1. David Mitchell in the Laboratory of Time: An Interview with the Author
  2. Paul A. Harris
  3. pp. 8-17
  4. DOI: 10.1353/sub.2015.0000
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  1. Posthuman Temporality: Mitchell’s Ghostwritten
  2. Jonathan Boulter
  3. pp. 18-38
  4. DOI: 10.1353/sub.2015.0003
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  1. Palter & Prescience – On David Mitchell and Ghostwritten
  2. Sean Hooks
  3. pp. 39-54
  4. DOI: 10.1353/sub.2015.0005
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  1. “A row of screaming Russian dolls”: Escaping the Panopticon in David Mitchell’s number9dream
  2. Rose Harris-Birtill
  3. pp. 55-70
  4. DOI: 10.1353/sub.2015.0007
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  1. The Sound of Silence: Eschatology and the Limits of the Word in David Mitchell’s Cloud Atlas
  2. Scott Dimovitz
  3. pp. 71-91
  4. DOI: 10.1353/sub.2015.0009
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  1. “Gravid with the ancient future”: Cloud Atlas and the Politics of Big History
  2. Casey Shoop, Dermot Ryan
  3. pp. 92-106
  4. DOI: 10.1353/sub.2015.0011
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  1. Cannibalism, Colonialism and Apocalypse in Mitchell’s Global Future
  2. Lynda Ng
  3. pp. 107-122
  4. DOI: 10.1353/sub.2015.0014
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  1. From Time’s Boomerang to Pointillist Mosaic: Translating Cloud Atlas into Film
  2. Jo Alyson Parker
  3. pp. 123-135
  4. DOI: 10.1353/sub.2015.0002
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  1. David Mitchell’s Fractal Imagination: The Bone Clocks
  2. Paul A. Harris
  3. pp. 148-153
  4. DOI: 10.1353/sub.2015.0006
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  1. Speculative Romanticism
  2. Greg Ellermann
  3. pp. 154-174
  4. DOI: 10.1353/sub.2015.0008
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  1. Richard Jackson: Between the Real and the Relational
  2. Magdalena Wisniowska
  3. pp. 175-191
  4. DOI: 10.1353/sub.2015.0010
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  1. Social Minds in the Novel by Alan Palmer (review)
  2. Laurence M. Porter
  3. pp. 192-201
  4. DOI: 10.1353/sub.2015.0013
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  1. Introduction: David Mitchell in the Labyrinth of Time
  2. Paul A. Harris
  3. pp. 3-7
  4. DOI: 10.1353/sub.2015.0012
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  1. Contributors
  2. pp. 202-204
  3. DOI: 10.1353/sub.2015.0001
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