1. Forging a Cosmopolitan Ideal: Mario Lavista’s Early Music
  2. Ana R. Alonso-Minutti
  3. pp. 169-196
  4. restricted access View | Download |
  1. Evita, el Che, Gardel y el gol de Victorino: Funciones y significados del sampleo en el tango electrónico
  2. María Emilia Greco, Rubén López Cano
  3. pp. 228-259
  4. restricted access View | Download |
  1. The Cultural Positioning of the Banda de Músicos in the Central Andes of Peru
  2. Joshua Katz-Rosene
  3. pp. 260-288
  4. restricted access View | Download |
  1. Musics of Latin America ed. by Robin Moore and Walter Aaron Clark (review)
  2. Noel Allende Goitía
  3. pp. 294-296
  4. restricted access View | Download |
  1. The Accordion in the Americas: Klezmer, Polka, Tango, Zydeco, and More! ed. by Helena Simonett (review)
  2. Susan Hurley-Glowa
  3. pp. 298-301
  4. restricted access View | Download |
  1. Embodying Mexico: Tourism, Nationalism, and Performance by Ruth Hellier-Tinoco (review)
  2. Kim Kattari
  3. pp. 302-304
  4. restricted access View | Download |
  1. Contracanto: Una perspectiva semiótica de la obra temprana de Silvestre Revueltas by Roberto Kolb Neuhaus (review)
  2. Rubén López Cano
  3. pp. 305-307
  4. restricted access View | Download |
  1. Los libros de polifonía de la Catedral de México: Estudio y catálogo crítico by Javier Marín López (review)
  2. Juan Francisco Sans
  3. pp. 312-315
  4. restricted access View | Download |
  1. Afro-Cuban Music: A Bibliographic Guide by John Gray (review)
  2. Amanda Villepastour
  3. pp. 315-318
  4. restricted access View | Download |
  1. Contributors
  2. pp. 319-320
  3. restricted access View | Download |