Volume 33, 2014

Table of Contents

T heatres of War

Illustrations

pp. ix-x
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Introduction

pp. 1-3
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Civil War Memories on the Nineteenth-Century Amateur Stage: Preserving the Union (and Its White Manly Parts)

pp. 4-34
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Corporeal Disasters of War: Legibilities of “Spain” and the Jewish Body in Helen Tamiris’s Adelante!

pp. 35-55
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A Doughgirl with the Doughboys: Elsie Janis, “The Regular Girl,” and the Performance of Gender in World War I Entertainment

pp. 56-70
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Staging Hibernia: Female Allegories of Ireland in Cathleen Ní Houlihan and Dawn

pp. 71-82
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Germanification, Cultural Mission, Holocaust: Theatre in Łódź during World War II

pp. 83-107
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Resistance to War: Carl Zuckmayer’s Des Teufels General

pp. 108-129
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“Imposing the Standards of Boston on Japan”: Kasutori Performance, Censorship, and the Occupation

pp. 130-150
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Locating Fascism by Dislocating War: Stage For Action’s Skin Deep

pp. 151-168
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Binding and Unbinding Insurrection in Madagascar: Jean Luc Raharimanana’s 47

pp. 169-192
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Beyond Political Propaganda: Performing Anticommunist Nostalgia in 1950s’ Taiwan

pp. 193-208
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Marilyn Monroe: Soldier in Greasepaint

pp. 209-225
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Birnam Wood: Scotland, Nationalism, and Theatres of War

pp. 226-249
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Book Reviews

“Uncle Tom’s Cabin” on the American Stage and Screen by John W. Frick (review)

pp. 251-253
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Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)

pp. 253-256
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Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays Edited by Verna A. Foster (review)

pp. 256-258
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Theatre & Mind by Bruce McConachie (review)

pp. 258-260
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Audrey Wood and the Playwrights by Milly S. Barranger (review)

pp. 260-263
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Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865 by Karl M. Kippola (review)

pp. 263-265
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Theatre Noise: The Sound of Performance Edited by Lynne Kendrick and David Roesner (review)

pp. 265-267
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The Cambridge Introduction to Christopher Marlowe by Tom Rutter (review)

pp. 268-270
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Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

pp. 270-272
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British Avant-Garde Theatre by Claire Warden (review)

pp. 272-275
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Readings in Performance and Ecology Edited by Wendy Arons and Theresa J. May (review)

pp. 275-278
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Walking on Fire: The Shaping Force of Emotion in Writing Drama by Jim Linnell (review)

pp. 278-280
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The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)

pp. 280-282
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Queen of Vaudeville: The Story of Eva Tanguay by Andrew L. Erdman (review)

pp. 282-284
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Molière on Stage: What’s So Funny? by Robert W. Goldsby (review)

pp. 285-286
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Direction by Simon Shepherd (review)

pp. 287-289
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Dramaturgy of the Real on the World Stage Edited by Carol Martin (review)

pp. 289-291
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Doomed by Hope: Essays on Arab Theatre Edited by Eyad Houssami (review)

pp. 291-293
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Shakespeare and His Contemporaries by Jonathan Hart (review)

pp. 294-296
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Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism by Michael Y. Bennett (review)

pp. 296-298
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Acts of Gaiety: LGBT Performance and the Politics of Pleasure by Sara Warner (review)

pp. 299-302
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Books Received

pp. 303-306
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Contributors

pp. 307-310
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