1. John Dos Passos and Harlan: Three Variations on a Theme
  2. Donald Pizer
  3. pp. 1-23
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  1. The Racial Ends of History: Melancholic Historical Practice in Pauline Hopkins’s Of One Blood
  2. Cedric R. Tolliver
  3. pp. 25-52
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  1. Ambivalence and the Empire City: Julia de Burgos’s New York
  2. Li Yun Alvarado
  3. pp. 53-81
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  1. Bits of Autobiography: Radical Deindividualization and Everydayness
  2. James E. Dobson
  3. pp. 83-99
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  1. “Hiroshima Is Peanuts”: The Strange Landscape of The Day After
  2. Lindsey Michael Banco
  3. pp. 101-128
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  1. Leaving Something to Be Desired: Affective Strategies and the Everyday-Spectacular in Nathanael West’s The Day of the Locust
  2. Peter J. Pappas
  3. pp. 129-150
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  1. Muriel Rukeyser’s Poetics of Extension and the Politics of Documentary Photography
  2. Justin Parks
  3. pp. 151-179
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  1. The Contributors
  2. p. 181
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