1. The Ward
  2. Elizabeth Walcott-Hackshaw
  3. pp. 273-277
  4. DOI: 10.1353/cal.1999.0108
  5. restricted access View |
  1. Diplomacy
  2. Lorenzo Thomas
  3. p. 280
  4. DOI: 10.1353/cal.1999.0103
  5. restricted access View |
  1. Lustre
  2. Lorenzo Thomas
  3. p. 281
  4. DOI: 10.1353/cal.1999.0104
  5. restricted access View |
  1. Go to Bed Anyway
  2. Lorenzo Thomas
  3. p. 282
  4. DOI: 10.1353/cal.1999.0105
  5. restricted access View |
  1. Songs Without Shadows
  2. Lorenzo Thomas
  3. p. 284
  4. DOI: 10.1353/cal.1999.0107
  5. restricted access View |
  1. An Interview with Lorenzo Thomas
  2. Lorenzo Thomas, Hermine Pinson
  3. pp. 287-305
  4. DOI: 10.1353/cal.1999.0093
  5. restricted access View |
  1. Dead Men Printed: Tupac Shakur, Biggie Small, and Hip-Hop Eulogy
  2. Lindon Barrett
  3. pp. 306-332
  4. DOI: 10.1353/cal.1999.0065
  5. restricted access View |
  1. For Rashaan Roland Kirk
  2. Gerald Majer
  3. pp. 333-334
  4. DOI: 10.1353/cal.1999.0082
  5. restricted access View |
  1. James Newton/Douglas Ewart
  2. Gerald Majer
  3. p. 335
  4. DOI: 10.1353/cal.1999.0083
  5. restricted access View |
  1. Frank
  2. Reuben Jackson
  3. pp. 336-337
  4. DOI: 10.1353/cal.1999.0078
  5. restricted access View |
  1. A Ride to the Wedding
  2. Phebus Etienne
  3. pp. 338-339
  4. DOI: 10.1353/cal.1999.0072
  5. restricted access View |
  1. Pomegranate Lips
  2. D. Trinidad Hanks
  3. pp. 340-341
  4. DOI: 10.1353/cal.1999.0075
  5. restricted access View |
  1. Boy Scouting
  2. D. Trinidad Hanks
  3. p. 342
  4. DOI: 10.1353/cal.1999.0076
  5. restricted access View |
  1. Standing at the Crossroads
  2. Bryant Keith Alexander
  3. pp. 343-345
  4. DOI: 10.1353/cal.1999.0056
  5. restricted access View |
  1. A Reader in the Room: Rose-Myriam Rejouis Meets Patrick Chamoiseau
  2. Patrick Chamoiseau, Rose-Myriam Rejouis
  3. pp. 346-350
  4. DOI: 10.1353/cal.1999.0094
  5. restricted access View |
  1. A Note on Rene Belance
  2. Haun Saussy
  3. pp. 351-354
  4. DOI: 10.1353/cal.1999.0100
  5. restricted access View |
  1. Mains Libres...[Hands Free...]
  2. René Belance, Haun Saussy
  3. pp. 355-362
  4. DOI: 10.1353/cal.1999.0068
  5. restricted access View |
  1. Geole [Jail]
  2. René Belance, Haun Saussy
  3. pp. 363-365
  4. DOI: 10.1353/cal.1999.0069
  5. restricted access View |
  1. Trame [Web]
  2. René Belance, Haun Saussy
  3. p. 366
  4. DOI: 10.1353/cal.1999.0070
  5. restricted access View |
  1. My Interior Vita
  2. Will Alexander
  3. pp. 371-373
  4. DOI: 10.1353/cal.1999.0057
  5. restricted access View |
  1. A Gallery Coexistent with Inspiration
  2. Will Alexander
  3. pp. 374-375
  4. DOI: 10.1353/cal.1999.0058
  5. restricted access View |
  1. Oblique Sensorial Savagery
  2. Will Alexander
  3. pp. 376-377
  4. DOI: 10.1353/cal.1999.0059
  5. restricted access View |
  1. The Telepathic Carnivore
  2. Will Alexander
  3. pp. 378-380
  4. DOI: 10.1353/cal.1999.0061
  5. restricted access View |
  1. Life in Post-Socratic Biology
  2. Will Alexander
  3. pp. 381-382
  4. DOI: 10.1353/cal.1999.0062
  5. restricted access View |
  1. Nowhere Near Albequerque
  2. Lorenzo Thomas
  3. p. 383
  4. DOI: 10.1353/cal.1999.0106
  5. restricted access View |
  1. Provision for the Higher Ozone Body
  2. Will Alexander
  3. pp. 383-385
  4. DOI: 10.1353/cal.1999.0066
  5. restricted access View |
  1. On the Forming Substance of Orishas
  2. Will Alexander
  3. pp. 386-388
  4. DOI: 10.1353/cal.1999.0067
  5. restricted access View |
  1. On the Liberation of Angels
  2. Will Alexander
  3. pp. 389-390
  4. DOI: 10.1353/cal.1999.0060
  5. restricted access View |
  1. Hauling Up Gold From the Abyss: An Interview with Will Alexander
  2. Will Alexander, Harryette Romell Mullen
  3. pp. 391-408
