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Table of Contents

  1. Announcements
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/hjr.2014.0034
  5. restricted access
  1. The Subject of Style
  2. Stuart Burrows
  3. pp. 201-208
  4. DOI: https://doi.org/10.1353/hjr.2014.0022
  5. restricted access
  1. The Philosophical Importance of James’s Late Style
  2. Meili Steele
  3. pp. 209-217
  4. DOI: https://doi.org/10.1353/hjr.2014.0025
  5. restricted access
  1. “Conscience of the Atelier”: Style in James’s Criticism
  2. Paul Grimstad
  3. pp. 218-225
  4. DOI: https://doi.org/10.1353/hjr.2014.0028
  5. restricted access
  1. Henry James’s Jolie Laide
  2. Mary Ann O’Farrell
  3. pp. 226-231
  4. DOI: https://doi.org/10.1353/hjr.2014.0030
  5. restricted access
  1. Henry James’s Straight Talking Style
  2. Matthew Krumholtz
  3. pp. 232-239
  4. DOI: https://doi.org/10.1353/hjr.2014.0033
  5. restricted access
  1. Scratching at the Surface: Understanding History through Style in James’s Italy
  2. Sarah Salter
  3. pp. 240-247
  4. DOI: https://doi.org/10.1353/hjr.2014.0036
  5. restricted access
  1. “Henry would never know he hadn’t written it himself”: The Implications of “Dictation” for Jamesian Style
  2. Bethany Layne
  3. pp. 248-256
  4. DOI: https://doi.org/10.1353/hjr.2014.0039
  5. restricted access
  1. Modes of Composition in Henry James: Dictation, Style, and What Maisie Knew
  2. David L. Hoover
  3. pp. 257-277
  4. DOI: https://doi.org/10.1353/hjr.2014.0024
  5. restricted access
  1. Adventitious Style in The Portrait of a Lady
  2. João Cardoso de Lima
  3. pp. 278-284
  4. DOI: https://doi.org/10.1353/hjr.2014.0027
  5. restricted access
  1. Toward the Incalculable: A Note on Henry James and Organic Form
  2. Jacek Gutorow
  3. pp. 285-294
  4. DOI: https://doi.org/10.1353/hjr.2014.0029
  5. restricted access
  1. A Transcription of Impressions: The American Scene and the Jamesian Aesthetics of Lateness
  2. Philip Tsang
  3. pp. 295-306
  4. DOI: https://doi.org/10.1353/hjr.2014.0032
  5. restricted access
  1. Overt Relations: James and Modernism
  2. Anna Despotopoulou
  3. pp. 307-312
  4. DOI: https://doi.org/10.1353/hjr.2014.0035
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  1. Jamesian Styles: Introduction
  2. Susan M. Griffin
  3. pp. 199-200
  4. DOI: https://doi.org/10.1353/hjr.2014.0037
  5. restricted access
  1. Fictions of Autonomy: Modernism from Wilde to de Man by Andrew Goldstone (review)
  2. Marius Hentea
  3. pp. E-17-E-19
  4. DOI: https://doi.org/10.1353/hjr.2014.0038
  5. restricted access
  1. The Vulgar Question of Money: Heiresses, Materialism, and the Novel of Manners from Jane Austen to Henry James by Elsie B. Michie (review)
  2. June Hee Chung
  3. pp. E-19-E-22
  4. DOI: https://doi.org/10.1353/hjr.2014.0023
  5. restricted access
  1. Nineteenth-Century British Travelers in the New World ed. by Christine DeVine (review)
  2. Michèle Mendelssohn
  3. pp. E-22-E-26
  4. DOI: https://doi.org/10.1353/hjr.2014.0026
  5. restricted access