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Table of Contents

  1. Theater of Transposition: Charles Dullin and the East Asian Theater
  2. Min Tian
  3. pp. 333-370
  4. DOI: https://doi.org/10.1353/cdr.2014.0028
  5. restricted access
  1. Heywood’s Epic Theater
  2. Mark Bayer
  3. pp. 371-391
  4. DOI: https://doi.org/10.1353/cdr.2014.0030
  5. restricted access
  1. Tedium: An Essay on Drag, Attunement, Theater, and Translation
  2. Loren Kruger
  3. pp. 393-413
  4. DOI: https://doi.org/10.1353/cdr.2014.0032
  5. restricted access
  1. “I’ll Find a Day to Massacre Them All”: Tamora in Titus Andronicus and Catherine de Médicis
  2. Jo Eldridge Carney
  3. pp. 415-435
  4. DOI: https://doi.org/10.1353/cdr.2014.0034
  5. restricted access
  1. Religion Around Shakespeare by Peter Iver Kaufman (review)
  2. Cyndia Susan Clegg
  3. pp. 437-440
  4. DOI: https://doi.org/10.1353/cdr.2014.0036
  5. restricted access
  1. Dramaturgy of Sound in the Avant-Garde and Postdramatic Theatre by Mladen Ovadija (review)
  2. Ross Brown
  3. pp. 441-443
  4. DOI: https://doi.org/10.1353/cdr.2014.0026
  5. restricted access
  1. Shakespeare’s Unreformed Fictions by Gillian Woods (review)
  2. Phebe Jensen
  3. pp. 447-450
  4. DOI: https://doi.org/10.1353/cdr.2014.0029
  5. restricted access
  1. Unruly Women: Performance, Penitence, and Punishment in Early Modern Spain by Margaret E. Boyle (review)
  2. Hilaire Kallendorf
  3. pp. 453-456
  4. DOI: https://doi.org/10.1353/cdr.2014.0033
  5. restricted access
  1. Brief Notices
  2. pp. 457-463
  3. DOI: https://doi.org/10.1353/cdr.2014.0035
  4. restricted access
  1. Contributors
  2. pp. 465-466
  3. DOI: https://doi.org/10.1353/cdr.2014.0025
  4. restricted access