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In this Issue

Table of Contents

  1. The Vicissitudes of Listening: Music, Empathy, and Escape in Lars von Trier’s Breaking the Waves
  2. Maria Cizmic
  3. pp. 1-32
  4. restricted access
  1. ‘Vertical Montage’ and Synaesthesia: Movement, Inner Synchronicity, and Music–Image Correlation in Alexander Nevsky (1938)
  2. Kia Afra
  3. pp. 33-61
  4. restricted access
  1. On How Queer Cinema Might Feel
  2. Davina Quinlivan
  3. pp. 63-77
  4. restricted access
  1. Conference Report: ‘Film & History’ Conference, Madison, Wisconsin, October 30 to November 1, 2014
  2. Katherine Spring
  3. pp. 79-83
  4. restricted access
  1. Animierte Musik—Beseelte Zeichen: Tonspuren anthropomorpher Tiere in Animated Cartoons by Saskia Jaszoltowski (review)
  2. Daniela Fountain
  3. pp. 85-90
  4. restricted access
  1. Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction by Ben Winters (review)
  2. Douglas Knight
  3. pp. 91-97
  4. restricted access
  1. Contributors
  3. p. 1
  4. restricted access