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In this Issue

Table of Contents

  1. Ricordi’s Solo Vocal Music, 1808–1857
  2. Jennifer A. Ward
  3. pp. 387-447
  4. DOI: https://doi.org/10.1353/not.2015.0041
  5. restricted access
  1. Administration and Curricula of the Introductory Graduate Music Research Course
  2. Jonathan Sauceda
  3. pp. 448-478
  4. DOI: https://doi.org/10.1353/not.2015.0003
  5. restricted access
  1. Notes for Notes
  2. pp. 479-480
  3. DOI: https://doi.org/10.1353/not.2015.0010
  4. restricted access
  1. Composing for the Red Screen: Prokofiev and Soviet Film by Kevin Bartig (review)
  2. Albrecht Gaub
  3. pp. 481-483
  4. DOI: https://doi.org/10.1353/not.2015.0017
  5. restricted access
  1. Greenback Dollar: The Incredible Rise of the Kingston Trio by William J. Bush (review)
  2. Jim Alberts
  3. pp. 483-486
  4. DOI: https://doi.org/10.1353/not.2015.0024
  5. restricted access
  1. Grateful Dead and the Art of Rock Improvisation by David Malvinni (review)
  2. Jacob A. Cohen
  3. pp. 486-489
  4. DOI: https://doi.org/10.1353/not.2015.0031
  5. restricted access
  1. The Art of Nick Cave: New Critical Essays ed. by John H. Baker, and: Autobiography by Morrissey (review)
  2. Lindsay Hansen
  3. pp. 489-492
  4. DOI: https://doi.org/10.1353/not.2015.0038
  5. restricted access
  1. Federico Moreno Torroba: A Musical Life in Three Acts by Walter Aaron Clark and William Craig Krause (review)
  2. Danielle M. Kuntz
  3. pp. 497-499
  4. DOI: https://doi.org/10.1353/not.2015.0007
  5. restricted access
  1. Making Samba: A New History of Race and Music in Brazil by Marc A. Hertzman (review)
  2. Marc Meistrich Gidal
  3. pp. 499-502
  4. DOI: https://doi.org/10.1353/not.2015.0014
  5. restricted access
  1. Charles Ives in the Mirror: American Histories of an Iconic Composer by David C. Paul (review)
  2. Robin Preiss
  3. pp. 507-509
  4. DOI: https://doi.org/10.1353/not.2015.0035
  5. restricted access
  1. Music and Ultra-Modernism in France: A Fragile Consensus, 1913–1939 by Barbara L. Kelly (review)
  2. Helen Julia Minors
  3. pp. 509-512
  4. DOI: https://doi.org/10.1353/not.2015.0043
  5. restricted access
  1. Japanoise: Music at the Edge of Circulation by David Novak (review)
  2. Shelina Brown
  3. pp. 512-514
  4. DOI: https://doi.org/10.1353/not.2015.0005
  5. restricted access
  1. Dance in Handel’s London Operas by Sarah McCleave (review)
  2. Alison DeSimone
  3. pp. 517-519
  4. DOI: https://doi.org/10.1353/not.2015.0019
  5. restricted access
  1. Performing Salome, Revealing Stories ed. by Clair Rowden (review)
  2. Helen Julia Minors
  3. pp. 519-522
  4. DOI: https://doi.org/10.1353/not.2015.0026
  5. restricted access
  1. Correspondence of Franz Liszt and the Comtesse Marie d’Agoult ed. by Michael Short (review)
  2. Jonathan Kregor
  3. pp. 530-532
  4. DOI: https://doi.org/10.1353/not.2015.0009
  5. restricted access
  1. Death in Winterreise: Musico-Poetic Associations in Schubert’s Song Cycle by Lauri Suurpää (review)
  2. Loretta Terrigno
  3. pp. 532-534
  4. DOI: https://doi.org/10.1353/not.2015.0016
  5. restricted access
  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 535-539
  4. DOI: https://doi.org/10.1353/not.2015.0023
  5. restricted access
