1. My Kingdom for a Ghost: Counterfactual Thinking and Hamlet
  2. Amir Khan
  3. pp. 29-46
  4. DOI: 10.1353/shq.2015.0002
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  1. Shakespeare’s Lady 8
  2. Douglas Bruster
  3. pp. 47-88
  4. DOI: 10.1353/shq.2015.0004
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  1. “Concolinel”: Moth’s Lost Song Recovered?
  2. Ross W. Duffin
  3. pp. 89-94
  4. DOI: 10.1353/shq.2015.0006
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  1. Shakespeare’s Theatres and the Effects of Performance ed. by Farah Karim-Cooper and Tiffany Stern (review)
  2. Wes Folkerth
  3. pp. 95-97
  4. DOI: 10.1353/shq.2015.0008
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  1. Shakespeare’s Anti-Politics: Sovereign Power and the Life of the Flesh by Daniel Juan Gil (review)
  2. James Kuzner
  3. pp. 97-99
  4. DOI: 10.1353/shq.2015.0009
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  1. Broken Harmony: Shakespeare and the Politics of Music by Joseph M. Ortiz (review)
  2. David Lindley
  3. pp. 99-101
  4. DOI: 10.1353/shq.2015.0010
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  1. Shakespeare and Impure Aesthetics by Hugh Grady (review)
  2. Simon Palfrey
  3. pp. 102-104
  4. DOI: 10.1353/shq.2015.0001
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  1. Wooden Os: Shakespeare’s Theatres and England’s Trees by Vin Nardizzi (review)
  2. Julie Sanders
  3. pp. 104-107
  4. DOI: 10.1353/shq.2015.0003
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  1. Sex before Sex: Figuring the Act in Early Modern England ed. by James M. Bromley and Will Stockton (review)
  2. John D. Staines
  3. pp. 107-109
  4. DOI: 10.1353/shq.2015.0005
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  1. Contributors
  2. pp. 110-111
  3. DOI: 10.1353/shq.2015.0007
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