+ MUSE Alert

In this Issue

Table of Contents

  1. Hybrid Critical Editions of Opera: Motives, Milestones, and Quandaries
  2. Eleanor Selfridge-Field
  3. pp. 9-22
  4. DOI: https://doi.org/10.1353/not.2015.0100
  5. restricted access
  1. A Catalog of the Addenda to the Ricasoli Collection Housed at the Dwight Anderson Music Library of the University of Louisville
  2. John Karr
  3. pp. 23-75
  4. DOI: https://doi.org/10.1353/not.2015.0107
  5. restricted access
  1. Franz Liszt’s Songs: A Discography and Examination of Recordings
  2. Michael Vitalino
  3. pp. 76-129
  4. DOI: https://doi.org/10.1353/not.2015.0113
  5. restricted access
  1. Notes for Notes
  3. pp. 130-134
  4. DOI: https://doi.org/10.1353/not.2015.0119
  5. restricted access
  1. Careers in Music Librarianship III: Reality and Reinvention ed. by Susannah Cleveland and Joe C. Clark (review)
  2. Michael J. Duffy IV
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/not.2015.0118
  5. restricted access
  1. Louis Armstrong: Master of Modernism by Thomas Brothers (review)
  2. Eunmi Shim
  3. pp. 137-139
  4. DOI: https://doi.org/10.1353/not.2015.0086
  5. restricted access
  1. Softly, with Feeling: Joe Wilder and the Breaking of Barriers in American Music by Edward Berger (review)
  2. Jonathon Bakan
  3. pp. 139-141
  4. DOI: https://doi.org/10.1353/not.2015.0115
  5. restricted access
  1. The Evolution of Mann: Herbie Mann and the Flute in Jazz by Cary Ginell (review)
  2. Mark C. Gridley
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/not.2015.0103
  5. restricted access
  1. Opera at the Bandstand: Then and Now by George W. Martin (review)
  2. David M. Guion
  3. pp. 143-146
  4. DOI: https://doi.org/10.1353/not.2015.0110
  5. restricted access
  1. My Voice is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance by David A. McDonald (review)
  2. Lisa Urkevich
  3. pp. 146-148
  4. DOI: https://doi.org/10.1353/not.2015.0105
  5. restricted access
  1. West African Drumming and Dance in North American Universities: An Ethnomusicological Perspective by George Worlasi Kwasi Dor (review)
  2. John Collins
  3. pp. 148-151
  4. DOI: https://doi.org/10.1353/not.2015.0093
  5. restricted access
  1. Bailes, tonadas & cachuas: La música del códice Trujillo del Perú en el siglo XVIII [The Music of the 18th Century Codex Trujillo del Peru] by Adrián Rodríguez van der Spoel (review)
  2. Drew Edward Davies
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/not.2015.0106
  5. restricted access
  1. Tin Pan Alley and the Philippines: American Songs of War and Love, 1898–1946: A Resource Guide by Thomas P. Walsh (review)
  2. Frederick Schenker
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/not.2015.0120
  5. restricted access
  1. The Oxford Handbook of Children’s Musical Cultures ed. by Patricia Shehan Campbell and Trevor Wiggins (review)
  2. Vasiliki Sirakouli
  3. pp. 154-157
  4. DOI: https://doi.org/10.1353/not.2015.0092
  5. restricted access
  1. Sounds of War: Music in the United States during World War II by Annegret Fauser, and: The Musical Legacy of Wartime France by Leslie A. Sprout (review)
  2. Louis Epstein
  3. pp. 157-162
  4. DOI: https://doi.org/10.1353/not.2015.0084
  5. restricted access
  1. Sound Play: Video Games and the Musical Imagination by William Cheng (review)
  2. Jessica L. Getman
  3. pp. 162-165
  4. DOI: https://doi.org/10.1353/not.2015.0096
  5. restricted access
  1. John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style by Emilio Audissino (review)
  2. Paula Musegades
  3. pp. 165-168
  4. DOI: https://doi.org/10.1353/not.2015.0101
  5. restricted access
  1. Francis Poulenc: Articles and Interviews: Notes from the Heart by Nicolas Southon (review)
  2. Naomi Perley
  3. pp. 168-170
  4. DOI: https://doi.org/10.1353/not.2015.0108
  5. restricted access
  1. Victor Fenigstein: Lebensprotokoll, Werkkommentare, Kataloge by Fritz Hennenberg (review)
  2. Tysen Dauer
  3. pp. 170-173
  4. DOI: https://doi.org/10.1353/not.2015.0099
  5. restricted access
  1. Exploring Bach’s B-Minor Mass ed. by Yo Tomita, Robin A. Leaver, and Jan Smaczny (review)
