In this Issue
- Volume 24, 2014
- Issue
- < 40: Emerging Voices
The companion annual journal to Leonardo, Leonardo Music Journal is devoted to the aesthetic and technical issues in contemporary music and sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints and includes an audio CD or multimedia CD-ROM. Recent and forthcoming themes include: Power and Responsibility: Politics, Identity and Technology in Music, Southern Cones: Music out of Africa and South America, and Not Necessarily English Music: Britain's Second Golden Age.
published by
The MIT Pressviewing issue
Volume 24, 2014Editorial Board
Executive Editor
Roger F. Malina
Editor-in-Chief
Nicolas Collins
Managing Editor
Patricia Bentson
Editorial Advisor
Pamela Grant-Ryan
Associate Editor
Nicholas Cronbach
Editorial Assistant
Maryam Shamlou
Proofreader
Jennifer Brown
Leonardo On-Line Layout
Kathleen Quillian
Leonardo Digital Reviews
Editor-in-Chief
Michael Punt
Managing Editor
Bryony Dalefield
Associate Editors
Dene Grigar
Martha Blassnigg
Hannah Drayson
Production
Wilsted & Taylor Publishing Services
Leonardo Music Journal Editorial Board
Jürgen Bräuninger,
School of Arts: Music,
Howard College Campus,
University of KwaZulu-Natal,
Durban 4041, South Africa.
Email: brauning@ukzn.ac.za.Joel Chadabe,
P.O. Box 8748,
Albany, NY 12208, U.S.A.
Email: joel@newmusicworld.com.Christoph Cox,
Emily Dickinson Hall 8,
School of Humanities,
Arts and Cultural Studies,
Hampshire College, Amherst, MA 01002,
U.S.A. Email: ccox@hampshire.edu.Tom Erbe,
University of California at San Diego,
Department of Music,
9500 Gilman Drive, MC0099, La Jolla, CA 92093, U.S.A.
Email: tre@ucsd.edu.Jonathan Impett,
School of Media and Performing Arts,
Middlesex University,
London, NW4 4BT, U.K.
Email: jonathan.impett@gmail.com.Douglas Kahn,
National Institute for Experimental Arts,
College of Fine Arts,
University of New South Wales,
GPO Box 259 Paddington, NSW 2021, Australia.
Email: douglas.kahn@unsw.edu.au.Eduardo Reck Miranda,
ICCMR, University of Plymouth,
The House,
Plymouth, PL4
8PP, United Kingdom.
Email: eduardo.miranda@plymouth.ac.uk.Andrea Polli,
Albuquerque, NM, U.S.A.
Email: andrea@andreapolli.com.Tara Rodgers,
Washington, D.C., U.S.A.
Email: analogtara@gmail.com.David Rosenboom,
The Herb Alpert School of Music at Cal Arts,
California Institute of the Arts,
24700 McBean Parkway,
Santa Clarita, CA 91355, U.S.A.
Email: david@calarts.edu.Jonathan Sterne,
Department of Art History and Communication Studies,
McGill University,
Arts W-225,
835 Sherbrooke St. W.,
Montreal QC, H3A0G5, Canada.
Email: jonathan.sterne@mcgill.ca.Yan Jun,
17-1-302 Hua Fang Yi Cheng,
Qing Bian Lu 29,
Chaotang, Beijing, 100123, China.
Email: subjam@gmail.com.
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