1. Cross-Currents in Water-Based Performance
  2. Daniel Rothbart
  3. pp. 1-21
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  1. We Started a Nightclub: Building the Pyramid
  2. Kestutis Nakas, Brian Butterick
  3. pp. 22-45
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  1. Doing Nothing / Nothin’ Doin’! Revisiting a Minimalist Approach to Performance
  2. Yvonne Rainer
  3. pp. 46-49
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  1. Reevaluating Actionism: Austrian Performance, Then and Now
  2. Andrew Stefan Weiner
  3. pp. 50-57
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  1. Letter from London
  2. Claire MacDonald
  3. pp. 58-64
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  1. Looking at Dancers, Buildings, and People in the Street
  2. Anya Liftig, Matthew Mohr, Clarinda Mac Low, Andrea Kleine
  3. pp. 65-76
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  1. Germinal’s Brave New World
  2. Kate Bredeson
  3. pp. 78-84
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  1. Laden Images
  2. Samantha Lazar
  3. pp. 85-90
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  1. When the Carnival Ends
  2. Brianne Waychoff, Brianne Waychoff
  3. pp. 91-95
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  1. Leaning, Carrying, Standing: Gordon Hall and the Politics of Form
  2. Ethan Philbrick
  3. pp. 95-101
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  1. The New Digital Materialism
  2. Johannes Birringer
  3. pp. 102-110
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  1. Cardiovascular Chopin: Ending at the Beginning with Guido Van der Werve
  2. Michael Maizels, Jenny Johnson
  3. pp. 111-123
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  1. Post-Communist Specters: Polish Theatre in the Twenty-First Century
  2. Krystyna Lipińska Illakowicz
  3. pp. 124-127
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  1. after the red army faction: gender, culture, militancy by Charity Scribner (review)
  2. Bonnie Marranca
  3. pp. 128-129
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  1. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance by Josephine Machon (review)
  2. Miila Norros
  3. pp. 131-132
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  1. Comradely Greetings: The Prison Letters of Nadya and Slavoj by Nadya Tolokonnikova and Slavoj Zizek (review)
  2. Matthew Pieknik
  3. pp. 132-133
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