1. Firing Line and the Black Revolution
  2. Heather Hendershot
  3. pp. 1-26
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  1. Phase IV: Saul Bass’s Sci-fi Vision Lost and Regained
  2. Sean Savage
  3. pp. 27-50
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  1. Something Weird This Way Comes: Mike Vraney (1957–2014)
  2. David Church
  3. pp. 51-67
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  1. Framing Race in the Arizona Borderlands: The Western Ways Apache Scouts and Sells Indian Rodeo Films
  2. Jennifer L. Jenkins
  3. pp. 68-95
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  1. As the Archive Turned: Writing Film Histories without Films
  2. Eric Smoodin
  3. pp. 96-100
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  1. Archives and Their Film Collection in a Digital World; or, What Futures for the Analog Print?
  2. Sabine Lenk
  3. pp. 100-110
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  1. Orphan Jackie: The Unexpected Rediscovery of Kiss My Lips, Artchie
  2. Eric Cheevers
  3. pp. 111-112
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  1. Learning with the Lights Off: Educational Film in the United States ed. by Devin Orgeron, Marsha Orgeron, Dan Streible (review)
  2. Joseph Clark
  3. pp. 113-115
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  1. Hollywood’s Copyright Wars: From Edison to the Internet by Peter Decherney (review)
  2. Rick Prelinger
  3. pp. 115-117
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  1. Come Back, Africa: The Films of Lionel Rogosin, Volume II (review)
  2. Caitlin McClune
  3. pp. 118-120
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  1. World on a Wire (1973) (review)
  2. Brian Faucette
  3. pp. 121-123
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  1. Underground (1928) (review)
  2. Robert Byrne
  3. pp. 123-126
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  1. Wunderkino IV: Visions of House and Home—Fifteenth Annual Northeast Historic Film Summer Symposium (review)
  2. Liz Czach
  3. pp. 127-129
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  1. A Numerate Film History? Cinemetrics Looks at Griffith, Sennett, and Chaplin (1909–17) (review)
  2. Zdenko Mandušić
  3. pp. 130-133
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  1. Editors’ Foreword
  2. Susan Ohmer, Donald Crafton
  3. pp. vii-x
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