Volume 66, Number 4, December 2014

Table of Contents

Theatre and Adaptation

Editorial Comment: Theatre and Adaptation

pp. ix-xi
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Special-Issue Essays

Modal Transpositions toward Theatres of Encounter, or, in Praise of “Media Intermultimodality”

pp. 499-518
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Hayloft’s Thyestes: Adapting Seneca for the Australian Stage and Context

pp. 519-539
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All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night’s Unstable Identities

pp. 541-557
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Gentlemen Prefer Adaptations: Addressing Industry and Gender in Adaptation Studies

pp. 559-579
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Performance Reviews

Review Essay

Ghosts We Have Seen Before: Trends in Adaptation in Contemporary Performance

pp. 581-590
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Reviews

The Mysteries Conceived and directed by Ed Sylvanus Iskandar (review)

pp. 591-594
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The Grapes of Wrath by Frank Galati (review)

pp. 594-596
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Roddy Doyle’s the Commitments: A New Musical by Roddy Doyle, and: Teenage Kicks: A Punk Musical by Colin Bateman (review)

pp. 596-599
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A Man’s a Man by Bertolt Brecht (review)

pp. 599-601
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Spill by Leigh Fondakowski (review)

pp. 601-604
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Major Barbara by George Bernard Shaw, and: The Light in the Piazza by Craig Lucas and Adam Guettel, and: Guys and Dolls by Jo Swerling, Abe Burrows, and Frank Loesser (review)

pp. 604-608
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Measure for Measure by William Shakespeare (review)

pp. 608-611
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Twelfth Night by William Shakespeare (review)

pp. 611-613
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A Lady of Little Sense by Lope de Vega, and: Punishment Without Revenge by Lope de Vega, and: Don Gil of the Green Breeches by Tirso de Molina (review)

pp. 614-617
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La Zapatera Prodigiosa (The Prodigious Shoemaker’s Wife) by Federico García Lorca (review)

pp. 617-619
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The House that will not Stand by Marcus Gardley (review)

pp. 619-621
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The Barber of Seville by Pierre-Augustin Caron de Beaumarchais, and: The Marriage of Figaro by Pierre-Augustin Caron de Beaumarchais (review)

pp. 621-624
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Book Reviews

Review Essay

Adaptation

pp. 625-634
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Reviews

Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant, and: Shakespeare in America: An Anthology from the Revolution to Now ed. by James Shapiro (review)

pp. 635-637
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Sex and War on the American Stage: Lysistrata in performance, 1930–2012 by Emily B. Klein (review)

pp. 637-638
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The Politics of Adaptation: Contemporary African Drama and Greek Tragedy by Astrid Van Weyenberg (review)

pp. 638-639
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South African Performance and Archives of Memory by Yvette Hutchison (review)

pp. 639-341
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Imagining the Edgy City: Writing, Performing, and Building Johannesburg by Loren Kruger (review)

pp. 641-642
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Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickstrom (review)

pp. 642-644
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Passionate Amateurs: Theatre, Communism, and Love by Nicholas Ridout (review)

pp. 644-646
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Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (review)

pp. 646-647
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Contemporary Mise En Scène: Staging Theatre Today by Patrice Pavis (review)

pp. 648-649
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Perform, Repeat, Record: Live Art in History ed. by Amelia Jones and Adrian Heathfield, and: Live Art in La: Performance in Southern California, 1970–1983 ed. by Peggy Phelan (review)

pp. 649-651
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Wild Tongues: Transnational Mexican Popular Culture by Rita E. Urquijo-Ruiz, and: La Voz Latina: Contemporary Plays and Performance Pieces by Latinas ed. Elizabeth C. Ramírez and Catherine Casiano (review)

pp. 651-653
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Yip Harburg: Legendary Lyricist and Human Rights Activist by Harriet Hyman Alonso (review)

pp. 653-654
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Books Received

pp. 655-663
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Contributors’ Index

pp. 667-675
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