1. Homesick for Heaven
  2. Tyrone Williams
  3. pp. 1-7
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  1. I Am Not Proud To Be Black
  2. Tyrone Williams
  3. pp. 8-14
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  1. Grandmother Poems
  2. Sean Hill
  3. pp. 15-17
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  1. F/V: Placing the Experimental Novel
  2. Percival L. Everett
  3. pp. 18-23
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  1. Dawn Revisited
  2. Rita Dove
  3. p. 24
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  1. Spell
  2. Vandana Khanna
  3. p. 25
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  1. Dot Head
  2. Vandana Khanna
  3. p. 26
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  1. Hair
  2. Vandana Khanna
  3. pp. 27-28
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  1. Apple Compote
  2. Martha M. Vertreace
  3. pp. 29-30
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  1. Senora Mamacita
  2. Martha M. Vertreace
  3. pp. 31-33
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  1. The First Morning
  2. Martha M. Vertreace
  3. pp. 34-35
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  1. American Cheese
  2. Brenda F. McMillan
  3. pp. 36-43
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  1. Ten Oxherding Pictures
  2. Lucille Clifton
  3. pp. 47-50
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  1. Alabama 9/15/63
  2. Lucille Clifton
  3. p. 51
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  1. Photograph: The Lynching
  2. Lucille Clifton
  3. p. 52
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  1. Signs
  2. Lucille Clifton
  3. p. 53
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  1. Study the Masters
  2. Lucille Clifton
  3. p. 54
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  1. The Times
  2. Lucille Clifton
  3. p. 55
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  1. An Interview with Lucille Clifton
  2. Charles H. Rowell, Lucille Clifton
  3. pp. 56-72
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  1. Afrocuba
  2. Orlando Ricardo Menes
  3. pp. 73-74
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  1. Stanton Hall
  2. R. Dwaine Rieves
  3. p. 75
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  1. Aaron: A Novel-in-Progress
  2. Alphonzo Morgan
  3. pp. 76-81
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  1. Letter to Jaipur, 1989
  2. Reetika Vazirani
  3. pp. 82-83
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  1. Remedy
  2. Patrick Sylvain
  3. pp. 84-85
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  1. Miss Rosie
  2. Alvin Aubert
  3. p. 86
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  1. In Those Days
  2. Alvin Aubert
  3. p. 87
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  1. Resolution
  2. Myronn Hardy
  3. p. 88
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  1. Africa Verde
  2. Myronn Hardy
  3. p. 89
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  1. Granada Notebook #5
  2. Myronn Hardy
  3. p. 90
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  1. Love Story in Two Parts
  2. Jacqueline Johnson
  3. pp. 91-98
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  1. Letters to E. Ethelbert Miller
  2. Wanda Coleman
  3. pp. 99-106
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  1. Goldsboro Narratives
  2. Forrest Hamer
  3. pp. 107-109
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  1. Yellow Feather
  2. Jane McClellan
  3. pp. 110-111
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  1. Saturday Night Fish Fry
  2. Geoffrey Jacques
  3. p. 112
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  1. Bangs & Whimpers
  2. Geoffrey Jacques
  3. p. 113
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  1. Just For a Thrill
  2. Geoffrey Jacques
  3. pp. 114-115
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  1. The Devolution of Nuclear Associability
  2. Percival L. Everett
  3. pp. 116-120
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  1. The Long Strut: Song of Solomon and the Emancipatory Limits of Black Patriarchy
  2. Rolland Murray
  3. pp. 121-133
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  1. Coloring Outside the Lines: An Essay at Definition
  2. Reginald Shepherd
  3. pp. 134-140
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  1. Kitchen Testimony: Ex-Slaves' Narratives in New Company
  2. Barbara Ryan
  3. pp. 141-156
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  1. Vodou Imagery, African American Tradition and Cultural Transformation in Zora Neale Hurston's Their Eyes Were Watching God
  2. Daphne Mary Lamothe
  3. pp. 157-175
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  1. Hybridity, Identity and Cultural Commerce in Claude McKay's Banana Bottom
  2. Paul Jay
  3. pp. 176-194
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  1. Re-(W)righting Black Male Subjectivity: The Communal Poetics of Ernest Gaines's A Gathering of Old Men
  2. Keith Clark
  3. pp. 195-207
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  1. Limbo: Diaspora Temporality and its Reflection in Praisesong for the Widow and Daughters of the Dust
  2. Sheila Smith McKoy
  3. pp. 208-222
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  1. The Missionary Gene in the Kenyan Polity: Representations of Contemporary Kenya in the British Media
  2. Apollo O. Amoko
  3. pp. 223-239
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  1. Autobiographical desire
  2. Steve Light
  3. pp. 240-243
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  1. Currents in African Literature
  2. Ode Ogede
  3. pp. 243-245
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  1. Currents in African Literature
  2. Ode Ogede
  3. pp. 245-246
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  1. What is African?
  2. Andrew J. Perrin
  3. pp. 247-249
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  1. Conflicting origins: memory in the invention of Guadeloupean genealogy
  2. Marjorie Salvodon
  3. pp. 249-252
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  1. Black Literature, Desire, and the Psychoanalytic Model
  2. Sandra Kumamoto Stanley
  3. pp. 253-254
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  1. Errata
  2. p. 1999
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  1. In Memoriam: Margaret Walker Alexander (1915-1998)
  2. Joanne V. Gabbin
  3. pp. v-vii
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  1. Unmasking the "Gods of Poetry": Race and the Academy of American Poets
  2. Charles H. Rowell
  3. pp. ix-xix
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  1. Contributors
  2. pp. 255-258
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