restricted access   Volume 98, Number 3, September 2015

Table of Contents

Special Focus Issue: The Scholarship of Film and Film Studies

Editor’s Message

Film and Film Studies at the Center

p. 383
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Hispania Guest Editorials

Guest Editors

p. 384
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Pending Matters

pp. 385-387
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Film as a Hinge: The Present State and Future Directions of Hispanic Studies

pp. 388-390
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Film and Language Acquisition

pp. 391-393
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Contributions on Film and Film Studies

Tango feroz: Teaching a History of Politics and Economics of Argentina through Sex, Drugs, and Rock and Roll

pp. 394-405
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Cinematographic and Political Transitions in La redada and La frontera

pp. 406-420
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Yes, No, or Maybe?: Transitions in Chilean Society in Pablo Larraín’s No

pp. 421-430
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Maestros de la manipulación: Titiriteros de la memoria histórica en No de Pablo Larraín y La niña de tus ojos de Fernando Trueba

pp. 431-441
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From Sanhattan to Nashvegas: The Aesthetics of Detachment in Alberto Fuguet’s Filmmaking

pp. 442-451
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Memory, Trauma, and Phantasmagoria in Claudia Llosa’s La teta asustada

pp. 442-451
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Hacia una poética de la imagen: A la deriva de Heitor Dhalia

pp. 463-473
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De Pedro Calderón de la Barca a Luis Saslavsky: Un estudio literario-cinematográfico de La dama duende

pp. 474-484
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“¡Pobre pierna que sólo sirve para andar!” Female (Dis)empowerments, (Dis)ability, and Space in Literary and Filmic Tristana

pp. 485-498
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Performing Gender in Life and Art: Pilar Miró and El pájaro de la felicidad

pp. 499-510
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Television as Textbook: Cuéntame cómo pasó in the Spanish (Literature) Classroom

pp. 511-512
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Lope on YouTube: Film Analysis and Amateur Video Production in a Comedia Course

pp. 522-532
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Uniting Hispanic Film Studies with Civic Engagement: A Chance for Personal Transformation

pp. 533-548
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Promoting Cultural and Linguistic Competence with Documentary Film in Spanish

pp. 549-569
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Encountering Difference: Images of Otherness in Contemporary Spanish Film

pp. 570-582
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El cine según David Bordwell: Neoformalismo y el concepto de totalidad

pp. 583-593
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Más allá del fútbol: Teaching Highland Afro-Ecuadorian Culture and Engaging Race and Racism through Documentary Film

pp. 594-606
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Book/Media Reviews

Cultural Studies on Film

Dark Laughter: Spanish Film, Comedy, and the Nation by Juan F. Egea (review)

pp. 607-608
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El documental cinematográfico y televisivo contemporáneo: Memoria, sujeto y formación de la identidad democrática española by Isabel M. Estrada (review)

pp. 608-610
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Latin American Documentary Filmmaking: Major Works by David William Foster (review)

pp. 610-611
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Buñuel, del surrealismo al terrorismo by Víctor Fuentes (review)

pp. 611-613
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Brazilian Women’s Filmmaking: From Dictatorship to Democracy by Leslie L. Marsh (review)

pp. 613-614
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The “Femme” Fatale in Brazilian Cinema: Challenging Hollywood Norms by Antônio Márcio da Silva (review)

pp. 614-616
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Picturing Argentina: Myths, Movies and the Peronist Vision by Currie K. Thompson (review)

pp. 616-617
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(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema ed. by Duncan Wheeler, Fernando Canet (review)

pp. 617-619
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White Gypsies: Race and Stardom in Spanish Musicals by Eva Woods Peiró (review)

pp. 619-620
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Film as Pedagogy and Film in Pedagogy

Estreno de cine by Max Ehrsam (review)

pp. 620-623
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Teaching Film ed. by Lucy Fischer and Patrice Petro (review)

pp. 623-624
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Cultura y cine: Hispanoamérica hoy by Mary McVey Gill and Teresa Méndez-Faith (review)

pp. 625-626
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Tornasol: Guía para la interpretación de textos literarios y cine by Antonio Sobejano-Morán (review)

pp. 626-627
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Film Critiques

Los amantes pasajeros dir. by Pedro Almodóvar (review)

pp. 627-629
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Elena dir. by Petra Costa (review)

pp. 629-630
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Después de Lucia dir. by Michel Franco (review)

pp. 630-631
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Bless Me, Ultima dir. by Carl Franklin (review)

pp. 632-633
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O tempo e o vento dir. by Jayme Monjardim (review)

pp. 633-634
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Habanastation dir. by Ian Padrón (review)

pp. 634-636
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Gonzaga, de pai para filho dir. by Breno Silveira (review)

pp. 636-637
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