1. Reading “The Recital” by John Ashbery
  2. Mark So
  3. p. 2
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  1. The Unperformative President
  2. Richard Schechner
  3. pp. 7-8
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  1. Chasing the Parsi Theatre in Bareilly
  2. Pamela Lothspeich
  3. pp. 9-45
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  1. Behind the Scenes of Heroic Abhimanyu
  2. Pamela Lothspeich
  3. pp. 46-57
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  1. Archiving the “Thing”: Teatro da Vertigem’s Bom Retiro 958 metros
  2. Diana Taylor
  3. pp. 58-73
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  1. The Witness Security Program: Becoming Imperceptible in the Relocation Matrix
  2. Tracy C. Davis
  3. pp. 74-91
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  1. More than Meets the Ear: An Account of the Shared (Ac)counts of Cage and Stravinsky
  2. Kay Festa
  3. pp. 92-102
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  1. No Flowers: Performative Interventions “at the Moment of” Margaret Thatcher’s Passing
  2. Sophie Bush, Morgan Daniels
  3. pp. 103-113
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  1. Cave mentem: Disease and the Performance of Mind
  2. Anthony Kubiak
  3. pp. 114-128
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  1. Stumping and Stunts: Walking in Circles in the “Go-As-You-Please” Race
  2. Kirstin Smith
  3. pp. 129-150
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  1. Sleeping Our Way to Consciousness: Jim Findlay’s Dream of the Red Chamber
  2. Bertie Ferdman
  3. pp. 151-157
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  1. In the Domain of The Nether: Theatre and Virtuality in a World without Consequence
  2. Isabel Stowell-Kaplan
  3. pp. 157-163
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  1. The Object in Question: The FIDENA International Puppetry Festival
  2. Claudia Orenstein
  3. pp. 164-169
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  1. Beijing Xingwei: Contemporary Chinese Time-Based Art by Meiling Cheng (review)
  2. Peggy Wang
  3. pp. 173-175
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  1. Black Performance Theory ed. by Thomas F. DeFrantz, Anita Gonzalez (review)
  2. La Marr Jurelle Bruce
  3. pp. 175-178
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  1. Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (review)
  2. Alex W. Black
  3. pp. 178-180
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  1. Animal Acts: Performing Species Today ed. by Una Chaudhuri, Holly Hughes (review)
  2. Catherine Ming T’ien Duffly
  3. pp. 180-182
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  1. More Books
  2. Dana Tanner-Kennedy
  3. pp. 182-183
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