restricted access   Volume 54, Number 2, Winter 2015

Table of Contents

Articles

“Why did you have to turn on the machine?”: The Spirals of Time-Travel Romance

pp. 1-23
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Montage(s) of a Disaster: Voyage(s) en utopie by Jean-Luc Godard

pp. 24-48
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Recognizing the Unrecognizable in Dariush Mehrjui’s Gav

pp. 49-71
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“A Revolution in the Atmosphere”: The Dynamics of Site and Screen in 1940s Soundies

pp. 72-93
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Brutal Games: Call of Duty and the Cultural Narrative of World War II

pp. 94-113
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In Focus: Studying African Cinema and Media Today

Introduction

pp. 114-119
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African Film’s Televisual Turn

pp. 120-125
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Through the Eye of a Film Festival: Toward a Curatorial and Spectator Centered Approach to the Study of African Screen Media

pp. 126-132
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Nollywood: Prisms and Paradigms

pp. 133-140
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Certain Tendencies in Contemporary Auteurist Film Practice in Africa

pp. 140-149
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Contributors

p. 150
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Book Reviews: African Caucus

African Video Movies and Global Desires: A Ghanaian History by Carmela Garritano (review)

pp. 151-154
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Trash: African Cinema from Below by Kenneth W. Harrow (review)

pp. 155-159
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Global Nollywood: The Transnational Dimensions of an African Video Film Industry ed. by Matthias Krings and Onookome Okome (review)

pp. 159-163
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Nationalist African Cinema: Legacy and Transformations by Sada Niang (review)

pp. 163-167
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Critical Approaches to African Cinema Discourse ed. by Nwachukwu Frank Ukadike (review)

pp. 167-171
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Contributors

p. 172
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