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Table of Contents

Articles

  1. C. P. E. Bach and the History of Music
  2. Christoph Wolff
  3. pp. 197-218
  4. DOI: https://doi.org/10.1353/not.2014.0140
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  1. The Sound of Moog: Using Vinyl Recordings to Reconstruct a History of the Moog Synthesizer
  2. Thom Holmes
  3. pp. 219-236
  4. DOI: https://doi.org/10.1353/not.2014.0146
  5. restricted access
  1. A Panoramic Survey of Beethoven’s Hammerklavier Sonata, Op. 106: Composition and Performance
  2. Basilio Fernández Morante, Charles Davis
  3. pp. 237-262
  4. DOI: https://doi.org/10.1353/not.2014.0152
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2008–2013
  2. Kerri Scannell Baunach
  3. pp. 263-270
  4. DOI: https://doi.org/10.1353/not.2014.0157
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  1. Notes for Notes
  3. pp. 271-272
  4. DOI: https://doi.org/10.1353/not.2014.0128
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Book Reviews

Aesthetics, Philosophy

  1. Rethinking Hanslick: Music, Formalism, and Expression ed. by Nicole Grimes, Siobhán Donovan, Wolfgang Marx (review)
  2. Yung-Hsiang Wang
  3. pp. 273-275
  4. DOI: https://doi.org/10.1353/not.2014.0133
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  1. Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)
  2. Inessa Bazayev
  3. pp. 275-277
  4. DOI: https://doi.org/10.1353/not.2014.0138
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  1. The Aesthetic Life of Cyril Scott by Sarah Collins (review)
  2. Laurie J. Sampsel
  3. pp. 277-280
  4. DOI: https://doi.org/10.1353/not.2014.0144
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American Music

  1. MacDowell by E. Douglas Bomberger (review)
  2. Robin Rausch
  3. pp. 280-283
  4. DOI: https://doi.org/10.1353/not.2014.0150
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  1. Sweet Dreams: The World of Patsy Cline ed. by Warren R. Hofstra (review)
  2. Olivia Carter Mather
  3. pp. 283-285
  4. DOI: https://doi.org/10.1353/not.2014.0155
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  1. John Kirkpatrick, American Music, and the Printed Page by Drew Massey (review)
  2. Tim Sullivan
  3. pp. 285-287
  4. DOI: https://doi.org/10.1353/not.2014.0160
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  1. Anything Goes: A History of American Musical Theatre by Ethan Mordden (review)
  2. Christopher Lynch
  3. pp. 287-289
  4. DOI: https://doi.org/10.1353/not.2014.0131
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Composers

  1. Frederic Mompou: El eterno recomenzar by Adolf Pla i Garrigós (review)
  2. Lance W. Brunner
  3. pp. 289-292
  4. DOI: https://doi.org/10.1353/not.2014.0136
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  1. Hamilton Harty: Musical Polymath by Jeremy Dibble (review)
  2. Julian Onderdonk
  3. pp. 292-295
  4. DOI: https://doi.org/10.1353/not.2014.0142
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Hipness, Jazz

  1. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music by Jesse Weaver Shipley (review)
  2. James Burns
  3. pp. 295-297
  4. DOI: https://doi.org/10.1353/not.2014.0148
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  1. Dig: Sound and Music in Hip Culture by Phil Ford (review)
  2. Joseph R. Matson
  3. pp. 297-299
  4. DOI: https://doi.org/10.1353/not.2014.0153
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  1. The John Coltrane Reference by Chris DeVito, et al. (review)
  2. Mark C. Gridley
  3. pp. 299-300
  4. DOI: https://doi.org/10.1353/not.2014.0158
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Opera, Medicine

  1. Not without Madness: Perspectives on Opera by Fabrizio Della Seta (review)
  2. Gina Rivera
  3. pp. 301-303
  4. DOI: https://doi.org/10.1353/not.2014.0129
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  1. A History of Opera by Carolyn Abbate, Roger Parker (review)
  2. Hannah Adamy
  3. pp. 303-305
  4. DOI: https://doi.org/10.1353/not.2014.0134
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  1. Bad Vibrations: The History of the Idea of Music as a Cause of Disease by James Kennaway (review)
  2. Brian F. Wright
  3. pp. 305-307
  4. DOI: https://doi.org/10.1353/not.2014.0139
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Repertoire

