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In this Issue

Table of Contents

  1. From the Editor
  2. Kathy Foley
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/atj.2015.0002
  5. restricted access

Plays

  1. Manzai Tichiuchi (Vendetta of Performers of “Myriad-Year” Felicity): A Kumi Odori by Tasato Chōchoku, as Staged by Kin Ryōshō in 1982
  2. Nobuko Miyama Ochner
  3. pp. 1-36
  4. DOI: https://doi.org/10.1353/atj.2015.0006
  5. restricted access
  1. Kōji (Three Tangerines): A Kyōgen from the Ōkura School, Introduction and Translation
  2. Kirsty Marie Jenkins
  3. pp. 37-45
  4. DOI: https://doi.org/10.1353/atj.2015.0010
  5. restricted access
  1. “Beneath the Surface” of Told by the Wind: An Intercultural Experiment in Performance Dramaturgy and Aesthetics
  2. Phillip Zarrilli
  3. pp. 46-78
  4. DOI: https://doi.org/10.1353/atj.2015.0013
  5. restricted access

Articles

  1. An Activist Engaged in the Process of “Guilt to Responsibility”: Revisiting the Remains of Badal Sircar in Bangladesh
  2. Syed Jamil Ahmed
  3. pp. 79-106
  4. DOI: https://doi.org/10.1353/atj.2015.0016
  5. restricted access
  1. Three Relations between History and Stage in the Kunju Scene Slaying the Tiger General
  2. Josh Stenberg
  3. pp. 107-135
  4. DOI: https://doi.org/10.1353/atj.2015.0019
  5. restricted access
  1. Forgiving Thị Mầu, a Girl Who Dared to Defy: Performance Change and Chèo Theatre in Northern Vietnam
  2. Lauren Meeker
  3. pp. 136-158
  4. DOI: https://doi.org/10.1353/atj.2015.0000
  5. restricted access
  1. The Impossibility of Being Taiwanese in Chi Wei-jan’s Utopia Ltd.
  2. Wen-ling Lin
  3. pp. 159-189
  4. DOI: https://doi.org/10.1353/atj.2015.0004
  5. restricted access
  1. The Popular Itinerant Theatre of Maharashtra, 1843–1880
  2. Kedar A. Kulkarni
  3. pp. 190-227
  4. DOI: https://doi.org/10.1353/atj.2015.0008
  5. restricted access
  1. Uses of the Sampur in the Halus (Refined) Style of Yogyakarta Court Dance
  2. Sally M. Gardner
  3. pp. 228-244
  4. DOI: https://doi.org/10.1353/atj.2015.0012
  5. restricted access
  1. Pardeh Khani: A Dramatic Form of Storytelling in Iran
  2. Amir Lashkari, Mojde Kalantari
  3. pp. 245-258
  4. DOI: https://doi.org/10.1353/atj.2015.0015
  5. restricted access
  1. The Gaps between Us: Multilingualism and Immigration in Alfian Sa’at’s Cook a Pot of Curry
  2. Philip Smith
  3. pp. 259-279
  4. DOI: https://doi.org/10.1353/atj.2015.0018
  5. restricted access
  1. Decoding Kuo Pao Kun: A Close Reading of No Parking on Odd Days and The Coffin Is Too Big for the Hole
  2. Levi Shen
  3. pp. 280-294
  4. DOI: https://doi.org/10.1353/atj.2015.0022
  5. restricted access

Report

  1. Chinese Shadow Puppetry’s Changing Apprentice System: Questions of Continuance and a Survey of Remaining Shadow Puppet Practitioners in Mainland China, 2008–2013
  2. Annie Katsura Rollins
  3. pp. 295-318
  4. DOI: https://doi.org/10.1353/atj.2015.0003
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Performance Review

  1. Lift: Love is Flower the dir. by Jeff Chen (review)
  2. Sir Anril Pineda Tiatco
  3. pp. 319-323
  4. DOI: https://doi.org/10.1353/atj.2015.0007
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Film Review

  1. On Wayang: My Life with Shadows dir. by Larry Reed and Gina Liebrecht (review)
  2. Kathy Foley
  3. pp. 324-326
  4. DOI: https://doi.org/10.1353/atj.2015.0011
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Book Reviews

  1. Performing Hybridity in Colonial-Modern China by Siyuan Liu (review)
  2. Xing Fan
  3. pp. 327-330
  4. DOI: https://doi.org/10.1353/atj.2015.0014
  5. restricted access
  1. Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)
  2. Claire Pamment
  3. pp. 330-333
  4. DOI: https://doi.org/10.1353/atj.2015.0017
  5. restricted access
  1. Recollecting Resonances: Indonesian-Dutch Musical Encounters ed. by Bart Barendregt and Els Bogaerts (review)
  2. Kathy Foley
  3. pp. 333-335
  4. DOI: https://doi.org/10.1353/atj.2015.0020
  5. restricted access
  1. Korean P’ansori Singing Tradition: Development, Authenticity, and Performance History by Yeonok Jang, and: Korean Musical Drama: P’ansori and the Making of Tradition in Modernity by Haekyung Um (review)
  2. Jan Creutzenberg
  3. pp. 336-339
  4. DOI: https://doi.org/10.1353/atj.2015.0001
  5. restricted access
  1. Captive Audiences/Captive Performers: Music and Theatre as Strategems for Survival on the Thai-Burma Railway 1942–1945 by Sears A. Eldredge (review)
  2. Kathy Foley
  3. pp. 339-342
  4. DOI: https://doi.org/10.1353/atj.2015.0005
  5. restricted access
  1. Books Received
  3. pp. 343-344
  4. DOI: https://doi.org/10.1353/atj.2015.0009
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  1. Color Insert
  3. pp. Color Insert 1-Color Insert 4
  4. DOI: https://doi.org/10.1353/atj.2015.0021
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