1. Barabas’s Fall
  2. Mark Hutchings
  3. pp. 2-16
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  1. Shelley’s Unsung Muse: Eliza O’Neill and the Inspiration Behind The Cenci
  2. James Armstrong
  3. pp. 17-39
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  1. Henry Marshall’s Gag Book: Pantomime Routines for Actors in Twentieth Century Repertory Theatre
  2. Chris Abbott
  3. pp. 40-61
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  1. Terence Rees
  2. David Wilmore
  3. pp. 62-63
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  1. Katharine Worth
  2. Russell Jackson
  3. p. 63
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  1. The Theatre of David Greig by Clare Wallace (review)
  2. Paola Botham
  3. pp. 64-65
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  1. A Jacobean Company and its Playhouse: The Queen’s Servants at the Red Bull Theatre (c.1605-1619) by Eva Griffith (review)
  2. Siobhan Keenan
  3. pp. 65-66
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  1. Mapping Irish Theatre: Theories of Space and Place by Chris Morash and Shaun Richards (review)
  2. Clare Wallace
  3. pp. 66-67
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  1. The Lively Arts of the London Stage, 1675-1725 ed. by Kathryn Lowerre (review)
  2. Riki Miyoshi
  3. pp. 67-69
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  1. The Theatre of Sean O’Casey by James Moran (review)
  2. Jean Webb
  3. pp. 69-70
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  1. The Sarah Siddons Audio Files: Romanticism and the Lost Voice by Judith Pascoe (review)
  2. Sarah McCleave
  3. pp. 70-71
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