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Table of Contents

  1. Edmonia Lewis, Provenance and: Minnehaha, Marble, 1868, Edmonia Lewis and: Indian Combat, and: Indian Combat, Marble, 1868, Edmonia Lewis and: Colonel Robert Gould Shaw, Marble, 1864, Edmonia Lewis and: My Name is Sissieretta Jones, and: Sissieretta Jones, Carnegie Hall, 1902, O patria mia
  2. Tyehimba Jess
  3. pp. 431-512
  4. DOI: https://doi.org/10.1353/cal.2015.0091
  5. restricted access
  1. from Bonsoir, Lune
  2. Jacinda Townsend
  3. pp. 436-439
  4. DOI: https://doi.org/10.1353/cal.2015.0096
  5. restricted access
  1. Paul and Alice
  2. Xavier Nicholas
  3. pp. 440-480
  4. DOI: https://doi.org/10.1353/cal.2015.0101
  5. restricted access
  1. Visitation, and: Incentive, and: A Poem Is Always Married to Someone”—Rene Char, and: 4 ½, and: In Your Condition
  2. Tracy K. Smith
  3. pp. 481-485
  4. DOI: https://doi.org/10.1353/cal.2015.0074
  5. restricted access
  1. Picnic
  2. Yi Lei, Tracy K. Smith, Changtai Bi
  3. p. 486
  4. DOI: https://doi.org/10.1353/cal.2015.0079
  5. restricted access
  1. To a Shade in Thermopylae i.m. S.H., and: Road with Pollard Willows, and: Hesiod Maybe
  2. Ishion Hutchinson
  3. pp. 487-489
  4. DOI: https://doi.org/10.1353/cal.2015.0084
  5. restricted access
  1. Six Views of Britain
  2. Fred D’Aguiar
  3. pp. 490-499
  4. DOI: https://doi.org/10.1353/cal.2015.0089
  5. restricted access
  1. Soir Tropical, and: Tropical Night
  2. Ida Faubert, Danielle Legros Georges
  3. pp. 500-501
  4. DOI: https://doi.org/10.1353/cal.2015.0094
  5. restricted access
  1. An Interview with Janet Mock
  2. Timothy S. Lyle
  3. pp. 502-508
  4. DOI: https://doi.org/10.1353/cal.2015.0099
  5. restricted access
  1. Ghost Slipper
  2. Derrick Austin
  3. p. 509
  4. DOI: https://doi.org/10.1353/cal.2015.0072
  5. restricted access
  1. Artist Statement
  2. Evangeline J. Montgomery
  3. pp. 513-518
  4. DOI: https://doi.org/10.1353/cal.2015.0077
  5. restricted access
  1. Explorations of Identity and Cultural Memory: The Art and Life of Evangeline Juliet Montgomery
  2. Floyd Coleman
  3. pp. 519-520
  4. DOI: https://doi.org/10.1353/cal.2015.0082
  5. restricted access
  1. Making Art in the Academy: Notes from the Editor
  2. Charles Henry Rowell
  3. pp. 521-525
  4. DOI: https://doi.org/10.1353/cal.2015.0087
  5. restricted access
  1. The Compass and the Map: Navigating Academia, Entertainment, and Culture
  2. Eric J. Henderson
  3. pp. 526-529
  4. DOI: https://doi.org/10.1353/cal.2015.0092
  5. restricted access
  1. On Life, Death, and Memory: The Ballad of Emmett Till by Ifa Bayeza
  2. Chana Kai Lee
  3. pp. 530-533
  4. DOI: https://doi.org/10.1353/cal.2015.0097
  5. restricted access
  1. The Callaloo Conference Makes Us Scat
  2. Valérie Loichot
  3. pp. 534-537
  4. DOI: https://doi.org/10.1353/cal.2015.0102
  5. restricted access
  1. Dynamic People, Dynamic Archives
  2. Koritha Mitchell
  3. pp. 538-543
  4. DOI: https://doi.org/10.1353/cal.2015.0075
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  1. Courtney Bryan on Piano: Songs of Laughing, Smiling, and Crying
  2. Hermine Pinson
  3. pp. 544-547
  4. DOI: https://doi.org/10.1353/cal.2015.0080
  5. restricted access
  1. Making Art at the Schomburg: Africana Archives as Sites of Art Making
  2. Howard Dodson
  3. pp. 548-557
  4. DOI: https://doi.org/10.1353/cal.2015.0085
  5. restricted access
  1. The Making of Art: The Woman Who Began at the End
  2. Barbara Chase-Riboud
  3. pp. 558-565
  4. DOI: https://doi.org/10.1353/cal.2015.0090
  5. restricted access
  1. Fine Arts & Africana Studies
  2. John McCluskey Jr.
  3. pp. 566-569
  4. DOI: https://doi.org/10.1353/cal.2015.0095
  5. restricted access
  1. Travelling with Imoinda: Art, Authorship, and Critique
  2. Joan Anim-Addo
  3. pp. 570-581
  4. DOI: https://doi.org/10.1353/cal.2015.0100
  5. restricted access
  1. Primitive at the Plantation’s Edge
  2. Robert F. Reid-Pharr
  3. pp. 582-587
  4. DOI: https://doi.org/10.1353/cal.2015.0073
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  1. What Will Blackness Be?
  2. Erica Moiah James
  3. pp. 588-594
  4. DOI: https://doi.org/10.1353/cal.2015.0078
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  1. The 2014 Callaloo Art Award
  2. Charles Henry Rowell
  3. pp. 595-597
  4. DOI: https://doi.org/10.1353/cal.2015.0083
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  1. Giving Art to an Artist
  2. Sedrick Huckaby
  3. pp. 598-602
  4. DOI: https://doi.org/10.1353/cal.2015.0088
  5. restricted access
  1. Callaloo, Making Art: Writing, Authorship, and Critique, the 2014 Callaloo Conference, October 15-18, 2014, Emory University, Atlanta, Georgia
  3. pp. 607-644
  4. DOI: https://doi.org/10.1353/cal.2015.0093
  5. restricted access
  1. Letter to Professor Natasha Trethewey
  3. pp. 645-646
  4. DOI: https://doi.org/10.1353/cal.2015.0098
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  1. Pauline Hopkins and the Death of the Tragic Mulatta
  2. JoAnn Pavletich
  3. pp. 647-663
  4. DOI: https://doi.org/10.1353/cal.2015.0103
  5. restricted access
  1. Rethinking Historical Realism: Catholicism and Spirit Possession in Ernest Gaines’s The Autobiography of Miss Jane Pittman
  2. Erin Michael Salius
  3. pp. 664-678
  4. DOI: https://doi.org/10.1353/cal.2015.0076
  5. restricted access
  1. “Not intended exclusively for the slave states”: Antebellum Recirculation of David Walker’s Appeal
  2. Lori Leavell
  3. pp. 679-695
  4. DOI: https://doi.org/10.1353/cal.2015.0081
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  1. Contributors
  3. pp. 696-700
  4. DOI: https://doi.org/10.1353/cal.2015.0086
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