restricted access   Volume 37, Number 3, September 2015 (PAJ 111)

Table of Contents


Cross-Currents in Water-Based Performance

pp. 1-21

We Started a Nightclub: Building the Pyramid

pp. 22-45

Doing Nothing / Nothin’ Doin’! Revisiting a Minimalist Approach to Performance

pp. 46-49

Reevaluating Actionism: Austrian Performance, Then and Now

pp. 50-57

Letter from London

pp. 58-64

Looking at Dancers, Buildings, and People in the Street

pp. 65-76

Art & Performance Notes

Germinal’s Brave New World

pp. 78-84

Laden Images

pp. 85-90

When the Carnival Ends

pp. 91-95

Leaning, Carrying, Standing: Gordon Hall and the Politics of Form

pp. 95-101

The New Digital Materialism

pp. 102-110

Cardiovascular Chopin: Ending at the Beginning with Guido Van der Werve

pp. 111-123

Books & Company

Post-Communist Specters: Polish Theatre in the Twenty-First Century

pp. 124-127

Short Reviews

after the red army faction: gender, culture, militancy by Charity Scribner (review)

pp. 128-129

“We’re People Who Do Shows”: Back to Back Theatre—Performance, Politics, Visibility ed. by Helena Grehan and Peter Eckersall (review)

pp. 130-131

Immersive Theatres: Intimacy and Immediacy in Contemporary Performance by Josephine Machon (review)

pp. 131-132

Comradely Greetings: The Prison Letters of Nadya and Slavoj by Nadya Tolokonnikova and Slavoj Zizek (review)

pp. 132-133

Misled by Nature: Contemporary Art and the Baroque ed. by Catherine Crowston, Josée Drouin-Brisebois, and Jonathan Shaughnessy, and: Riotous Baroque: From Cattelan to Zurbarán—Tributes to Precarious Vitality ed. by Bice Curiger, Carlotta Graedel Matthäi, and Franziska Lentzsch (review)

pp. 134-135