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In this Issue

Table of Contents

  1. The Struggle Over Audiences in Postwar East German Film
  2. Stephen Brockmann
  3. pp. 5-16
  4. DOI: https://doi.org/10.1353/flm.2015.a589134
  5. restricted access
  1. From Midway to Korea!: John Ford and the De-Fused Documentary
  2. J. P. Telotte
  3. pp. 17-24
  4. DOI: https://doi.org/10.1353/flm.2015.a589135
  5. restricted access
  1. Sex Ratio, Socio-Sexuality, and the Emergence of the Femme Fatale in Classic French and American Film Noir
  2. Deborah Walker-Morrison
  3. pp. 25-37
  4. DOI: https://doi.org/10.1353/flm.2015.a589136
  5. restricted access
  1. Hollywood Über Alles: Seeing the Nazi in American Movies
  2. Geoffrey Cocks
  3. pp. 38-53
  4. DOI: https://doi.org/10.1353/flm.2015.a589137
  5. restricted access
  1. Exits and Entrances: Interviews with Seven Who Reshaped African-American Images in Movies by Frank Manchel (review)
  2. Peter C. Rollins, Seth Wood
  3. p. 55
  4. restricted access
  1. Cinema Unchained: The Films of Quentin Tarantino by Brancati, Simona (review)
  2. Peter C. Rollins, Seth Wood
  3. pp. 55-56
  4. restricted access
  1. The Leading Man: Hollywood and the Presidential Image by Burton W. Peretti (review)
  2. Amit Patel
  3. pp. 56-57
  4. restricted access
  1. From Stage to Screen: Musical Films in Europe and United States (1927-1961) ed. by Massimiliano Sala (review)
  2. Malcolm Womack
  3. pp. 59-60
  4. restricted access
  1. Go West, Young Women! The Rise of Early Hollywood by Hilary A. Hallett (review)
  2. Peter Catapano
  3. pp. 60-61
  4. restricted access
  1. Celluloid Activist: The Life and Times of Vito Russo by Michael Schiavi (review)
  2. Chloe Benson
  3. pp. 62-63
  4. restricted access
  1. Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917 by Moya Luckett (review)
  2. Deborah Allison
  3. pp. 64-65
  4. restricted access
  1. From Grain to Pixel: The Archival Life of Film in Transition by Giovanna Fossati, and: Saving Cinema: The Politics of Preservation by Caroline Frick, and: The Past is a Moving Picture: Preserving the Twentieth Century on Film by Jana Jones (review)
  2. Liz Czach
  3. pp. 65-68
  4. restricted access
  1. Rule of Thumb: Ebert at the Movies by Todd Rendleman (review)
  2. Zachary Ingle
  3. pp. 68-69
  4. restricted access
  1. The Oliver Stone Encyclopedia ed. by James M. Welsh and Donald M. Whaley (review)
  2. Zachary Ingle
  3. pp. 69-70
  4. restricted access
  1. Ghetto Voices in Contemporary German Culture: Textscapes, Filmscapes. Soundscapes by Stehle, Maria (review)
  2. Bill Fech
  3. pp. 70-71
  4. restricted access
  1. From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the Twentieth Century by Vijaya Mulay (review)
  2. Richard John Ascárate
  3. pp. 72-73
  4. restricted access
  1. Land of Smoke and Mirrors: A Cultural History of Los Angeles by Vincent Brook (review)
  2. Richard John Ascárate
  3. pp. 73-75
  4. restricted access
  1. A Social History of Iranian Cinema Volume 1: The Artisanal Era, 1897-1941 by Hamid Naficy, and: Volume 2: The Industrializing Years, 1941-1978 by Hamid Naficy, and: Volume 3: The Islamicate Period, 1978-1984 by Hamid Naficy, and: Volume 4: The Globalizing Era, 1984-2010 by Hamid Naficy (review)
  2. Richard John Ascárate
  3. pp. 75-79
  4. restricted access
  1. Five Came Back: A Story of Hollywood and the Second World War by Harris, Mark (review)
  2. David B. Jones
  3. pp. 79-81
  4. restricted access
  1. Raoul Walsh: The True Adventures of Hollywood’s Legendary Director by Moss, Marilyn Ann (review)
  2. David B. Jones
  3. pp. 81-82
