1. “Totally Original”: Daly, Boucicault, and Commercial Art in Late Nineteenth Century Drama
  2. George Pate
  3. pp. 9-21
  4. DOI: 10.1353/tsy.2014.0003
  5. restricted access View | Download |
  1. “The Mind of an Adult, the Heart of a Girl”: Constructing Margo Jones in Rehearsal
  2. Boone J. Hopkins
  3. pp. 33-47
  4. DOI: 10.1353/tsy.2014.0007
  5. restricted access View | Download |
  1. Puttin’ the Profit in Nonprofit Broadway Theatre Companies
  2. Dean Adams
  3. pp. 48-61
  4. DOI: 10.1353/tsy.2014.0009
  5. restricted access View | Download |
  1. Commercial Necessities: Reviving Stephen Sondheim and George Furth’s Company at the Turn of the Millennium
  2. Jeff Turner
  3. pp. 62-76
  4. DOI: 10.1353/tsy.2014.0011
  5. restricted access View | Download |
  1. Power in Weakness: Musicals in Poland under Communism
  2. Jacek Mikolajczyk
  3. pp. 77-85
  4. DOI: 10.1353/tsy.2014.0000
  5. restricted access View | Download |
  1. The Recent Trend in Licensed Broadway Musicals in South Korea: Hybrid Cultural Products of K-Drama and K-Pop
  2. Jae Kyoung Kim
  3. pp. 86-98
  4. DOI: 10.1353/tsy.2014.0002
  5. restricted access View | Download |
  1. Stages of Experience: Theatrical Connections between the Seven Stages of Experience and Historical Museums
  2. Erin Scheibe
  3. pp. 99-109
  4. DOI: 10.1353/tsy.2014.0004
  5. restricted access View | Download |
  1. Grover’s Corners Gets Sexy: The Appealing Dissonance of David Cromer’s Our Town
  2. Tony Gunn
  3. pp. 110-120
  4. DOI: 10.1353/tsy.2014.0006
  5. restricted access View | Download |
  1. “There’s Too Many of Them!”: Off-Off-Broadway’s Performance of Geek Culture
  2. John Patrick Bray
  3. pp. 121-133
  4. DOI: 10.1353/tsy.2014.0008
  5. restricted access View | Download |
  1. Introduction
  2. David S. Thompson
  3. pp. 5-8
  4. DOI: 10.1353/tsy.2014.0001
  5. restricted access View | Download |
  1. Contributors
  2. pp. 135-137
  3. DOI: 10.1353/tsy.2014.0010
  4. restricted access View | Download |