1. Rereading H. G. Wells’s The Time Machine: Empiricism, Aestheticism, Modernism
  2. Caroline Hovanec
  3. pp. 459-485
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  1. Typewriter Girls in Turn-of-the-Century Fiction: Feminism, Labor and Modernity
  2. Jessica Gray
  3. pp. 486-502
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  1. The Evolution of Cicely Hamilton’s Edwardian Marriage Discourse: Embracing Conversion Dramaturgy
  2. Anna Andes
  3. pp. 503-522
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  1. The Slovaks and Gypsies of Bram Stoker’s Dracula: Vampires in Human Flesh
  2. Stoyan Tchaprazov
  3. pp. 523-535
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  1. Male Pacifists in British Women’s World War I Novels: Toward an “Enlightened Civilisation”
  2. Kabi Hartman
  3. pp. 536-550
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  1. Socialism, Capitalism and the Fiction of Lucas Malet: “The Spirit of the Hive”
  2. Jane Ford
  3. pp. 551-571
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  1. Letters to a Friend
  2. J. H. Stape
  3. pp. 572-574
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  1. The Art of Charles Ricketts: Selected Writings
  2. Sharon Aronofsky Weltman
  3. pp. 574-578
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  1. New Biography of Aldington
  2. Marysa Demoor
  3. pp. 578-581
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  1. Reimagining the Muse
  2. Jill Marie Treftz
  3. pp. 581-584
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  1. British Women Short-Story Writers
  2. Carol A. Senf
  3. pp. 584-587
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  1. Woolf’s Diaries & Those She Read
  2. Molly Youngkin
  3. pp. 588-591
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  1. Aesthetic Engagements of Science
  2. Terry Caesar
  3. pp. 591-594
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  1. Henry Green & Modernism
  2. Barry Devine
  3. pp. 594-597
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  1. Froude Biography
  2. Mark Knight
  3. pp. 597-600
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