  4. restricted access
  1. Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China by Haomin Gong (review)
  2. Huike Wen
  3. pp. 82-83
  4. restricted access
  1. Detour by Noah Isenberg (review)
  2. Maureen Rogers
  3. pp. 83-85
  4. restricted access
  1. Making Patton: A Classic War Film’s Epic Journey to the Silver Screen by Nicholas Evan Sarantakes (review)
  2. Jeffrey Crean
  3. pp. 85-86
  4. restricted access
  1. A New History of German Cinema ed. by Jennifer M. Kapczynski and Michel D. Richardson (review)
  2. Leslie Ortquist-Ahrens
  3. pp. 87-88
  4. restricted access
  1. Popular Trauma Culture: Selling the Pain of Others in the Mass Media by Anne Rothe (review)
  2. Karyn Ball
  3. pp. 88-90
  4. restricted access
  1. Movie Roadshows: A History and Filmography of Reserved-Seat Limited Showings, 1911-1973 by Kim R. Holston (review)
  2. James H. Krukones
  3. pp. 90-92
  4. restricted access
  1. Blockbuster History in the New Russia: Movies, Memory, and Patriotism by Stephen M. Norris (review)
  2. James H. Krukones
  3. pp. 92-93
  4. restricted access
  1. Screen Jesus: Portrayals of Christ in Television and Film by Peter Malone (review)
  2. Phil Robins
  3. pp. 93-94
  4. restricted access
  1. M*A*S*H by David Scott Diffrient (review)
  2. Ron Briley
  3. pp. 94-96
  4. restricted access
  1. The IRA on Film and Television: A History by Mark Connelly (review)
  2. Ron Briley
  3. pp. 96-97
  4. restricted access
  1. Millennial Masculinity: Men in Contemporary American Cinema ed. by Timothy Shary (review)
  2. Russell Sheaffer
  3. pp. 97-99
  4. restricted access
  1. Creating the Witness: Documenting Genocide on Film, Video, and the Internet by Leshu Torchin (review)
  2. Johnathan H. Pope
  3. pp. 99-100
  4. restricted access
  1. Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood by Yiman Wang (review)
  2. Jinhua Li
  3. pp. 100-102
  4. restricted access
  1. Film in the Middle East and North Africa: Creative Dissidence ed. by Josef Gugler (review)
  2. Rea Amit
  3. pp. 102-104
  4. restricted access
  1. Stardust Monuments: The Saving and Selling of Hollywood by Alison Trope (review)
  2. Phillipp Keidl
  3. pp. 104-106
  4. restricted access
  1. Screening the Dark Side of Love ed. by Karen A. Ritzenhoff and Karen Randell, and: The Writer on Film: Screening Literary Authorship ed. by Judith Buchanan (review)
  2. Laurence Raw
  3. pp. 106-108
  4. restricted access
  1. Stardom, Italian Style: Screen Performance and Personality in Italian Cinema by Marcia Landy (review)
  2. Joseph North
  3. pp. 108-109
  4. restricted access
  1. Studying French Cinema by Isabelle Vanderschelden (review)
  2. Kathryn A. Murphy-Judy
  3. pp. 110-111
  4. restricted access
  1. Oxford Dictionary of Film Studies by Annette Kuhn & Guy Westwell (review)
  2. Sylvie Magerstädt
  3. pp. 111-112
  4. restricted access
  1. Japanese Cinema in the Digital Age by Mitsuyo Wada-Marciano (review)
  2. Patrick A. Terry
  3. pp. 113-114
  4. restricted access
  1. First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-1946 by Jeremy Hicks (review)
  2. Victoria Grace Walden
  3. pp. 114-116
  4. restricted access
  1. From Fidelity to History: Film Adaptations as Cultural Events in the Twentieth Century by Scholz, Anne-Marie (review)
  2. Frans Weiser
  3. pp. 116-118
  4. restricted access
  1. Ex-Cinema: From a Theory of Experimental Film and Video by Akira Mizuta Lippit (review)
  2. Swagato Chakravorty
  3. pp. 118-120
  4. restricted access
  1. The West Wing (TV Milestone Series) by Janet McCabe (review)
  2. Dianah Wynter
  3. pp. 57-59
  4. restricted access