1. Guest Editors
  2. p. 384
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  1. Pending Matters
  2. David William Foster
  3. pp. 385-387
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  1. Film as a Hinge: The Present State and Future Directions of Hispanic Studies
  2. Benjamin Fraser
  3. pp. 388-390
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  1. Film and Language Acquisition
  2. Bill VanPatten
  3. pp. 391-393
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  1. Tango feroz: Teaching a History of Politics and Economics of Argentina through Sex, Drugs, and Rock and Roll
  2. Eva Karene Romero
  3. pp. 394-405
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  1. Cinematographic and Political Transitions in La redada and La frontera
  2. Bridget V. Franco
  3. pp. 406-420
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  1. Yes, No, or Maybe?: Transitions in Chilean Society in Pablo Larraín’s No
  2. Alexis Howe
  3. pp. 421-430
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  1. Maestros de la manipulación: Titiriteros de la memoria histórica en No de Pablo Larraín y La niña de tus ojos de Fernando Trueba
  2. Polly J. Hodge
  3. pp. 431-441
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  1. From Sanhattan to Nashvegas: The Aesthetics of Detachment in Alberto Fuguet’s Filmmaking
  2. Vania Barraza
  3. pp. 442-451
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  1. Memory, Trauma, and Phantasmagoria in Claudia Llosa’s La teta asustada
  2. Carolina Rueda
  3. pp. 442-451
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  1. Hacia una poética de la imagen: A la deriva de Heitor Dhalia
  2. Fatima Nogueira
  3. pp. 463-473
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  1. De Pedro Calderón de la Barca a Luis Saslavsky: Un estudio literario-cinematográfico de La dama duende
  2. Conxita Domènech
  3. pp. 474-484
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  1. “¡Pobre pierna que sólo sirve para andar!” Female (Dis)empowerments, (Dis)ability, and Space in Literary and Filmic Tristana
  2. Sara Muñoz-Muriana
  3. pp. 485-498
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  1. Performing Gender in Life and Art: Pilar Miró and El pájaro de la felicidad
  2. Sharon Keefe Ugalde
  3. pp. 499-510
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  1. Television as Textbook: Cuéntame cómo pasó in the Spanish (Literature) Classroom
  2. Linda Bartlett, Lourdes Manyé
  3. pp. 511-512
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  1. Lope on YouTube: Film Analysis and Amateur Video Production in a Comedia Course
  2. Charles Patterson
  3. pp. 522-532
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  1. Uniting Hispanic Film Studies with Civic Engagement: A Chance for Personal Transformation
  2. Kajsa C. Larson
  3. pp. 533-548
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  1. Promoting Cultural and Linguistic Competence with Documentary Film in Spanish
  2. Tammy Jandrey Hertel, Stasie Harrington
  3. pp. 549-569
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  1. Encountering Difference: Images of Otherness in Contemporary Spanish Film
  2. Andrea Meador Smith, Sarah Cox Campbell
  3. pp. 570-582
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  1. El cine según David Bordwell: Neoformalismo y el concepto de totalidad
  2. Salvador Oropesa
  3. pp. 583-593
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  1. Más allá del fútbol: Teaching Highland Afro-Ecuadorian Culture and Engaging Race and Racism through Documentary Film
  2. Diana M. Ruggiero
  3. pp. 594-606
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  1. Dark Laughter: Spanish Film, Comedy, and the Nation by Juan F. Egea (review)
  2. Conxita Domènech
  3. pp. 607-608
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  1. Latin American Documentary Filmmaking: Major Works by David William Foster (review)
  2. Maria Matz
  3. pp. 610-611
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  1. Buñuel, del surrealismo al terrorismo by Víctor Fuentes (review)
  2. Gerardo Cummings
  3. pp. 611-613
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  1. Brazilian Women’s Filmmaking: From Dictatorship to Democracy by Leslie L. Marsh (review)
  2. Luci de Biaji Moreira
  3. pp. 613-614
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  1. The “Femme” Fatale in Brazilian Cinema: Challenging Hollywood Norms by Antônio Márcio da Silva (review)
  2. Débora Racy Soares
  3. pp. 614-616
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  1. Picturing Argentina: Myths, Movies and the Peronist Vision by Currie K. Thompson (review)
  2. María Gil Poisa
  3. pp. 616-617
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  1. (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema ed. by Duncan Wheeler, Fernando Canet (review)
  2. Dennis West
  3. pp. 617-619
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  1. White Gypsies: Race and Stardom in Spanish Musicals by Eva Woods Peiró (review)
  2. María Márquez
  3. pp. 619-620
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  1. Estreno de cine by Max Ehrsam (review)
  2. Marcela Piérola
  3. pp. 620-623
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  1. Teaching Film ed. by Lucy Fischer and Patrice Petro (review)
  2. Ada Ortúzar-Young
  3. pp. 623-624
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  1. Cultura y cine: Hispanoamérica hoy by Mary McVey Gill and Teresa Méndez-Faith (review)
  2. Viki Zavales Eggert
  3. pp. 625-626
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  1. Tornasol: Guía para la interpretación de textos literarios y cine by Antonio Sobejano-Morán (review)
  2. Joanne Pol
  3. pp. 626-627
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  1. Los amantes pasajeros dir. by Pedro Almodóvar (review)
  2. Jorge Marí
  3. pp. 627-629
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  1. Elena dir. by Petra Costa (review)
  2. Michelle Farrell
  3. pp. 629-630
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  1. Después de Lucia dir. by Michel Franco (review)
  2. Krista Chambless
  3. pp. 630-631
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  1. Bless Me, Ultima dir. by Carl Franklin (review)
  2. Spencer Herrera
  3. pp. 632-633
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  1. O tempo e o vento dir. by Jayme Monjardim (review)
  2. Bianca Brigidi
  3. pp. 633-634
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  1. Habanastation dir. by Ian Padrón (review)
  2. Iliana Rosales-Figueroa
  3. pp. 634-636
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  1. Gonzaga, de pai para filho dir. by Breno Silveira (review)
  2. Debora Zamorano
  3. pp. 636-637
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