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Table of Contents

  1. Editor’s Note
  2. Edward H. Friedman
  3. p. ix
  4. DOI: https://doi.org/10.1353/boc.2014.0015
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  1. Tributes
  2. Elias L. Rivers, Julián Valbuena, Thomas A. Lathrop
  3. pp. xi-xii
  4. DOI: https://doi.org/10.1353/boc.2014.0018
  5. restricted access
  1. De lo científico a lo folclórico: Astrólogos y Astrología en el teatro renacentista
  2. Julio Vélez Sainz
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/boc.2014.0001
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  1. Micrographia del chapín: La virilla de plata del Siglo de Oro
  2. Noelia Cirnigliaro
  3. pp. 19-39
  4. DOI: https://doi.org/10.1353/boc.2014.0004
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  1. Dulzura para los versos o estilo para la prosa: Enargeia en Lope
  2. María Ángeles Fernández Cifuentes
  3. pp. 41-54
  4. DOI: https://doi.org/10.1353/boc.2014.0007
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  1. Reality and Illusion in La celosa de sí misma: The Doubling of Identity
  2. Robert L. Turner III
  3. pp. 55-74
  4. DOI: https://doi.org/10.1353/boc.2014.0010
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  1. Peasants in the Palace: Moreto and Cáncer’s La fuerza del natural and the Mockery of Courtly Practices
  2. Alejandro García-Reidy
  3. pp. 75-95
  4. DOI: https://doi.org/10.1353/boc.2014.0013
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  1. Musical Scenes in Two Seventeenth-Century Versions of El Eneas de Dios (The Aeneas of God) Attributed to Agustín Moreto y Cabaña (1618-1669)
  2. George Yuri Porras
  3. pp. 97-111
  4. DOI: https://doi.org/10.1353/boc.2014.0017
  5. restricted access
  1. La gitanilla de Madrid de Antonio de Solís: Dramatización y reformulación ideológica de la novela cervantina
  2. Elena Villa Fernández de Castro
  3. pp. 113-131
  4. DOI: https://doi.org/10.1353/boc.2014.0000
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  1. Sor Juana’s Double Crossing to the Boards of the Bard: Los empeños de una casa and Helen Edmundson’s The Heresy of Love
  2. Susan L. Fischer
  3. pp. 133-157
  4. DOI: https://doi.org/10.1353/boc.2014.0003
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  1. Women’s Exemplary Violence in Luis Vélez de Guevara’s La serrana de la Vera
  2. Margaret E. Boyle
  3. pp. 159-175
  4. DOI: https://doi.org/10.1353/boc.2014.0006
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  1. The Teatro Cervantes in Alcalá de Henares
  2. John J. Allen
  3. pp. 177-200
  4. DOI: https://doi.org/10.1353/boc.2014.0009
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Reviews

  1. Subject Stages: Marriage, Theater, and the Law in Early Modern Spain by María M. Carrión (review)
  2. Gladys Robalino
  3. pp. 201-203
  4. DOI: https://doi.org/10.1353/boc.2014.0012
  5. restricted access
  1. The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theatre by Mirzam C. Pérez (review)
  2. Monica Leoni
  3. pp. 204-205
  4. DOI: https://doi.org/10.1353/boc.2014.0016
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  1. Klassik und Barock—Pegasus und Chimäre: französische und spanische Literatur des 17. Jahrhunderts im Dialog by Christian Grünnagel (review)
  2. David J. Hildner
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/boc.2014.0019
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  1. La profetiza Casandra y el leño de Meleagro by Pablo Polop y Valdés (review)
  2. Fernando Gómez
  3. pp. 209-210
  4. DOI: https://doi.org/10.1353/boc.2014.0002
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  1. Amar su propia muerte by Juan de Espinosa Medrano (review)
  2. Javier Lorenzo
  3. pp. 211-213
  4. DOI: https://doi.org/10.1353/boc.2014.0005
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2012 Siglo de Oro Drama Festival, Chamizal

Coordinated by Anna-Lisa Halling

  1. Antona García
  2. Rosie Seagraves
  3. pp. 215-217
  4. DOI: https://doi.org/10.1353/boc.2014.0008
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  1. Tiempo de Carnaval
  2. Ivy Howell
  3. pp. 217-219
  4. DOI: https://doi.org/10.1353/boc.2014.0011
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  1. Los milagros del desprecio
  2. Jonathan Wade
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/boc.2014.0014
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