1. Empirical Middleton: Macbeth, Adaptation, and Microauthorship
  2. Gary Taylor
  3. pp. 239-272
  4. DOI: 10.1353/shq.2014.0030
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  1. Michael Drayton, Shakespeare’s Shadow
  2. Meghan C. Andrews
  3. pp. 273-306
  4. DOI: 10.1353/shq.2014.0033
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  1. “Play me false”: Rape, Race, and Conquest in The Tempest
  2. John Kunat
  3. pp. 307-327
  4. DOI: 10.1353/shq.2014.0036
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  1. The Oxford Handbook of Tudor Drama ed. by Thomas Betteridge and Greg Walker (review)
  2. John N. King
  3. pp. 338-340
  4. DOI: 10.1353/shq.2014.0025
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  1. A Fury in the Words: Love and Embarrassment in Shakespeare’s Venice by Harry Berger Jr. (review)
  2. Peter Erickson
  3. pp. 341-343
  4. DOI: 10.1353/shq.2014.0027
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  1. Philosophical Readings of Shakespeare: “Thou Art the Thing Itself” by Margherita Pascucci (review)
  2. Hugh Grady
  3. pp. 343-346
  4. DOI: 10.1353/shq.2014.0029
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  1. Bound to Read: Compilations, Collections, and the Making of Renaissance Literature by Jeffrey Todd Knight (review)
  2. Jason Scott-Warren
  3. pp. 349-351
  4. DOI: 10.1353/shq.2014.0035
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  1. Tudor Autobiography: Listening for Inwardness by Meredith Anne Skura (review)
  2. F. W. Brownlow
  3. pp. 352-353
  4. DOI: 10.1353/shq.2014.0037
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  1. Theatre, Community, and Civic Engagement in Jacobean London by Mark Bayer (review)
  2. Paul Menzer
  3. pp. 354-356
  4. DOI: 10.1353/shq.2014.0024
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  1. Arras Hanging: The Textile That Determined Early Modern Literature and Drama by Rebecca Olson (review)
  2. Frank Nicholas Clary
  3. pp. 356-358
  4. DOI: 10.1353/shq.2014.0026
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  1. Environmental Degradation in Jacobean Drama by Bruce Boehrer (review)
  2. Steve Mentz
  3. pp. 359-361
  4. DOI: 10.1353/shq.2014.0028
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  1. Contributors
  2. pp. 365-367
  3. DOI: 10.1353/shq.2014.0034
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