  2. Mark A. Peters
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/not.2015.0114
  5. restricted access
  1. Byrd by Kerry McCarthy (review)
  2. Jennifer S. Thomas
  3. pp. 175-176
  4. DOI: https://doi.org/10.1353/not.2015.0098
  5. restricted access
  1. Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording by David Grubbs (review)
  2. Sara Haefeli
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/not.2015.0116
  5. restricted access
  1. Music and the Skillful Listener: American Women Compose the Natural World by Denise von Glahn (review)
  2. Kendra Preston Leonard
  3. pp. 178-181
  4. DOI: https://doi.org/10.1353/not.2015.0094
  5. restricted access
  1. Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds by Peter Franklin (review)
  2. Erinn Knyt
  3. pp. 181-183
  4. DOI: https://doi.org/10.1353/not.2015.0088
  5. restricted access
  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 184-193
  4. DOI: https://doi.org/10.1353/not.2015.0085
  5. restricted access
  1. BOSS: The Biannual Online-Journal of Springsteen Studies edited by Jonathan D. Cohen (review)
  2. Tracey Snyder
  3. pp. 194-195
  4. DOI: https://doi.org/10.1353/not.2015.0091
  5. restricted access
  1. Journal of World Popular Music ed. by Simone Krüger (review)
  2. Mallory Sajewski
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/not.2015.0097
  5. restricted access
  1. Music Theory and Analysis (MTA) International Journal of the Dutch-Flemish Society for Music Theory ed. by Pieter Bergé, Steven Vande Moortele, and Nathan J. Martin (review)
  2. Matthew Bribitzer-Stull
  3. pp. 196-197
  4. DOI: https://doi.org/10.1353/not.2015.0104
  5. restricted access
  1. Electronica
  2. Lindsay Hansen
  3. p. 198
  4. DOI: https://doi.org/10.1353/not.2015.0111
  5. restricted access
  1. Special Journal Issues
  2. Lindsay Hansen
  3. pp. 198-199
  4. DOI: https://doi.org/10.1353/not.2015.0083
  5. restricted access
  1. SESC Partituras (review)
  2. Tom Moore
  3. pp. 200-202
  4. DOI: https://doi.org/10.1353/not.2015.0089
  5. restricted access
  1. African American Roots and Branches of the 5-String Banjo: a Selective Videography
  2. Chris Durman
  3. pp. 203-213
  4. DOI: https://doi.org/10.1353/not.2015.0095
  5. restricted access
  1. Friedensgesänge 1628–1651: Musik zum Dreissigjährigen Krieg. Werke von Johannes Werlin, Sigmund Theophil Staden, Melchior Franck und Andreas Berger by Stefan Hanheide (review)
  2. Gregory S. Johnston
  3. pp. 214-216
  4. DOI: https://doi.org/10.1353/not.2015.0082
  5. restricted access
  1. Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. by Bruce Gustafson, and: Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. Bruce Gustafson, and: Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. by Bruce Gustafson, and: Paris, Bibliothèque nationale de France, Rés. Vm7 674–675: The Bauyn Manuscript ed. by Bruce Gustafson (review)
  2. David Chung
  3. pp. 216-221
  4. DOI: https://doi.org/10.1353/not.2015.0087
  5. restricted access
  1. Mélodies et duos, Volume 1, Premières mélodies: 1861–1875 by Gabriel Fauré, and: Vocalises by Gabriel Fauré, and: Complete Songs, Volume 1: 1861–1882 by Gabriel Fauré, and: Complete Songs, Volume 1: 1861–1882 by Gabriel Fauré (review)
  2. Mary Dibbern
  3. pp. 221-226
  4. DOI: https://doi.org/10.1353/not.2015.0112
  5. restricted access
  1. The First Volume in Ricordi’s Puccini Edition
  2. Matthew Franke
  3. pp. 226-230
  4. DOI: https://doi.org/10.1353/not.2015.0090
  5. restricted access
  1. A Facsimile of Schoenberg’s A Survivor from Warsaw
  2. Joy H. Calico
  3. pp. 231-234
  4. DOI: https://doi.org/10.1353/not.2015.0081
  5. restricted access
  1. Index to Advertisers
  3. p. 243
  4. DOI: https://doi.org/10.1353/not.2015.0109
  5. restricted access
  1. Title, Frequency, and Publisher Changes; Cessations
  2. Lindsay Hansen
  3. p. 198
  4. DOI: https://doi.org/10.1353/not.2015.0117
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 235-242
  4. DOI: https://doi.org/10.1353/not.2015.0102
  5. restricted access