1. The Transnational History of Settler Colonialism and the Music of the Urban West: Resituating a Local Music History
  2. David Gramit
  3. pp. 272-291
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  1. My Fair Lady: A Voice for Change
  2. Marcie Ray
  3. pp. 292-316
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  1. Merengue Meets the Symphony Orchestra: Interrogating “Music as One” and the “Terrific” Musical Experience at the Hollywood Bowl
  2. Ludim Rebeca Pedroza
  3. pp. 317-352
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  1. Music in the Chautauqua Movement: From 1874 to the 1930s by Paige Lush (review)
  2. Marian Wilson Kimber
  3. pp. 353-356
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  1. Louis Armstrong, Master of Modernism by Thomas Brothers (review)
  2. Bruce Boyd Raeburn
  3. pp. 356-359
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  1. The Leonard Bernstein Letters ed. by Nigel Simeone (review)
  2. Paul R. Laird
  3. pp. 359-362
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  1. Siren City: Sound and Source Music in Classic American Noir by Robert Miklitsch (review)
  2. Peter Franklin
  3. pp. 362-364
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  1. Dangerous Rhythm: Why Movie Musicals Matter by Richard Barrios (review)
  2. Megan Woller
  3. pp. 364-366
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  1. Crosscurrents: American and European Music in Interaction, 1900-2000 ed. by Felix Meyer, etal. (review)
  2. Sabine Feisst
  3. pp. 366-370
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  1. Bob Dylan: The Original Mono Recordings (review)
  2. Christopher M. Reali
  3. pp. 371-375
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