1. The Shadow of the Canon
  2. Jeremy Lopez
  3. pp. 109-119
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  1. Jonson’s “Italian riddle”: Epicene and the Translation of Aretino’s Female Speech
  2. Andrew S. Keener
  3. pp. 120-139
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  1. “This is called mortifying of a fox”: Volpone and How To Get Rich Quick by Dying Slowly
  2. Maggie Vinter
  3. pp. 140-163
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  1. How To Make Love to the Moon: Intimacy and Erotic Distance in John Lyly’s Endymion
  2. Gillian Knoll
  3. pp. 164-179
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  1. Mediating Boys: Two Angry Women and the Boy Actor’s Shaping of 1590s Theatrical Culture
  2. Andrea Crow
  3. pp. 180-198
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  1. “When sorrows come”: John Webster v. Thomas Dekker in the Court of King’s Bench
  2. David Mateer, Alan H. Nelson
  3. pp. 199-208
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  1. The Duchess of Malfi, The Knight of the Burning Pestle, and The Malcontent: Shakespeare’s Globe, January–April 2014
  2. Bridget Escolme
  3. pp. 209-218
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  1. The Cambridge Companion to Shakespeare and Contemporary Dramatists ed. by Ton Hoenselaars (review)
  2. Jessica Slights
  3. pp. 219-221
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  1. The Oxford Handbook of Holinshed’s “Chronicles” ed. by Paulina Kewes, Ian W. Archer, and Felicity Heal (review)
  2. John D. Cox
  3. pp. 221-224
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  1. Christopher Marlowe in Context ed. by Emily C. Bartels and Emma Smith (review)
  2. Nedda Mehdizadeh
  3. pp. 224-227
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  1. The Unrepentant Renaissance: From Petrarch to Shakespeare to Milton by Richard Strier (review)
  2. Michael Schoenfeldt
  3. pp. 227-229
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  1. The Ephemeral History of Perfume: Scent and Sense in Early Modern England by Holly Dugan (review)
  2. Elizabeth D. Harvey
  3. pp. 229-232
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  1. Recovering Disability in Early Modern England ed. by Allison P. Hobgood and David Houston Wood (review)
  2. Jennifer C. Vaught
  3. pp. 232-235
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  1. Introduction to “Not Shakespeare”
  2. Lars Engle
  3. pp. 105-108
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  1. Contributors
  2. pp. 236-237
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