  4. DOI: 10.1353/cal.1999.0087
  5. restricted access View |
  1. Will Alexander's "Transmundane Specific"
  2. Aldon Lynn Nielsen
  3. pp. 409-416
  4. DOI: 10.1353/cal.1999.0091
  5. restricted access View |
  1. "A Collective Force of Burning Ink": Will Alexander's Asia & Haiti
  2. Harryette Romell Mullen
  3. pp. 417-426
  4. DOI: 10.1353/cal.1999.0088
  5. restricted access View |
  1. Mister Mystagogue: to Will Alexander
  2. Julian Semilian
  3. p. 427
  4. DOI: 10.1353/cal.1999.0101
  5. restricted access View |
  1. Amazing Grace
  2. Scott Hightower
  3. p. 428
  4. DOI: 10.1353/cal.1999.0077
  5. restricted access View |
  1. Michelangelo Homeboy, Blue
  2. Robert Nazarene
  3. p. 429
  4. DOI: 10.1353/cal.1999.0089
  5. restricted access View |
  1. A Christmas Carol
  2. Robert Nazarene
  3. p. 430
  4. DOI: 10.1353/cal.1999.0090
  5. restricted access View |
  1. Killing Moons
  2. Elizabeth Walcott-Hackshaw
  3. pp. 431-436
  4. DOI: 10.1353/cal.1999.0109
  5. restricted access View |
  1. Late December at the Brook; I Breathe a Molecule of James Wright's Last Breath
  2. Dan Hanke
  3. p. 437
  4. DOI: 10.1353/cal.1999.0074
  5. restricted access View |
  1. The Message is in the Melody: An Interview with Dudley Randall
  2. Dudley Randall, Lena Ampadu
  3. pp. 438-445
  4. DOI: 10.1353/cal.1999.0063
  5. restricted access View |
  1. Losing Cuba
  2. Kathleen Kirk
  3. p. 446
  4. DOI: 10.1353/cal.1999.0079
  5. restricted access View |
  1. To Hold You
  2. Kathleen Kirk
  3. p. 447
  4. DOI: 10.1353/cal.1999.0080
  5. restricted access View |
  1. Prayer to my Husband's Father
  2. Kathleen Kirk
  3. p. 448
  4. DOI: 10.1353/cal.1999.0081
  5. restricted access View |
  1. Moth
  2. JoAnne McFarland
  3. p. 449
  4. DOI: 10.1353/cal.1999.0084
  5. restricted access View |
  1. Seafarer
  2. JoAnne McFarland
  3. p. 450
  4. DOI: 10.1353/cal.1999.0085
  5. restricted access View |
  1. In Heaven's Alley
  2. Bob Russell
  3. p. 451
  4. DOI: 10.1353/cal.1999.0098
  5. restricted access View |
  1. Picture Box
  2. Bob Russell
  3. p. 452
  4. DOI: 10.1353/cal.1999.0099
  5. restricted access View |
  1. from Silent Screams: Chapter I: A Walk in the Park
  2. Ethel Morgan Smith
  3. pp. 453-465
  4. DOI: 10.1353/cal.1999.0102
  5. restricted access View |
  1. Somewhere Else
  2. Olivia Ruiz
  3. p. 462
  4. DOI: 10.1353/cal.1999.0096
  5. restricted access View |
  1. Sailing
  2. Olivia Ruiz
  3. p. 463
  4. DOI: 10.1353/cal.1999.0097
  5. restricted access View |
  1. Improvisation #2: Charlie Parker Dies for Our Sins
  2. Paulette Beete
  3. p. 465
  4. DOI: 10.1353/cal.1999.0064
  5. restricted access View |
  1. Paris: after Celan
  2. Paul Perry
  3. p. 465
  4. DOI: 10.1353/cal.1999.0092
  5. restricted access View |
  1. Smarting Recollections: A Polish Christmas
  2. Gerald Williams
  3. pp. 466-476
  4. DOI: 10.1353/cal.1999.0110
  5. restricted access View |
  1. Rereading Literary Legacy: New Considerations of the 19th-Century African-American Reader and Writer
  2. Elizabeth Ann McHenry
  3. pp. 477-482
  4. DOI: 10.1353/cal.1999.0086
  5. restricted access View |
  1. To Be Continued: Double Identity, Multiplicity and Antigenealogy as Narrative Strategies in Pauline Hopkins' Magazine Fiction
  2. Augusta Rohrbach
  3. pp. 483-498
  4. DOI: 10.1353/cal.1999.0095
  5. restricted access View |
  1. The Road to Psychic Unity: The Politics of Gender in Claude McKay's Banana Bottom
  2. Barbara Griffin
  3. pp. 499-508
  4. DOI: 10.1353/cal.1999.0073
  5. restricted access View |
  1. Omeros, Derek Walcott and the Contemporary Epic Poem
  2. Isabella Maria Zoppi
  3. pp. 509-528
  4. DOI: 10.1353/cal.1999.0111
  5. restricted access View |
  1. Contributors
  2. pp. 529-532
  3. DOI: 10.1353/cal.1999.0071
  4. restricted access View |