restricted access   Volume 65, Number 3, Fall 2014

Table of Contents


Empirical Middleton: Macbeth, Adaptation, and Microauthorship

pp. 239-272

Michael Drayton, Shakespeare’s Shadow

pp. 273-306

“Play me false”: Rape, Race, and Conquest in The Tempest

pp. 307-327

Review Essay

Medieval Shakespeare: Pasts and Presents ed. by Ruth Morse, Helen Cooper, and Peter Holland, and: Shakespeare and the Medieval World by Helen Cooper, and: Recursive Origins: Writing at the Transition to Modernity by William Kuskin (review)

pp. 328-337

Book Reviews

The Oxford Handbook of Tudor Drama ed. by Thomas Betteridge and Greg Walker (review)

pp. 338-340

A Fury in the Words: Love and Embarrassment in Shakespeare’s Venice by Harry Berger Jr. (review)

pp. 341-343

Philosophical Readings of Shakespeare: “Thou Art the Thing Itself” by Margherita Pascucci (review)

pp. 343-346

Shakespeare and the Spanish “Comedia”: Translation, Interpretation, Performance. Essays in Honor of Susan L. Fischer ed. by Bárbara Mujica (review)

pp. 346-349

Bound to Read: Compilations, Collections, and the Making of Renaissance Literature by Jeffrey Todd Knight (review)

pp. 349-351

Tudor Autobiography: Listening for Inwardness by Meredith Anne Skura (review)

pp. 352-353

Theatre, Community, and Civic Engagement in Jacobean London by Mark Bayer (review)

pp. 354-356

Arras Hanging: The Textile That Determined Early Modern Literature and Drama by Rebecca Olson (review)

pp. 356-358

Environmental Degradation in Jacobean Drama by Bruce Boehrer (review)

pp. 359-361

Shakespeare, Trauma and Contemporary Performance by Catherine Silverstone, and: Shakespeare / Adaptation / Modern Drama: Essays in Honour of Jill L. Levenson ed. by Randall Martin and Katherine Scheil (review)

pp. 362-364


pp. 365-367