  1. New Periodicals
  2. pp. 540-542
  3. DOI: https://doi.org/10.1353/not.2015.0030
  4. restricted access
  1. Beethoven’s 9th Symphony—The Full Experience by Touch Press (review)
  2. Pamela E. Pagels
  3. pp. 545-547
  4. DOI: https://doi.org/10.1353/not.2015.0044
  5. restricted access
  1. Alice in Wonderland by Unsuk Chin (review)
  2. Long Wang, Min Wang
  3. pp. 548-550
  4. DOI: https://doi.org/10.1353/not.2015.0006
  5. restricted access
  1. Richard Strauss and His Heroines dir. by Thomas von Steinaecker (review)
  2. Colette Simonot-Maiello
  3. pp. 550-551
  4. DOI: https://doi.org/10.1353/not.2015.0013
  5. restricted access
  1. Paul Tortelier. The Complete Musician dir. by Peter Amman (review)
  2. Roderick L. Sharpe
  3. pp. 551-552
  4. DOI: https://doi.org/10.1353/not.2015.0020
  5. restricted access
  1. A Tribute to Krzysztof Penderecki: Marking the Composer’s 80th Birthday dir. by Michael Beyer (review)
  2. Paul Beaudoin
  3. pp. 552-553
  4. DOI: https://doi.org/10.1353/not.2015.0027
  5. restricted access
  1. Conducting Hope dir. by Margie Friedman (review)
  2. Joseph E. Morgan
  3. pp. 553-554
  4. DOI: https://doi.org/10.1353/not.2015.0034
  5. restricted access
  1. O Samba dir. by Georges Gachot (review)
  2. Christopher L. Ballengee
  3. pp. 554-555
  4. DOI: https://doi.org/10.1353/not.2015.0042
  5. restricted access
  1. Mercedes Sosa: The Voice of Latin America dir. by Rodrigo H. Vila (review)
  2. Alicia Doyle
  3. pp. 555-556
  4. DOI: https://doi.org/10.1353/not.2015.0004
  5. restricted access
  1. The Girls in the Band: College Version dir. by Judy Chaikin (review)
  2. Maristella Feustle
  3. pp. 556-557
  4. DOI: https://doi.org/10.1353/not.2015.0011
  5. restricted access
  1. The Dave Clark Five and Beyond: Glad All Over dir. by Dave Clark (review)
  2. John Clark
  3. pp. 557-559
  4. DOI: https://doi.org/10.1353/not.2015.0018
  5. restricted access
  1. Led Zeppelin: Good Times, Bad Times (review)
  2. Alicia Doyle
  3. pp. 559-560
  4. DOI: https://doi.org/10.1353/not.2015.0025
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  1. The Rolling Stones in the 1970s: The Complete Review dir. by Alex Westbrook (review)
  2. Michael Ashenfelder
  3. pp. 560-561
  4. DOI: https://doi.org/10.1353/not.2015.0032
  5. restricted access
  1. An Oratorio by Giovanni Paolo Colonna
  2. Marc Vanscheeuwijck
  3. pp. 563-566
  4. DOI: https://doi.org/10.1353/not.2015.0001
  5. restricted access
  1. Music from the Berlin Sing-Akademie
  2. Daniel F. Boomhower
  3. pp. 566-569
  4. DOI: https://doi.org/10.1353/not.2015.0008
  5. restricted access
  1. Johann Adolph Scheibe and the Passion Tradition in Denmark
  2. Evan Cortens
  3. pp. 569-573
  4. DOI: https://doi.org/10.1353/not.2015.0015
  5. restricted access
  1. Early Orchestral Works of Vaughan Williams Recovered
  2. James Brooks Kuykendall
  3. pp. 573-577
  4. DOI: https://doi.org/10.1353/not.2015.0022
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  1. Index to Advertisers
  2. p. 586
  3. DOI: https://doi.org/10.1353/not.2015.0036
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  1. Music Received
  2. David Knapp
  3. pp. 578-585
  4. DOI: https://doi.org/10.1353/not.2015.0029
  5. restricted access