1. Selma: The Historical Record and the American Imaginary
  2. pp. 4-5
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  1. Django Unchained
  2. p. 6
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  1. “This Film Is a Rebellion!”: Filmmaker, Actor, Black Journal Producer, and Political Activist William Greaves (1926–2014)
  2. Noelle Griffis
  3. pp. 7-16
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  1. John Kitzmiller, Euro-American Difference, and the Cinema of the West
  2. Saverio Giovacchini
  3. pp. 17-41
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  1. Playing with History: A Black Camera Interview with Kevin Willmott
  2. Derrais Carter
  3. pp. 42-51
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  1. Black Independent Filmmaking: A Statement by the Black Audio Film Collective
  2. John Akomfrah
  3. pp. 58-60
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  1. Signs of Struggle, Songs of Sorrow: Notes on the Politics of Uncertainty in the Films of John Akomfrah
  2. Stoffel Debuysere
  3. pp. 61-78
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  1. Becoming Black Audio: An Interview with John Akomfrah and Trevor Mathison
  2. Kobena Mercer
  3. pp. 79-93
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  1. Memory, Authenticity, and (the Absence of) Ruins: Resonances between Werner Herzog and John Akomfrah
  2. Manuela Ribeiro Sanches
  3. pp. 94-111
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  1. Monad, Database, Remix: Manners of Unfolding in The Last Angel of History
  2. Laura U. Marks
  3. pp. 112-134
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  1. The Nine Muses: Recalibrating Migratory Aesthetics
  2. Kass Banning
  3. pp. 135-146
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  1. Memory and Creative Forgetfulness in The Nine Muses
  2. Stéphane Symons, Matthias De Groof
  3. pp. 147-153
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  1. L’Homme de dos: The Politics of the Rear-view Figure in the Films of John Akomfrah
  2. Jeroen Verbeeck
  3. pp. 154-162
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  1. Searching for the Erotic: Boundaries of Male Same-Sex Desire in Caribbean Film
  2. Angelique V. Nixon
  3. pp. 168-186
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  1. The Essential I/Eye in We: A Black TransFeminist Approach to Ethnographic Film
  2. Kai M. Green
  3. pp. 187-200
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  1. Between Women TV: Toward the Mainstreaming of Black Lesbian Masculinity and Black Queer Women in Community
  2. Marlon Rachquel Moore
  3. pp. 201-216
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  1. Cannes 2014: Something New in the Air from Africa?
  2. Olivier Barlet, Nzingha Kendall, Julie Le Hégarat
  3. pp. 217-221
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  1. Homegoings by Christine Turner (review)
  2. Cara Caddoo
  3. pp. 234-235
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  1. The New Black by Yoruba Richen (review)
  2. Mark Hain
  3. pp. 236-238
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  1. The Cinema and Its Shadow: Race and Technology in Early Cinema by Alice Maurice (review)
  2. Nicholas Forster
  3. pp. 244-248
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  1. African Video Movies and Global Desires: A Ghanaian History by Carmela Garritano (review)
  2. Lindsey Green-Simms
  3. pp. 248-251
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  1. Regeneration in Digital Contexts: Early Black Film
  2. Ronda L. Sewald
  3. pp. 252-263
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  1. News from the Black Film Center/Archive
  2. pp. 264-266
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  1. Recent and Upcoming Publications on Black Film
  2. pp. 267-268
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  1. Call for Submissions
  2. pp. 274-275
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  1. Editor’s Notes
  2. pp. 1-3
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  1. Introduction: The Muses of the Black Audio Film Collective and Smoking Dogs Films
  2. Matthias De Groof, Stéphane Symons
  3. pp. 52-57
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  1. Introduction
  2. L. H. Stallings
  3. pp. 163-167
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  1. Notes on Contributors
  2. pp. 269-273
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