restricted access   Volume 38, Number 2, October 2014

Table of Contents


The Unblest Room: Kristeva’s Chora in Sophocles’s Antigone

pp. 293-313

Hegel’s Poetics of History: Tragic Repetition and Comic Recollection

pp. 314-331

Prisoners of Plot in José Saramago’s The Cave

pp. 332-349

Looking into the Heart of Light: Considering the Poetic Event in the Work of T. S. Eliot and Martin Heidegger

pp. 350-367

Truth and Value in Rebecca West’s The Return of the Soldier

pp. 368-379

Friedrich Nietzsche’s Subjective Artist

pp. 380-394

Being Equal to the Moment: Form as Historical Praxis

pp. 395-415

Interior Portraits in The Magic Mountain and Brain Imaging

pp. 416-432

Symposium: Platonic Reflections

Plato’s Apology of Socrates: A Metaphilosophical Text

pp. 433-445

Dogs and Birds in Plato

pp. 446-461

Losing the Monstrous and the Multiform: The Lessons of Myth in Plato’s Phaedrus

pp. 462-478

Euthyphro’s Choice

pp. 479-494

Five Readings of Euthyphro

pp. 495-509

Euthyphro Prosecutes a Human Rights Violation

pp. 510-527

Ascending from the Ashes: Images of Plato in Bradbury’s Fahrenheit 451

pp. 528-548

Notes and Fragments

Even Homer Sometimes NODs: Against Hermeneutic Perfectionism

pp. 549-562

Gauging Proximities: An Inquiry into a Possible Nexus between Middle Eastern and Western Painting

pp. 563-572

“Eternity Looking through Time”: Sartor Resartus and Frost’s “Stopping by Woods on a Snowy Evening”

pp. 573-577

Critical Discussions

Aesthetics, Art, and Biology

pp. 578-586

Lines of Thought

Defending Compromise

pp. 587-601