1. The Seeing Eye of Scientific Graphic Biography
  2. Candida Rifkind
  3. pp. 1-22
  4. DOI: 10.1353/bio.2015.0010
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  1. The Guantánamo Lawyers: Life Writing for the “Courts of Public Opinion”
  2. Terri Tomsky
  3. pp. 23-40
  4. DOI: 10.1353/bio.2015.0001
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  1. The Diary and the Commonplace Book: Self-Inscription in The Note Books of a Woman Alone
  2. Ella Ophir
  3. pp. 41-55
  4. DOI: 10.1353/bio.2015.0003
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  1. “Contiguous But Widely Separated” Selves: Im/Migrant Life Narrative as Data-Driven Form
  2. Elizabeth Rodrigues
  3. pp. 56-71
  4. DOI: 10.1353/bio.2015.0005
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  1. Self-Branding, Hotness, and Girlhood in the Video Blogs of Jenna Marbles
  2. Emma Maguire
  3. pp. 72-86
  4. DOI: 10.1353/bio.2015.0006
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  1. Fictional Transits and Ruth Ozeki’s A Tale for the Time Being
  2. Rocío G. Davis
  3. pp. 87-103
  4. DOI: 10.1353/bio.2015.0007
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  1. The (De)Evolution of a Genre: Pain Memoirs and Sequential Reading as an Ethical Practice
  2. Lucinda Rasmussen
  3. pp. 118-134
  4. DOI: 10.1353/bio.2015.0000
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  1. Between Selves: An Intertextual Approach to Jamaica Kincaid’s Among Flowers
  2. Ricia Anne Chansky
  3. pp. 135-151
  4. DOI: 10.1353/bio.2015.0002
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  1. Introduction: Auto/Biography in Transit
  2. Jason Breiter, Orly Lael Netzer, Julie Rak, Lucinda Rasmussen
  3. pp. v-xi
  4. DOI: 10.1353/bio.2015.0008
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  1. Covering Pain: Pain Memoirs and Sequential Reading as an Ethical Practice
  2. Leigh Gilmore
  3. pp. 104-117
  4. DOI: 10.1353/bio.2015.0009
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  1. Contributors
  2. pp. 152-154
  3. DOI: 10.1353/bio.2015.0004
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