1. Voicing Our Dissent: Theatre and Community after the Wisconsin Uprising
  2. Jeff Casey, Sandy Peterson
  3. pp. 103-114
  4. DOI: 10.1353/tt.2015.0017
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  1. “I Will Raise My Daughters to Be More Confident”: Women’s Empowerment and Applied Theatre in Jordan
  2. Fadi Fayad Skeiker
  3. pp. 115-125
  4. DOI: 10.1353/tt.2015.0019
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  1. “Our Lives and All Are Bolingbroke’s”: Alternating Double Casting in Richard II
  2. Christina Gutierrez-Dennehy
  3. pp. 127-137
  4. DOI: 10.1353/tt.2015.0021
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  1. Engaging the Audience: Cultivating Partners, Collaborators, and Stakeholders
  2. D. Ohlandt
  3. pp. 139-148
  4. DOI: 10.1353/tt.2015.0023
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  1. “The Way Through”: Social Action and the Critical Embrace of Failure
  2. Karen Jean Martinson
  3. pp. 149-160
  4. DOI: 10.1353/tt.2015.0025
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  1. A Dream Play Dramaturgy: A Glossary of Fragments
  2. Kevin Riordan
  3. pp. 161-168
  4. DOI: 10.1353/tt.2015.0027
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  1. Directing Crimp and Corneille in France: A Conversation with Brigitte Jaques-Wajeman
  2. Cynthia Running-Johnson
  3. pp. 169-175
  4. DOI: 10.1353/tt.2015.0016
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  1. All the Lights On: Reimagining Theater with Ten Thousand Things by Michelle Hensley (review)
  2. Sonja Arsham Kuftinec
  3. pp. 177-178
  4. DOI: 10.1353/tt.2015.0018
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  1. Anatomy of Performance Training by John Matthews (review)
  2. Julie Rada
  3. pp. 178-179
  4. DOI: 10.1353/tt.2015.0020
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  1. Theatre & Museums by Susan Bennett, and: Theatre & Architecture by Juliet Rufford (review)
  2. Whit Emerson
  3. pp. 180-182
  4. DOI: 10.1353/tt.2015.0024
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  1. Not Magic but Work: An Ethnographic Account of a Rehearsal Process by Gay McAuley (review)
  2. D. Ohlandt
  3. pp. 182-183
  4. DOI: 10.1353/tt.2015.0026
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  1. A Note from the Editor
  2. D.J. Hopkins
  3. pp. ix-x
  4. DOI: 10.1353/tt.2015.0015
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