restricted access   Volume 38, Number 2, October 2014

Table of Contents

Articles

The Unblest Room: Kristeva’s Chora in Sophocles’s Antigone

pp. 293-313
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Hegel’s Poetics of History: Tragic Repetition and Comic Recollection

pp. 314-331
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Prisoners of Plot in José Saramago’s The Cave

pp. 332-349
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Looking into the Heart of Light: Considering the Poetic Event in the Work of T. S. Eliot and Martin Heidegger

pp. 350-367
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Truth and Value in Rebecca West’s The Return of the Soldier

pp. 368-379
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Friedrich Nietzsche’s Subjective Artist

pp. 380-394
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Being Equal to the Moment: Form as Historical Praxis

pp. 395-415
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Interior Portraits in The Magic Mountain and Brain Imaging

pp. 416-432
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Symposium: Platonic Reflections

Plato’s Apology of Socrates: A Metaphilosophical Text

pp. 433-445
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Dogs and Birds in Plato

pp. 446-461
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Losing the Monstrous and the Multiform: The Lessons of Myth in Plato’s Phaedrus

pp. 462-478
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Euthyphro’s Choice

pp. 479-494
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Five Readings of Euthyphro

pp. 495-509
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Euthyphro Prosecutes a Human Rights Violation

pp. 510-527
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Ascending from the Ashes: Images of Plato in Bradbury’s Fahrenheit 451

pp. 528-548
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Notes and Fragments

Even Homer Sometimes NODs: Against Hermeneutic Perfectionism

pp. 549-562
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Gauging Proximities: An Inquiry into a Possible Nexus between Middle Eastern and Western Painting

pp. 563-572
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“Eternity Looking through Time”: Sartor Resartus and Frost’s “Stopping by Woods on a Snowy Evening”

pp. 573-577
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Critical Discussions

Aesthetics, Art, and Biology

pp. 578-586
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Lines of Thought

Defending Compromise

pp. 587-601
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