restricted access   Volume 59, Number 2, Summer 2015 (T226)

Table of Contents


Reading “The Recital” by John Ashbery

p. 2

TDR Comment

The Unperformative President

pp. 7-8


Chasing the Parsi Theatre in Bareilly

pp. 9-45

Behind the Scenes of Heroic Abhimanyu

pp. 46-57

Archiving the “Thing”: Teatro da Vertigem’s Bom Retiro 958 metros

pp. 58-73

The Witness Security Program: Becoming Imperceptible in the Relocation Matrix

pp. 74-91

More than Meets the Ear: An Account of the Shared (Ac)counts of Cage and Stravinsky

pp. 92-102

No Flowers: Performative Interventions “at the Moment of” Margaret Thatcher’s Passing

pp. 103-113

Cave mentem: Disease and the Performance of Mind

pp. 114-128

Student Essay Contest Winner

Stumping and Stunts: Walking in Circles in the “Go-As-You-Please” Race

pp. 129-150

Critical Acts

Sleeping Our Way to Consciousness: Jim Findlay’s Dream of the Red Chamber

pp. 151-157

In the Domain of The Nether: Theatre and Virtuality in a World without Consequence

pp. 157-163

The Object in Question: The FIDENA International Puppetry Festival

pp. 164-169


Trumpets in the Mountains: Theater and the Politics of National Culture in Cuba by Laurie A. Frederik, and: Cuba Inside Out: Revolution and Contemporary Theatre by Yael Prizant (review)

pp. 170-173

Beijing Xingwei: Contemporary Chinese Time-Based Art by Meiling Cheng (review)

pp. 173-175

Black Performance Theory ed. by Thomas F. DeFrantz, Anita Gonzalez (review)

pp. 175-178

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (review)

pp. 178-180

Animal Acts: Performing Species Today ed. by Una Chaudhuri, Holly Hughes (review)

pp. 180-182

More Books

pp. 182-183