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In this Issue

Table of Contents

  1. Selma: The Historical Record and the American Imaginary
  3. pp. 4-5
  4. restricted access
  1. Django Unchained
  3. p. 6
  4. restricted access
  1. “This Film Is a Rebellion!”: Filmmaker, Actor, Black Journal Producer, and Political Activist William Greaves (1926–2014)
  2. Noelle Griffis
  3. pp. 7-16
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.7
  5. restricted access
  1. John Kitzmiller, Euro-American Difference, and the Cinema of the West
  2. Saverio Giovacchini
  3. pp. 17-41
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.17
  5. restricted access
  1. Playing with History: A Black Camera Interview with Kevin Willmott
  2. Derrais Carter
  3. pp. 42-51
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.42
  5. restricted access
  1. Black Independent Filmmaking: A Statement by the Black Audio Film Collective
  2. John Akomfrah
  3. pp. 58-60
  4. DOI: https://doi.org/10.2979/blackcamera.13.1.0435
  5. restricted access
  1. Signs of Struggle, Songs of Sorrow: Notes on the Politics of Uncertainty in the Films of John Akomfrah
  2. Stoffel Debuysere
  3. pp. 61-78
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.61
  5. restricted access
  1. Becoming Black Audio: An Interview with John Akomfrah and Trevor Mathison
  2. Kobena Mercer
  3. pp. 79-93
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.79
  5. restricted access
  1. Memory, Authenticity, and (the Absence of) Ruins: Resonances between Werner Herzog and John Akomfrah
  2. Manuela Ribeiro Sanches
  3. pp. 94-111
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.94
  5. restricted access
  1. Monad, Database, Remix: Manners of Unfolding in The Last Angel of History
  2. Laura U. Marks
  3. pp. 112-134
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.112
  5. restricted access
  1. The Nine Muses: Recalibrating Migratory Aesthetics
  2. Kass Banning
  3. pp. 135-146
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.135
  5. restricted access
  1. Memory and Creative Forgetfulness in The Nine Muses
  2. Stéphane Symons, Matthias De Groof
  3. pp. 147-153
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.147
  5. restricted access
  1. L’Homme de dos: The Politics of the Rear-view Figure in the Films of John Akomfrah
  2. Jeroen Verbeeck
  3. pp. 154-162
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.154
  5. restricted access
  1. Searching for the Erotic: Boundaries of Male Same-Sex Desire in Caribbean Film
  2. Angelique V. Nixon
  3. pp. 168-186
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.168
  5. restricted access
  1. The Essential I/Eye in We: A Black TransFeminist Approach to Ethnographic Film
  2. Kai M. Green
  3. pp. 187-200
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.187
  5. restricted access
  1. Between Women TV: Toward the Mainstreaming of Black Lesbian Masculinity and Black Queer Women in Community
  2. Marlon Rachquel Moore
  3. pp. 201-216
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.201
  5. restricted access
  1. Cannes 2014: Something New in the Air from Africa?
  2. Olivier Barlet, Nzingha Kendall, Julie Le Hégarat
  3. pp. 217-221
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.217
  5. restricted access
  1. Ethiopian Cinema Today: An Interview with Ethiopian Filmmakers Yamrot Nigussie, Hiwot Admasu Getaneh, Hermon Hailay, Adanech Admasu, and Debebe Daniel Negatu
  2. Olivier Barlet
  3. pp. 221-228
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.221
  5. restricted access
  1. Boukary Sawadogo Discusses His Research: Three Marginal Figures in the Cinemas of Francophone West Africa—the Mad Person, the Homosexual, and the Woman
  2. Beti Ellerson, Beti Ellerson
  3. pp. 229-233
  4. restricted access
  1. Homegoings by Christine Turner (review)
  2. Cara Caddoo
  3. pp. 234-235
  4. restricted access
  1. The New Black by Yoruba Richen (review)
  2. Mark Hain
  3. pp. 236-238
  4. restricted access
  1. A Taste for Brown Sugar: Black Women in Pornography by Mireille Miller-Young, and: The Black Body in Ecstasy: Reading Race, Reading Pornography by Jennifer Nash (review)
  2. L.H. Stallings
  3. pp. 239-244
  4. restricted access
  1. The Cinema and Its Shadow: Race and Technology in Early Cinema by Alice Maurice (review)
  2. Nicholas Forster
  3. pp. 244-248
  4. restricted access
  1. African Video Movies and Global Desires: A Ghanaian History by Carmela Garritano (review)
  2. Lindsey Green-Simms
  3. pp. 248-251
  4. restricted access
  1. Regeneration in Digital Contexts: Early Black Film
  2. Ronda L. Sewald
  3. pp. 252-263
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.252
  5. restricted access
  1. News from the Black Film Center/Archive
  3. pp. 264-266
  4. restricted access
  1. Recent and Upcoming Publications on Black Film
  3. pp. 267-268
  4. restricted access
  1. Call for Submissions
  3. pp. 274-275
  4. restricted access
  1. Editor’s Notes
  3. pp. 1-3
  4. restricted access
  1. Introduction: The Muses of the Black Audio Film Collective and Smoking Dogs Films
  2. Matthias De Groof, Stéphane Symons
  3. pp. 52-57
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.52
  5. restricted access
  1. Introduction
  2. L. H. Stallings
  3. pp. 163-167
  4. DOI: https://doi.org/10.2979/blackcamera.6.2.163
  5. restricted access
  1. Notes on Contributors
  3. pp. 269-273
  4. restricted access