  1. The Pierrot Ensembles: Chronicle and Catalogue, 1912–2012 by Christopher Dromey (review)
  2. Bryan R. Simms
  3. pp. 308-309
  4. DOI: https://doi.org/10.1353/not.2014.0145
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  1. Beethovens Orchestermusik und Konzerte: Das Handbuch ed. by Oliver Korte, Albrecht Riethmüller (review)
  2. John Moran
  3. pp. 309-312
  4. DOI: https://doi.org/10.1353/not.2014.0151
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  1. Guide to the Pianist’s Repertoire by Maurice Hinson, Wesley Roberts (review)
  2. Donald Manildi
  3. pp. 312-314
  4. DOI: https://doi.org/10.1353/not.2014.0156
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Sovereign, Sacred

  1. Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)
  2. Mark A. Peters
  3. pp. 315-317
  4. DOI: https://doi.org/10.1353/not.2014.0127
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  1. Music in Early Franciscan Thought by Peter V. Loewen (review)
  2. Richard R. Bunbury
  3. pp. 317-319
  4. DOI: https://doi.org/10.1353/not.2014.0132
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Theory

  1. A Theory of Music Analysis: On Segmentation and Associative Organization by Dora A. Hanninen (review)
  2. Dimitris Exarchos
  3. pp. 320-322
  4. DOI: https://doi.org/10.1353/not.2014.0137
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 323-331
  4. DOI: https://doi.org/10.1353/not.2014.0143
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Music Reviews

Music from Medieval Britain

  1. Songs in British Sources c. 1150–1300 ed. by Helen Deeming (review)
  2. Gregorio Bevilacqua
  3. pp. 332-336
  4. DOI: https://doi.org/10.1353/not.2014.0149
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Eighteenth-Century Chamber Music from the Spanish Court

  1. Tríos para dos violines y violonchelo. Series VI y VIII ed. by Lluís Bertran Xirau, and: Cuartetos de cuerda L184–L199 ed. by Miguel Ángel Marín, Jorge Fonseca (review)
  2. Germán Labrador
  3. pp. 336-340
  4. DOI: https://doi.org/10.1353/not.2014.0154
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Keyboard Music by Galuppi

  1. Le opere strumentali. Serie prima: Musica per tastiera, Volume 1: Opera 1, Opera 2, Passatempo al cembalo ed. by Mario Folena, Roberto LoreggianLe opere strumentali. Serie prima: Musica per tastiera, Volume 2: [Manoscritti da fonti veneziane] ed. by Federica Iannella, Giuliana Maccaroni, and: Le opere strumentali. Serie prima: Musica per tastiera, Volume 3: [Manoscritti da fonti italiane (non veneziane)] by Elisa Fontana, Roberto Velasco, and: Le opere strumentali. Serie prima: Musica per tastiera, Volume 4: [Manoscritti da fonti italiane diverse]by Alvise De Piero (review)
  2. Matteo Magarotto
  3. pp. 340-345
  4. DOI: https://doi.org/10.1353/not.2014.0159
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The Original Version of Bizet’s L’Arlésienne

  1. L’Arlésienne: Drame en trois actes et cinq tableaux. Version originale de 1872 pour ensemble instrumental et chœur by Georges Bizet (review)
  2. Hugh Macdonald
  3. pp. 345-349
  4. DOI: https://doi.org/10.1353/not.2014.0130
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Newly Published Music by Benjamin Britten

  1. Three Songs for Les Illuminations by Benjamin Britten, and: Six Early Songs (1929–31) for medium voice and piano by Benjamin Britten, and: Two Pieces for violin, viola and piano (1929) by Benjamin Britten, and: Two Psalms: Out of the deep, Praise ye the Lord, for SATB chorus and orchestra by Benjamin Britten, and: Variations for piano (1965) by Benjamin Britten (review)
  2. Mervyn Cooke
  3. pp. 349-352
  4. DOI: https://doi.org/10.1353/not.2014.0135
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  1. Music Received
  2. David Knapp
  3. pp. 353-360
  4. DOI: https://doi.org/10.1353/not.2014.0141
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  1. Index to Advertisers
  3. p. 362
  4. DOI: https://doi.org/10.1353/not.2014.0147
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