1. What Never Happened: Social Amnesia in Sense and Sensibility
  2. James O’Rourke
  3. pp. 773-791
  4. DOI: 10.1353/sel.2014.0049
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  1. Metonymy and the Dense Cosmos of Bleak House
  2. Benjamin Joseph Bishop
  3. pp. 793-813
  4. DOI: 10.1353/sel.2014.0038
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  1. Rebuilding Charles Dickens’s Wreck and Rethinking the Collaborative
  2. Melisa Klimaszewski
  3. pp. 815-833
  4. DOI: 10.1353/sel.2014.0040
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  1. Servants and the Victorian Sensation Novel
  2. Anna Peak
  3. pp. 835-851
  4. DOI: 10.1353/sel.2014.0042
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  1. Large-Scale Sympathy and Simultaneity in George Eliot’s Romola
  2. Jacob Jewusiak
  3. pp. 853-874
  4. DOI: 10.1353/sel.2014.0044
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  1. George Eliot’s Screaming Statues, Laocoon, and the Pre-Raphaelites
  2. Rebecca Rainof
  3. pp. 875-899
  4. DOI: 10.1353/sel.2014.0046
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  1. The Poetics of Talk in Robert Louis Stevenson’s Treasure Island
  2. Amy R. Wong
  3. pp. 901-922
  4. DOI: 10.1353/sel.2014.0048
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  1. Oscar Wilde’s Radically Revised View of China
  2. Colin Cavendish-Jones
  3. pp. 923-941
  4. DOI: 10.1353/sel.2014.0037
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  1. Recent Studies in the Nineteenth Century
  2. Adela Pinch
  3. pp. 943-1002
  4. DOI: 10.1353/sel.2014.0039
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  1. Studies in English Literature 1500–1900: Volume 54, 2014
  2. pp. 1009-1011
  3. DOI: 10.1353/sel.2014.0041
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  1. The Monroe Kirk Spears Award
  2. p. v
  3. DOI: 10.1353/sel.2014.0043
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  1. In Memoriam
  2. Logan D. Browning
  3. p. v
  4. DOI: 10.1353/sel.2014.0045
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  1. In Memoriam
  2. Logan D. Browning
  3. p. vi
  4. DOI: 10.1353/sel.2014.0047
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  1. BOOKS RECEIVED
  2. pp. 985-1002
  3. DOI: 10.1353/sel.2014.0050
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