1. Fin-de-Siècle Women Writers and the Modern Short Story
  2. Elke D’hoker, Stephanie Eggermont
  3. pp. 291-312
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  1. Ménie Muriel Dowie: The “Modern” Woman of Choices
  2. Jad Adams
  3. pp. 313-340
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  1. Sherlock Holmes and Cocaine: A 7% Solution for Modern Professionalism
  2. Douglas Small
  3. pp. 341-360
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  1. What Bram Stoker’s Dracula Reveals about Violence
  2. Macy Todd
  3. pp. 361-384
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  1. Conservative Politics, Modernist Poetics: J. M. Kennedy’s “Tory Democracy”
  2. Christos Hadjiyiannis
  3. pp. 385-402
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  1. Fin-de-Siècle Indian English-Language Poetry: British Imperialism, India and the Irish Question
  2. Chris Foss
  3. pp. 403-418
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  1. Wilde’s Lectures: Britain & Ireland
  2. Ian Small
  3. pp. 419-423
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  1. Decadent Poetics
  2. Stefano Evangelista
  3. pp. 423-427
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  1. George Moore, Polymath
  2. Michel W. Pharand
  3. pp. 428-431
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  1. Chesterton, London & Modernity
  2. Keith Wilson
  3. pp. 431-435
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  1. Stevenson in the Classroom
  2. Alexandra Valint
  3. pp. 435-438
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  1. Edition of A Child of the Jago
  2. Janine Utell
  3. pp. 439-441
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  1. GBS’s Settings
  2. J. P. Wearing
  3. pp. 441-442
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  1. The British Empire & Emergent Media
  2. Patrick Brantlinger
  3. pp. 442-445
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  1. British Women’s Poetry: World War I
  2. Margaret D. Stetz
  3. pp. 445-448
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  1. High Anxiety
  2. Kevin Kopelson
  3. pp. 448-452
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  1. Gibson’s Joyce: Waging Literature Like a Battle
  2. Patrick A. Mccarthy
  3. pp. 452-455
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