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In this Issue

Table of Contents

  1. Image
  3. p. 1
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Provocation

  1. Sidewalk’s Cloud (2014)
  2. Kader Attia
  3. p. 2
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TDR Comment

  1. A Thousand Birds Flying
  2. Eugenio Barba
  3. pp. 8-9
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  1. Who Has Seen the Most?
  2. Joseph Roach
  3. pp. 9-11
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On Reggie Wilson and Moses(es)

  1. Reggie Wilson and the Traditions of American Dance
  2. Susan Manning
  3. pp. 12-24
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  1. Reggie Wilson in Conversation
  2. Susan Manning
  3. pp. 25-33
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  1. On the Making of Moses(es): Notes from a Dramaturg’s Journal
  2. Susan Manning
  3. pp. 34-54
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  1. Zora, Zar, Ohad, and Nubia: Research Memos for Reggie Wilson’s Moses(es)
  2. Susan Manning
  3. pp. 55-66
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Articles

  1. Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand
  2. Nicola Hyland
  3. pp. 67-82
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  1. K-Contagion: Sound, Speed, and Space in “Gangnam Style”
  2. Marcus Tan
  3. pp. 83-96
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  1. Theatre in Contested Lands: Repatriating Indigenous Remains
  2. Julie Burelle
  3. pp. 97-118
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  1. Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre
  2. Bryce Lease
  3. pp. 119-135
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  1. Priamaia liniia s Vladimirom Putinym: Performing Democracy Putin-Style
  2. Catherine A. Schuler
  3. pp. 136-160
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Critical Acts

  1. Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.
  2. Rizvana Bradley
  3. pp. 161-166
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  1. Disability Performance in the Streets: Art Actions in Post-Quake Christchurch
  2. Petra Kuppers
  3. pp. 166-174
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  1. Turbulent Communisms: Raqs Media Collective’s The Last International
  2. Ethan Philbrick
  3. pp. 174-180
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Books

  1. Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (review)
  2. Renée Alexander Craft
  3. pp. 181-183
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  1. Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest by Paul A. Scolieri (review)
  2. Angela Marino
  3. pp. 183-184
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  1. The Cambridge Introduction to Theatre Directing ed. by Christopher Innes and Maria Shevtsova (review)
  2. Michael Earley
  3. pp. 185-186
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  1. The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance by James M. Harding (review)
  2. Kate Bredeson
  3. pp. 187-188
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  1. Glorious Catastrophe: Jack Smith, Performance and Visual Culture by Dominic Johnson (review)
  2. Elizabeth Wiet
  3. pp. 189-190
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  1. “We’re People Who Do Shows”: Back to Back Theatre: Performance, Politics, Visibility ed. by Helena Grehan and Peter Eckersall (review)
  2. Theron Schmidt
  3. pp. 190-192
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  1. More Books
  2. Tina Post
  3. pp. 192-194
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