restricted access   Volume 59, Number 1, Spring 2015 (T225)

Table of Contents


p. 1


Sidewalk’s Cloud (2014)

p. 2

TDR Comment

A Thousand Birds Flying

pp. 8-9

Who Has Seen the Most?

pp. 9-11

On Reggie Wilson and Moses(es)

Reggie Wilson and the Traditions of American Dance

pp. 12-24

Reggie Wilson in Conversation

pp. 25-33

On the Making of Moses(es): Notes from a Dramaturg’s Journal

pp. 34-54

Zora, Zar, Ohad, and Nubia: Research Memos for Reggie Wilson’s Moses(es)

pp. 55-66


Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand

pp. 67-82

K-Contagion: Sound, Speed, and Space in “Gangnam Style”

pp. 83-96

Theatre in Contested Lands: Repatriating Indigenous Remains

pp. 97-118

Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

pp. 119-135

Priamaia liniia s Vladimirom Putinym: Performing Democracy Putin-Style

pp. 136-160

Critical Acts

Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.

pp. 161-166

Disability Performance in the Streets: Art Actions in Post-Quake Christchurch

pp. 166-174

Turbulent Communisms: Raqs Media Collective’s The Last International

pp. 174-180


Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (review)

pp. 181-183

Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest by Paul A. Scolieri (review)

pp. 183-184

The Cambridge Introduction to Theatre Directing ed. by Christopher Innes and Maria Shevtsova (review)

pp. 185-186

The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance by James M. Harding (review)

pp. 187-188

Glorious Catastrophe: Jack Smith, Performance and Visual Culture by Dominic Johnson (review)

pp. 189-190

“We’re People Who Do Shows”: Back to Back Theatre: Performance, Politics, Visibility ed. by Helena Grehan and Peter Eckersall (review)

pp. 190-192

More Books

pp. 192-194