1. Under the Auspices of Simplicity: Roger Leenhardt’s New Realism and the Aesthetic History of Objectif 49
  2. Colin Burnett
  3. pp. 33-75
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  1. Memories in Context: The Social and Economic Function of Cinema in 1950s Rome
  2. Daniela Treveri Gennari, John Sedgwick
  3. pp. 76-104
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  1. Pressing Matters: Media Crusades before the Nickelodeons
  2. Jan Olsson
  3. pp. 105-139
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  1. Charlot as Cinema: Louis Delluc and Charlie Chaplin at the Dawn of Film Criticism
  2. Donna Kornhaber
  3. pp. 140-159
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  1. Orson Welles and the Production of Othello
  2. p. 160
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  1. Mary and the Moor: The Precious Memories of Orson Welles’s Secretary from the Set of Othello
  2. Alberto Anile
  3. pp. 161-185
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  1. Production Notes from Orson Welles’s Othello
  2. pp. 186-192
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  1. Contributors
  2. pp. 193-194
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