1. Oddities in Gissing’s The Odd Women
  2. Lawrence Rainey
  3. pp. 227-236
  4. DOI: 10.1353/mod.2015.0031
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  1. Interpretation and Reality: Anthropological Hauntings in The Waste Land
  2. Sheela Banerjee
  3. pp. 237-254
  4. DOI: 10.1353/mod.2015.0035
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  1. “A Sort of Metaphor”: Dynamic Figurative Language in Nietzsche, Pound, and H. D.
  2. Chet Lisiecki
  3. pp. 255-277
  4. DOI: 10.1353/mod.2015.0038
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  1. Bottles, Bubbles, and Blood: Jean Toomer and the Limits of Racial Epidermalism
  2. Catherine Keyser
  3. pp. 279-302
  4. DOI: 10.1353/mod.2015.0041
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  1. What Women Want: The Modernist Kimono
  2. Beci Carver
  3. pp. 303-314
  4. DOI: 10.1353/mod.2015.0044
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  1. What Were the “Objectivist” Poets?
  2. Jeffrey Twitchell-Waas
  3. pp. 315-341
  4. DOI: 10.1353/mod.2015.0047
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  1. Modernism, Idiocy, and the Work of Culture: J. M. Coetzee’s Life & Times of Michael K
  2. John Bolin
  3. pp. 343-364
  4. DOI: 10.1353/mod.2015.0029
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  1. Modernism Post-postmodernism: Art in the Era of Light Modernity
  2. Luke Smythe
  3. pp. 365-379
  4. DOI: 10.1353/mod.2015.0033
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  1. T. S. Eliot: From Undergraduate to Literary Lion
  2. Timothy Materer
  3. pp. 381-387
  4. DOI: 10.1353/mod.2015.0037
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  1. Virginia Woolf: Prophet of “Pure Loss”
  2. Jane Goldman
  3. pp. 389-395
  4. DOI: 10.1353/mod.2015.0040
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  1. Happiness in Voice Land: Walter Benjamin’s Radio Broadcasts
  2. Mena Mitrano
  3. pp. 397-401
  4. DOI: 10.1353/mod.2015.0043
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  1. The Barbara Johnson Reader: The Surprise of Otherness ed. by Melissa Feuerstein, Bill Johnson González, Lili Porten, and Keja Valens (review)
  2. Judith Brown
  3. pp. 403-405
  4. DOI: 10.1353/mod.2015.0046
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  1. Thomas Hardy’s Brains: Psychology, Neurology, and Hardy’s Imagination by Suzanne Keen (review)
  2. Anne Stiles
  3. pp. 405-407
  4. DOI: 10.1353/mod.2015.0028
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  1. Literary Cartographies: Spatiality, Representation, and Narrative ed. by Robert T. Tally Jr. (review)
  2. Lauren Elkin
  3. pp. 407-408
  4. DOI: 10.1353/mod.2015.0032
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  1. Arun Kolatkar and Literary Modernism in India: Moving Lines by Laetitia Zecchini (review)
  2. Graziano Krätli
  3. pp. 408-411
  4. DOI: 10.1353/mod.2015.0036
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  1. The Making of Samuel Beckett’s “L’Innommable”/“The Unnamable” by Dirk Van Hulle and Shane Weller (review)
  2. Sam Slote
  3. pp. 411-412
  4. DOI: 10.1353/mod.2015.0039
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  1. Modern Manuscripts: The Extended Mind and Creative Undoing from Darwin to Beckett and Beyond by Dirk Van Hulle (review)
  2. Finn Fordham
  3. pp. 412-415
  4. DOI: 10.1353/mod.2015.0042
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  1. The Cambridge Companion to Irish Modernism ed. by Joe Cleary (review)
  2. Alison Lacivita
  3. pp. 417-418
  4. DOI: 10.1353/mod.2015.0048
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  1. Katherine Mansfield and World War One ed. by Gerri Kimber, Todd Martin, Delia da Sousa Correa, Isobel Maddison etal. (review)
  2. Philip Keel Geheber
  3. pp. 419-420
  4. DOI: 10.1353/mod.2015.0030
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  1. Recent Books of Interest
  3. pp. 421-423
  4. DOI: 10.1353/mod.2015.0034
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  1. Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917–1955 by Lise Jaillant (review)
  2. Emma West
  3. pp. 415-416
  4. DOI: 10.1353/mod.2015.0045
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