1. Modal Transpositions toward Theatres of Encounter, or, in Praise of “Media Intermultimodality”
  2. Andy Lavender
  3. pp. 499-518
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  1. Hayloft’s Thyestes: Adapting Seneca for the Australian Stage and Context
  2. Margaret Hamilton
  3. pp. 519-539
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  1. All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night’s Unstable Identities
  2. John R. Severn
  3. pp. 541-557
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  1. Gentlemen Prefer Adaptations: Addressing Industry and Gender in Adaptation Studies
  2. Bethany Wood
  3. pp. 559-579
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  1. Ghosts We Have Seen Before: Trends in Adaptation in Contemporary Performance
  2. Katja Krebs
  3. pp. 581-590
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  1. The Mysteries Conceived and directed by Ed Sylvanus Iskandar (review)
  2. Jill Stevenson
  3. pp. 591-594
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  1. The Grapes of Wrath by Frank Galati (review)
  2. Aaron C. Thomas
  3. pp. 594-596
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  1. Roddy Doyle’s the Commitments: A New Musical by Roddy Doyle, and: Teenage Kicks: A Punk Musical by Colin Bateman (review)
  2. Mary Jo Lodge
  3. pp. 596-599
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  1. A Man’s a Man by Bertolt Brecht (review)
  2. Jordan Schildcrout
  3. pp. 599-601
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  1. Spill by Leigh Fondakowski (review)
  2. courtney b. Ryan
  3. pp. 601-604
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  1. Measure for Measure by William Shakespeare (review)
  2. Rachel Evans
  3. pp. 608-611
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  1. Twelfth Night by William Shakespeare (review)
  2. Horacio Sierra
  3. pp. 611-613
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  1. La Zapatera Prodigiosa (The Prodigious Shoemaker’s Wife) by Federico García Lorca (review)
  2. BEN DE WITTE
  3. pp. 617-619
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  1. The House that will not Stand by Marcus Gardley (review)
  2. Miriam Chirico
  3. pp. 619-621
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  1. Adaptation
  2. Kevin J. Wetmore Jr.
  3. pp. 625-634
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  1. Sex and War on the American Stage: Lysistrata in performance, 1930–2012 by Emily B. Klein (review)
  2. Helene P. Foley
  3. pp. 637-638
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  1. The Politics of Adaptation: Contemporary African Drama and Greek Tragedy by Astrid Van Weyenberg (review)
  2. Phillip Zapkin
  3. pp. 638-639
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  1. South African Performance and Archives of Memory by Yvette Hutchison (review)
  2. Gibson Alessandro Cima
  3. pp. 639-341
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  1. Imagining the Edgy City: Writing, Performing, and Building Johannesburg by Loren Kruger (review)
  2. Catherine M. Cole
  3. pp. 641-642
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  1. Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout (review)
  2. Baz Kershaw
  3. pp. 644-646
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  1. Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (review)
  2. Laurie Frederik
  3. pp. 646-647
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  1. Contemporary Mise En Scène: Staging Theatre Today by Patrice Pavis (review)
  2. Jeanmarie Higgins
  3. pp. 648-649
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  1. Yip Harburg: Legendary Lyricist and Human Rights Activist by Harriet Hyman Alonso (review)
  2. Vivian Appler
  3. pp. 653-654
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  1. Editorial Comment: Theatre and Adaptation
  2. Joanne Tompkins
  3. pp. ix-xi
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  1. Books Received
  2. pp. 655-663
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  1. Contributors’ Index
  2. pp. 667-675
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