1. “The Greatest Exploitation Special Ever”: Destination Moon and Postwar Independent Distribution
  2. Bradley Schauer
  3. pp. 1-28
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  1. The Doubly Wired Spectator: Marston’s Theory of Emotions and Psychophysiological Research on Cinematic Pleasure in the 1920s
  2. Ana Olenina
  3. pp. 29-57
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  1. Film Noir and the Culture of Electric Light
  2. Patrick Keating
  3. pp. 58-84
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  1. Film as Diplomat: The Politics of Postwar Screenings at Czechoslovak Foreign Embassies
  2. Lucie Česálková
  3. pp. 85-110
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  1. “Ten Dollars’ Worth of Fun”: The Obscured History of the Toy Magic Lantern and Early Children’s Media Spectatorship
  2. Meredith A. Bak
  3. pp. 111-134
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  1. “A Maze of Intricate Relationships”: Mae D. Huettig and Early Forays into Film Industry Studies
  2. W. D. Phillips
  3. pp. 135-163
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  1. Contributors
  2. pp. 164-165
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