Volume 65, Number 3, Fall 2014

Table of Contents

Essays

Empirical Middleton: Macbeth, Adaptation, and Microauthorship

pp. 239-272
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Michael Drayton, Shakespeare’s Shadow

pp. 273-306
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“Play me false”: Rape, Race, and Conquest in The Tempest

pp. 307-327
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Review Essay

Medieval Shakespeare: Pasts and Presents ed. by Ruth Morse, Helen Cooper, and Peter Holland, and: Shakespeare and the Medieval World by Helen Cooper, and: Recursive Origins: Writing at the Transition to Modernity by William Kuskin (review)

pp. 328-337
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Book Reviews

The Oxford Handbook of Tudor Drama ed. by Thomas Betteridge and Greg Walker (review)

pp. 338-340
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A Fury in the Words: Love and Embarrassment in Shakespeare’s Venice by Harry Berger Jr. (review)

pp. 341-343
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Philosophical Readings of Shakespeare: “Thou Art the Thing Itself” by Margherita Pascucci (review)

pp. 343-346
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Shakespeare and the Spanish “Comedia”: Translation, Interpretation, Performance. Essays in Honor of Susan L. Fischer ed. by Bárbara Mujica (review)

pp. 346-349
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Bound to Read: Compilations, Collections, and the Making of Renaissance Literature by Jeffrey Todd Knight (review)

pp. 349-351
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Tudor Autobiography: Listening for Inwardness by Meredith Anne Skura (review)

pp. 352-353
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Theatre, Community, and Civic Engagement in Jacobean London by Mark Bayer (review)

pp. 354-356
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Arras Hanging: The Textile That Determined Early Modern Literature and Drama by Rebecca Olson (review)

pp. 356-358
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Environmental Degradation in Jacobean Drama by Bruce Boehrer (review)

pp. 359-361
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Shakespeare, Trauma and Contemporary Performance by Catherine Silverstone, and: Shakespeare / Adaptation / Modern Drama: Essays in Honour of Jill L. Levenson ed. by Randall Martin and Katherine Scheil (review)

pp. 362-364
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Contributors

pp. 365-367
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