1. Acting in the Paratext: Theatrical Material in Horace Howard Furness’s New Variorum Shakespeare
  2. Lezlie C. Cross
  3. pp. 191-213
  4. DOI: 10.1353/shb.2015.0036
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  1. Heroes, Villains, and Balkans: Intertextual Masculinities in Ralph Fiennes’s Coriolanus
  2. L. Monique Pittman
  3. pp. 215-244
  4. DOI: 10.1353/shb.2015.0022
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  1. Queer Shakespeare at the Citizens Theatre
  2. Chad Allen Thomas
  3. pp. 245-271
  4. DOI: 10.1353/shb.2015.0025
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  1. The Performance of Counter-Sorcery in Lemi Ponifasio’s Tempest: Without a Body
  2. Guy Zimmerman
  3. pp. 273-291
  4. DOI: 10.1353/shb.2015.0028
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  1. A Jew’s Daughter and a Christian’s Wife: Performing Jessica’s Multiplicity in The Merchant of Venice
  2. Irene Middleton
  3. pp. 293-317
  4. DOI: 10.1353/shb.2015.0031
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  1. Of an Age But Not For All Time?: Staging Shakespeare’s Contemporaries at the Swan
  2. Alan C. Dessen
  3. pp. 319-331
  4. DOI: 10.1353/shb.2015.0033
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  1. The “Roaring Girls” Season at the Swan Theatre
  2. Laura Grace Godwin
  3. pp. 333-345
  4. DOI: 10.1353/shb.2015.0035
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  1. Tamburlaine the Great, Parts I and II by Theatre for a New Audience (review)
  2. Claire M. L. Bourne
  3. pp. 347-350
  4. DOI: 10.1353/shb.2015.0021
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  1. The Tempest by Shakespeare Theatre Company (review)
  2. Michael J. Collins
  3. pp. 350-354
  4. DOI: 10.1353/shb.2015.0024
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  1. Edward II by The American Shakespeare Center (review)
  2. Helen Hull, Kirk Melnikoff
  3. pp. 365-369
  4. DOI: 10.1353/shb.2015.0032
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  1. Henry IV by Donmar Warehouse (review)
  2. Gemma Miller
  3. pp. 369-372
  4. DOI: 10.1353/shb.2015.0034
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  1. King Lear by Shakespeare’s Globe Theatre on Tour (review)
  2. Michael W. Shurgot
  3. pp. 372-377
  4. DOI: 10.1353/shb.2015.0020
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  1. Shakespeare’s Sonnets by Berliner Ensemble (review)
  2. Ameer Sohrawardy
  3. pp. 378-380
  4. DOI: 10.1353/shb.2015.0023
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  1. The Poetics of Piracy: Emulating Spain in English Literature by Barbara Fuchs (review)
  2. Duncan Wheeler
  3. pp. 381-387
  4. DOI: 10.1353/shb.2015.0026
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