Volume 66, Number 2, Summer 2015

Table of Contents

Essays

Shakespeare’s Constructicon

pp. 113-136
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Othello and the Unweaponed City

pp. 137-166
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The Image of Both Theaters: Empire and Revelation in Shakespeare’s Antony and Cleopatra

pp. 167-187
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Note

William Dugdale on Shakespeare and His Monument

pp. 188-196
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Review Essay

The Arden Shakespeare Dictionary Series

pp. 197-208
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Book Reviews

The Oxford Shakespeare Richard II ed. by Anthony B. Dawson and Paul Yachnin (review)

pp. 209-212
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Who Was William Shakespeare?: An Introduction to the Life and Works by Dympna Callaghan (review)

pp. 212-214
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30 Great Myths about Shakespeare by Laurie E. Maguire and Emma Smith (review)

pp. 214-216
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Shakespeare and Moral Agency ed. by Michael D. Bristol (review)

pp. 216-219
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Shakespeare and the Shrew: Performing the Defiant Female Voice by Anna Kamaralli (review)

pp. 219-221
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What You Will: Gender, Contract, and Shakespearean Social Space by Kathryn Schwarz (review)

pp. 221-224
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Evolving Hamlet: Seventeenth-Century English Tragedy and the Ethics of Natural Selection by Angus Fletcher (review)

pp. 224-226
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Determining the Shakespeare Canon: “Arden of Faversham” and “A Lover’s Complaint” by MacDonald P. Jackson (review)

pp. 226-229
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Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant (review)

pp. 229-232
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Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley by Mario DiGangi (review)

pp. 232-234
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Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama by Kristen Poole (review)

pp. 235-237
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Open Subjects: English Renaissance Republicans, Modern Selfhoods, and the Virtue of Vulnerability by James Kuzner, and: The Pain of Reformation: Spenser, Vulnerability, and the Ethics of Masculinity by Joseph Campana (review)

pp. 238-241
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Shakespeare in Performance: “The Tempest” by Virginia Mason Vaughan (review)

pp. 241-244
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Shakespeare on Screen: “Macbeth.” ed. by Sarah Hatchuel, Nathalie Vienne-Guerrin, and Victoria Bladen, and: Screen Adaptations: Shakespeare’s “Hamlet.” The Relationship between Text and Film by Samuel Crowl (review)

pp. 244-247
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Contributors

pp. 248-250
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